Using the Nikon Z9 for Landscape Photography on Dartmoor
I've got hold of Nikon's flagship mirrorless camera, the Z9, and I'm off to Dartmoor to take landscape photographs with it!
I Have a Z9!
Yes, that’s right, I’ve been out capturing landscape photographs with Nikon’s flagship camera, the Nikon Z 9. But before you judge me as being yet another photographer showing off gear that no normal photographer could ever own, please watch the video below. I will explain all. I promise.
I hope you enjoyed that short exploration of the Z 9 or if you don’t hold much interest in gear, you at least enjoyed the locations and photographs I captured. If you’ve got any comments on the locations, the photographs or even the Z9, please do leave me a comment.
Apologies for the short blog post this week, but I’m busy putting the final touches on two big videos that I hope to be publishing very soon. I’m excited to be sharing them with you, so please do keep your eye on the blog or subscribe to my YouTube channel.
Nikon Z9 Landscape Photographs
Here are those Z9 landscape photographs that you saw me capture on Dartmoor.
Great Staple Tor
Great Staple Tor #1, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 20mm, f/11, 1.3 sec at ISO 64.
Great Staple Tor #2, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 18mm, f/11, 1/5 sec at ISO 64, 4:5 crop.
Brent Tor (Brentor Church)
A foggy Brentor Church #1, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 14mm, f/11, 1/60 sec at ISO 64, 16:9 crop.
A foggy Brentor Church #2, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 15mm, f/11, 1/200 sec at ISO 64, 4:5 crop.
Brat Tor
Brat Tor, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 24mm, f/8, 1/250 sec at ISO 64, 16:9 crop.
Great Links Tor
Great Links Tor #1, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 14mm, f/11, 1/40 sec at ISO 64.
Great Links Tor #3, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 14mm, f/11, 1/25 sec at ISO 64.
Great Links Tor #4, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 14mm, f/11, 1/10 sec at ISO 64.
Great Links Tor #5, Dartmoor, Devon - Nikon Z9, Nikkor 14-30mm f4 at 14mm, f/11, 1/5 sec at ISO 64.
Nikon Z fc - Landscape Photography and Video Review
Is the Nikon Zfc all style and no substance? Is it just a camera for hipsters or for those with penchant for retro styled products? Would you really use this camera for landscape photography and for video or vlogging? In this blog post I tell you why I purchased the Nikon Z fc and why I LOVE it so much.
I’ve Finally Gone All Nikon
Ever since I purchased my first DSLR, the Nikon D80, I’ve stuck with Nikon cameras for my landscape photography. I’ve tested a couple of other cameras like the Panasonic S1R and even the mighty Fujifilm GFX100S, but I’ve never found a compelling reason to move away from Nikon. The Nikon Z7 remains the best camera I have used for landscape photography, and you can read why here.
The camera I use for my video work is a different story. I’ve changed the camera I use for YouTube content creation many times over the years! However, I’ve never used a Nikon as my primary camera for video work. Even though the quality of the video has been superior to my other cameras, they were never easy to use when you are a one-man camera crew and in front of the camera. A lack of a flippy out screen and reliable AF (and more recently face and eye AF) have always relegated Nikon cameras to landscape photography only.
With the release of the Nikon Z fc all that changed. With a flippy out screen and the AF system from the Nikon Z 6/7 II cameras, it appeared that the last of the blockers I had for using Nikon cameras for video had finally gone. I would also have the bonus of being able to use my ever-expanding collection of Nikon Z mount lenses.
Those changes were enough for me to pre-order the Nikon Z fc as soon as it was announced. The more I looked at the specifications of this camera though, I started to see how it could be used for more than just video. I could easily end up using this camera as an additional body for landscape photography, and thanks to features such as animal AF, I could lift the quality of my family photography and video.
So, on paper, this camera was ticking a lot of boxes for me. But now that I have it, how does it stack up? Let’s find out in the video below.
Nikon Z fc Landscape Photographs
Here are the photographs you saw in my video. I’m really impressed by the quality of the still images captured with the Nikon Z fc.
Wheal Coates with the Nikon Z fc
Wheal Coates, South West Coast Path, Cornwall - Nikon Z fc with Nikkor Z 16-50mm f/3.5-6.3 VR
Wheal Coates, South West Coast Path, Cornwall - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Bowerman’s Nose with the Nikon Z fc
Bowerman’s Nose, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Bowerman’s Nose, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Dawlish Warren with the Nikon Z fc
Dawlish Warren, South West Coast Path, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Dawlish Warren, South West Coast Path, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Dawlish Warren, South West Coast Path, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Holne Bridge with the Nikon Z fc
Holne Bridge, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Holne Bridge, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
And finally…Monty!
Monty at Haytor, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Back to Bowerman's Nose - Part 2
In part two of my two-part blog from Bowerman’s Nose, I return to capture my planned images of sunrise.
Sunrise at Bowerman’s Nose
In part one of this two-part blog from Bowerman’s Nose, I talked about returning to one of my favourite locations, planning for a sunrise shoot and sharing with you some of the images I took that evening. In part two I’m going to share with you the story and images from my sunrise shoot at Bowerman’s Nose.
At first, I wasn’t sure if the forecast conditions were going to be worth the 03:30 alarm call. As much as I love sunrises rise there is still something about a 03:30 alarm call that still fills me with dread. I’m much happier to take a risk on a 5 am alarm call, but anything alarm call that starts with 3 am needs to carefully be considered. Without a clear and concise weather forecast, I should have just postponed for another day but the images I had captured in part 1 had inspired me to take a risk. I set my alarm for 03:30 and crossed my fingers.
The alarm went off and by the time I was in my car with a large, strong cup of coffee, I was surprisingly upbeat and excited. Even before I set off, I could see the sky was looking interesting so I was hopeful that my early alarm call might pay off.
Around Sunrise
Even though I had explored the area at sunrise to try and work out where I would want to shoot from at sunrise, there was still an element of working out on the fly. You can plan and visualise all you want but sometimes it’s not until you are there, and you can see what the light is like that you can work out what your compositions are going to be for that particular trip.
Bowerman's Nose Sunrise #1, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 16mm, f/13, 5 secs at ISO 64, Kase Filters K9 circular polariser.
I don’t mind having this unknown element in my plans. It adds a little excitement to the adventure! As the sun rose the colours and the light continually changed forcing me to move around the location trying out different compositions.
Bowerman's Nose Sunrise #2, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 20mm, f/11, 0.4 secs at ISO 64, Kase Filters K9 circular polariser.
One of the main changes between shooting the tor at sunrise is that it becomes possible to photograph it from the other side. The side I show in these photographs would typically be in shadow at sunset. I found it interesting to see how different the tor looked at this angle.
Bowerman's Nose Sunrise Panorama #1, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 20mm, f/11, 1/6th secs at ISO 64, Kase Filters K9 circular polariser, 7 image stich panorama.
After Sunrise
After capturing my sunrise images, I packed my back and intended to go home. I had been exploring the hill behind the tor and as I descended back down the hill, I began to wonder what some of my sunset composition would look like with the light coming from a different direction. As I had plenty of time to spare, I decided to hang around a little longer and wait for the sun to get high enough to illuminate the areas of the ground currently in shadow.
Bowerman's Nose Sunrise #3, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 17mm, f/8, 1/30th secs at ISO 64, Kase Filters K9 circular polariser, 4 image focus stack.
It took a little longer than I thought for the light to reach those areas and I was starting to get concerned that the light would then be too harsh. Fortunately, even though it was an hour after sunrise, the light remained soft and golden, illuminating the foreground nicely. Though the compositions are like those that I might take at sunrise, I like the way the light from the rising sun makes them subtlety different.
Bowerman's Nose Sunrise #4, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 15mm, f/11, 1/80th secs at ISO 64, Kase Filters K9 circular polariser.
After taking those images I felt I’d had a successful morning and I’d captured some nice images. At the very least I felt that the 03:30 alarm call was well justified. Even without the photographs, it was a beautiful morning up on Dartmoor. With light winds and warm (for Dartmoor) temperatures, it was one of those mornings where is just fantastic to watch the start of the day.
As I left Bowerman’s Nose, I started to feel tired and hungry but also delighted that I’d made the effort to get up early. I love the buzz you get when you just know you’ve got some images on your memory card that are going to process well.
One thing is for sure, I will be returning to Bowerman’s Nose for another sunrise shoot. I won’t, however, be looking forward to that very early alarm call!
Back to Bowerman's Nose - Part 1
In part one of a two-part blog I return to Bowerman’s Nose on Dartmoor to capture some sunset images and prepare for my return at sunrise.
Bowerman’s Nose - An Old Friend
Amongst all the Dartmoor tors, Bowerman’s Nose must be one of the most unique there is. I’m not claiming to have seen all the tors, but for the tors I have seen none come close to the size and shape of Bowerman’s Nose. Since I discovered it, I have been trying to capture an image of the tor that makes the most of its uniqueness and the surrounding landscape.
I have come close to getting a shot that matches my vision but there always seems to be something that isn’t quite right. That could too much cloud, not enough cloud, lack of light, or even direction of light. Maybe I’ll never be 100% happy with my shots from there. Maybe I don’t care, and I use this as an excuse to keep returning. I like shooting Bowerman’s Nose and over the years I have come to think of this location as an old friend. There is a certain comfort in returning to this unique location.
Planning for Sunrise
I hadn’t considered shooting Bowerman’s Nose at sunrise until I had spoken to friend and fellow Dartmoor photographer Neil Porter. Neil has captured some spectacular photographs of Bowerman’s Nose at sunrise and he recommended that I give it a try myself.
Photographing Bowerman’ Nose at sunrise isn’t an all-year-round option though. The hills behind the tor block the sunrise at certain times of year meaning that some planning with TPE is required. Using my local knowledge, some data from TPE and some handy tips from Neil, I worked out the rough window of opportunity to capture the tor at sunrise.
One thing was clear from the window of opportunity was that I was going to have to get up early in the morning! Even though I don’t live too far away, with a sunrise time of around 5 am, the alarm call was still going to be unsociable. I’m a morning person but a 3:30 am alarm call is still something I don’t go for without good reason.
Shooting Sunset
Weather planning aside I decided that I should head back to Bowerman’s Nose for a sunset shoot first so I can plan for my sunrise shoot. It would be a good opportunity to refamiliarise myself with the details of the location and plan out where I might place myself for sunrise. A bit of planning is rarely a bad thing and as a bonus I might even get some nice sunset pictures.
Bowerman's Nose Sunset #1, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 23mm, f/13, 1/8th sec at ISO 64, Kase Filters K9 circular polariser.
It appeared that luck was on my side this time and I did indeed get some bonus pictures. While the shots I captured weren’t necessarily good enough for my portfolio I’m still pleased with them. They are a good representation of what I saw, and they remind me of how pleasant Dartmoor can be when you get nice conditions.
Bowerman's Nose Sunset #2, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 22mm, f/13, 1/10th sec at ISO 64, Kase Filters K9 circular polariser.
It was not a wasted trip. Not only did I get some pleasing images, but I also now had a good idea of what and how I was going to shoot Bowerman’s Nose at sunrise.
Bowerman's Nose Sunset #3, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 18mm, f/13, 1/6th sec at ISO 64, Kase Filters K9 circular polariser, four image stitched panorama.
I hope you enjoyed these sunset images of Bowerman’s Nose and if you want to find out how I got on then check out part 2 of Back to Bowerman’s Nose.
Mountain Landscape Photography - A 5 Minute Photo Adventure from Ben Cruachan
The ascent of a Munro is a rare treat for me these days so I was really excited when I recently got the chance to walk up Ben Cruachan to do some mountain landscape photography in the Scottish Highlands.
Hill Walking in Scotland
It’s rare for me to have the opportunity to walk up a Munro these days. I live hundreds of miles away from the nearest one, and when I am in Scotland it’s usually for a family holiday and so disappearing for a day in the mountains can be a little tricky.
I almost managed an ascent of a 3000+ ft Scottish mountain last year but some unexpected snowfall put all of the Munros out of reach due to my lack in snowy mountain skills. So when I planned a return visit to Scotland over Easter, I was eager try and squeeze in an ascent.
As is the way with family holidays though, my time was squeezed, so I had to select a mountain that I could do in a few hours!
Photography from the Summit of Ben Cruachan
When selecting which mountain I was going to walk up I need only have looked out the window from where I was holidaying. Ben Cruachan, standing at 1126 m high, it definitely qualifies as a Munro, and I could make a quick ascent and still be back down before it got too dark.
In order to get up to the summit in time for sunset I need to strip my backpack down to essential camera gear. So I just took my Nikon D850, my Nikkor 24-70 mm f/2.8, my tripod, and a few filters. I had considered taking the drone but the wind was too strong. (Though it was very still at the summit….how annoying!)
I also decided to take my vlogging camera because I thought my little mountain adventure would make for a great 5 Minute Photo Adventure. So if you want to see how I got on, then check out my video below:
It was unfortunate that the conditions weren’t a little better. The sun really fizzled out in the haze along the horizon so I didn’t get much in the way of light on the mountains. However, just watching that dramatic sky from such an amazing location was reward enough for me.
Do you ever get the chance to combine landscape photography with hill walking? What’s your favourite hill or mountain? Let me know in the comments below.
Landscape Photographs from Ben Cruachan
Before I go here are the photographs you saw me capture in the video.
Drochaid Ghlas from Ben Cruachan, Argyll, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 24, f/13, 1/5th sec at ISO 64.
Stob Dearg from Ben Cruachan, Argyll, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 24mm, f/13, 1/5th sec at ISO 64.
Glencoe Landscape Photography - A 5 Minute Photo Adventure
In this coffee break length video I head to the Three Sisters in Glencoe for a spot of landscape photography. Unfortunately the conditions were a little windy. Did that put me off? Of course not!
Short, Sweet, and Very Windy
When I go on a family holiday to Scotland I often make grand plans for some landscape photography adventures. The reality is that these plans rarely come to fruition and I have to scale things back. With the time I do have for photography I do try and cram in as much as possible.
This year I was on holiday not far from Glencoe so when my family suggested we head to there for a pub lunch at the Clachaig Inn. I thought there would be a great opportunity to finish the day with a little bit of landscape photography. With the family safely heading back home I decided to hit some of the photographic highlights of Glencoe. Unfortunately, the weather conditions were going to somewhat dampen my plans.
Well, I say dampen, but rain would have been very welcome. In all my excitement about photographing Glencoe I had forgotten that it hadn’t rained there in over a week. In fact, it had been hot and sunny all week. As most of my favourite spots for landscape photography in Glencoe involve water of some kind, this made things very challenging.
I wanted the video to cover three locations, but every location I visited looked horrible and dry. As it got closer to sunset I decided to head to a viewpoint that would allow me to capture an image of the Three Sisters. Unluckily for me though the weather had other ideas!
I do hope you enjoyed this short video. Do you have a favourite location in Glencoe? Have you ever taken photographs in very windy conditions? Let me know in the comments below.
Those Photographs
Here are the photographs you saw in the video.
Beinn Fhada and Gearr Aonach, Glencoe, Scotland - Nikon D850, Nikkor 16-35 mm f/4 VR at 25 mm, f/10. 1/8th sec at ISO 64.
Gearr Aonach, Glencoe, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 31 mm, f/13. 1/4th sec at ISO 64.
The Three Sisters - Beinn Fhada, Gearr Aonach, and Aonach Dubh, Glencoe, Scotland - Nikon D850, Nikkor 16-35 mm f/4 VR at 16 mm, f/13. 0.6 sec at ISO 64.
Looking Back
All this talk of Glencoe has made me think about the last time I made a video there, so I thought it would be a good time to share that video again:
Landscape Photography and Fitness - Running Up Cat Bells with David Dixon
Can physical or mental fitness have any impact on your landscape photography? To help me answer this question I'm joined in my latest video by fellow photographer and vlogger David Dixon. To put us in the right frame of mind we decide to run up Cat Bells in the Lake District for a spot of sunrise landscape photography. At the summit, we also have a conversation about how physical fitness and mental well-being can benefit our photography and our lives.
A Fast Ascent of Cat Bells
The ascent of Cat Bells in the Lake District is a popular walk and for good reason. The relatively short ascent to 451 m can be achieved by most with a reasonable level of fitness. Those who do make the ascent are rewarded with some spectacular views. For this reason, it is very popular with landscape photographers.
It is an ascent that I’ve made twice myself (here, and here), and each time I’ve been rewarded for my efforts. Each time I stand at the summit though I always think to myself what it would be like to run up the path. I’ve been up there before and seen some fell runners and being a keen runner myself I’ve always thought I’d be able to make it.
Running Friends
The idea of running up Cat Bells had been bubbling away at the back of my mind for sometime when I noticed that fellow photographer and vlogger, David Dixon was doing a lot of running as part of a January challenge. The challenge of running up Cat Bells would be much easier and more enjoyable if I had a friend to run it with. It wasn’t long before me and David had hatched a plan!
Is Fitness Important in Landscape Photography?
Being a vlogger I obviously wanted to video my run up Cat Bells, but I didn’t want the video to be me and David just running up a hill. So we both decided to do our own videos with slightly different themes. In my video you will find me running up Cat Bells and doing a little photography, but also talking to David about how fitness impacts my landscape photography.
So if you want to know why being fit is important to my landscape photography, or you simply want to see some dawn shots take from the summit of Cat Bells, the check out the video below.
Of course as David is vlogger himself he recorded his own video of our little adventure. So for a slightly different point of view check out his video below:
Your Thoughts
Does you physical fitness impact your landscape photography? How do you like to keep fit? Let me know in the comments below.
My Photographs
And finally, here are the photographs I took that morning.
Cat Bells Dawn Panoramic, Lake District - Panasonic Lumix G80, Lumix 12-60 mm f/3.5-5.6 @ 12mm, f/9.0, 1/60th sec @ ISO 100.
Golden Crags, Cat Bells, Lake District - Panasonic Lumix G80, Lumix 12-60 mm f/3.5-5.6 @ 18mm, f/11, 1/40th sec @ ISO 200.
Dawn Crags from Cat Bells, Lake District - Panasonic Lumix G80, Lumix 12-60 mm f/3.5-5.6 @ 12mm, f/11, 1/50th sec @ ISO 200.
The Importance and Joy of Printing at Home
One of the highlights of my time at The Photography Show this year was doing a talk on printing at the Fotospeed stand. In this blog post, I'm very happy to be sharing with you the unabridged video recording of that talk.
Photography Show Talks - An Opportunity
I'm a firm believer that if a good opportunity presents itself that you should grab it with both hands. So when the team at Fotospeed asked if I'd like to do a talk at The Photography Show this year there really was only one answer to give. Yes!
The topic of the talk was up to me but I knew almost straight away that I wanted to talk about printing. Printing has become an integral and enriching part of the photographic experience for me. As regular readers of this blog and viewers of my YouTube channel will know I like to do my printing at home. I've owned a Canon Pixma Pro 10-S for a couple of years now and ever since I made my first print I've been addicted to hitting that print button.
I wanted this talk to be an opportunity for me to share that passion for printing at home. I wanted people to get excited about printing their own work, to have fun with it, and use it as a way to improve their photography. Most of all I wanted people to see that it's a much more rewarding experience viewing their photographs in printed form.
The Importance and Joy of Printing at Home
Thanks to my fellow photographers and friends I'm able to share with you a video of the entire talk I did which was called The Importance and Joy of Printing at Home. Gareth Danks kindly filmed the talk for me, and both Gareth and Chris Sale were good enough to take the still images you see in this blog post.
So if you missed my talk at the show, or you did catch it and perhaps want to see it again, here is an unabridged recording. Enjoy!
On The Fotospeed Stage
Presenting a talk on printing wasn't the only thing I did at the Fotospeed stand. I was also asked to be compere for the weekend. This granted me the privilege of not only meeting some wonderful and interesting photographers but also a seat on the stage to listen and watch Rachael Talibart, Martin Hartley, Trevor & Faye Yerbury, Margaret Salisbury, Matt Hardy and Joe Cornish all talk about their photography. With such a breadth of skills and experiences brought by these photographers, it was little surprise that each talk inspired my photography in its own way.
On stage with Joe Cornish. Photo courtesy of Gareth Danks.
You can also see me discussing my time at The Photograph Show in this Fotospeed video.
Next Year at The Photography Show
I've attended The Photograph Show every year and it just gets bigger and better each year. From the variety of talks, the products on show and the number of people I get to have conversations with, it's now become an integral part of my photography calendar. One thing is for sure, I will be heading back to The Photography Show in 2020.
I do hope you enjoyed this blog post. Did I meet you at the show? Did you get to see my talk live? Did you enjoy the talk (recorded or live)? Let me know in the comments below.
PS - Trying Something New
As I was at The Photography Show all weekend I had some spare time on the Saturday evening so I decided to try a different genre of photography with a fellow vlogger. I'll be publishing the video for that soon, but can anyone guess what type of photography I was doing and who with?
PS - You can watch that video here.
Giving the Gift of Photography
In this blog article I show you how I print and package my photographs before sending them out to clients.
The Gift That Keeps Giving
There’s no doubt that my trip to Lewis and Harris last year, was my 2018 photographic highlight. Being able to immerse myself in photography in such an epic location was amazing. Not only did I get some wonderful images from the trip, but I also got to make a video of my trip, and create a home gallery of the images I captured. It’s fair to say it was a pretty successful trip!
While I was in Harris, I stayed at a really nice property that my friend and I rented for the week. At the time, I thought it would be really nice to offer the owner a print of one of the images I captured on the trip. They might just like a print of a local spot to display on the wall. When I got home and I’d processed all of the photographs, I sent an email to the owner and asked if they would like a print. To my delight, they came straight back to me and said yes!
This was great news, but I didn’t just want to print an image and stick it in the post. I wanted them that have a bit of an experience when they received it. So I got my thinking hat on and got to work on how I was going to package my print.
In the video below, I’ll show you exactly how I’ve packaged my print and describe everything I’ve used to create my unique Julian Baird Photography print experience.
What I Used
I used a number of products in the video, and if you are interested, I’ve listed them below:
Logo and card design by Neil Burnell - Fine Art Photography
An Experience Worth Repeating
All of this may seem a lot of work just to send one person a print, but this won’t be the last print I package and send out. I’m already printing and packaging another order, this time for one of the photographs taken in The Trossachs. It feels great to be able to share my work in this way and to know that people are displaying one of my images in their home.
I do hope you enjoyed this blog post and video. Do you do something similar with your photographs? What packaging do you use? Let me know in the comments below.
Print Giveaway!
At the end of the video, I said I was giving away one of my prints! The lucky winner can choose an A4 print from any image in my portfolio or from my Harris and Lewis collection, and I will package it up in the same way as you saw in this video.
All you need to do is to leave a comment on this blog article with the text “I Love Printing”, and you will be included in the draw. Draw closes on 31st March 2019. Good luck!
Feeling the Pressure of Landscape Photography
In the blog this week I head up to Belstone Common on Dartmoor to capture some landscape photographs. I also discuss some of the pressure I feel while out with my camera.
Is Landscape Photography Stressful?
Is landscape photography stressful? For me at least, no. Being outdoors with my camera is one of the most relaxing and sometimes exciting things I get to do. However, I do sometimes put myself under a bit of pressure. My time out with the camera is limited, so I always want to make the most of the time I do have.
The pressure really comes from trying to make the right decision on where to go. Sometimes the answer is clear and the location to go obvious. Other times, it can be a real headache. I probably spend too much time worrying about where to go if I’m honest.
When I’m out though, all that pressure goes. I’m outdoors, I’ve got my camera, and I’m having fun. Even if the photography is rubbish, I’m still outside enjoying the great outdoors!
While I was up on Dartmoor the other day, I decided to put these thoughts to camera while I was out capturing some dawn images of Belstone Common.
I hope you enjoyed the video. Do you put yourself under pressure for your photography? Is being outdoors generally more important than the photography? Let me know in the comments below.
Belstone Common, Dartmoor
Here are the photographs you saw in the video. Enjoy!
First Light at Belstone, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 @ 16 mm, f/13, 3 secs @ ISO 64.
Dawn on Belstone Common, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 @ 16 mm, f/13, 5 secs @ ISO 64.
Belstone Tor and Belstone Common at Dawn, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 @ 26 mm, f/13, 3 secs @ ISO 64.
Who Left All These Rocks Here, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 @ 17 mm, f/5.6, 1/13 secs @ ISO 64, focus stacked image.
A Stormy Sunday at Start Point
In this blog post I head to Start Point on the south Devon coast to capture some landscape photographs during some stormy weather.
Risk vs Reward
As the crow flies, Start Point in Devon isn’t that far from home. Thanks to some narrow, twisty Devon roads though, the journey there can take up to an hour and a half each way. For that reason, I tend to only visit the location if I think I’m going to get a good photo.
Spectacular sunrises work well at Start Point so I’m always looking at which direction the sun is rising from and what the cloud cover will be before I commit to a trip to one of my favourite lighthouses on the South West Coast Path. The weather forecast for my most recent trip was a little different though. Heavy rain showers and thick cloud were forecast, but it was also forecast to start clearing around sunrise.
This could lead to some spectacular and dramatic weather conditions if everything happens at the right time. Would the risk of travelling all that way reward me with some spectacular landscape photographs?
Stormy Weather Landscape Photography
Despite the 5 am alarm calling causing my brain to become a little muddled when talking to the camera, I did manage to record my South West Coast Path adventure at Start Point. So sit back, relax, keep warm, and join me at Start Point for a spot of landscape photography!
I hope you enjoyed watching my little adventure to Start Point. Which image was your favourite? Have you been to Start Point before? Do you like capturing landscape images during stormy weather? Let me in the comments below.
My Landscape Photographs from Start Point
If you’d like to see the photographs from the video in a bit more detail, here they are.
Breaking Light at Start Point, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 2 seconds at ISO 64, polariser, ND grad.
Calm in the Storm at Start Point, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 81 seconds at ISO 64, polariser, ND grad, 6 stop ND.
Start Point Swirls, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 22 mm, f/13, 60 seconds at ISO 64, polariser, ND grad, 6 stop ND.
A Stormy Dawn at Start Point Lighthouse, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 22 mm, f/13, 1.3 seconds at ISO 64, polariser, ND grad.
These Are Your Photography Stories!
In this blog article, I'm sharing your photography stories and images. Back at the start of 2019, I asked you to submit your photography stories so I could share them with the community. By listening to and watching these stories, I hope we can all learn something that will help us develop and grow as photographers.
At the start of 2019, I published a blog article and video called What’s Your Photography Story? In that video, I shared some of my earliest images, what they meant to me and why they represented significant moments in my journey as a landscape photographer.
During the process of putting that video together, I thought that there must be plenty of photographers out there that also have interesting stories and photographs. So at the end of that video, I asked for people to submit their photographs and stories so I could share them in a special community video.
Well, I’m very pleased to say that’s exactly what some of you did!
These are you photography stories…
I’d like to thank everyone who took the time to submit something to this video. I really couldn’t have made this video without you.
If you want to check out some of their work, please do so by visiting the following links:
Let me know in the comments what your favourite story or image was. :-)
Wengen, Switzerland - A 5 Minute Photo Adventure
In the blog this week I’m in Wengen in Switerzland doing a little bit of landscape photography in the snow!
Why Wengen, Switzerland?
If you are a regular reader of my blog or viewer of my YouTube channel, you will know that most of my adventures are based in the south west of England or occasionally in the wider parts of the UK. It’s rare that I’m on some epic international photography expedition!
My visit to Wengen in Switzerland over the festive period actually had nothing to do with landscape photography. I was actually there on a family holiday. A time to relax, eat too much food, drink a lot of glühwein, and maybe hit the slopes for a bit of skiing and snowboarding. This holiday was definitely not a photography trip.
I’ll Take a Camera Just in Case
No matter where I go, or who with, I normally have some sort of camera with me. It could be my current phone, the OnePlus 6, or my trusty old Sony RX100 M4, but it’s rare that I take my D850 with me on a family holiday. On a family holiday I generally don’t have enough time to spare to dedicate to landscape photography, and besides, sometimes you really do need to take a break from all that serious photography stuff!
When I booked the holiday though, I remembered watching a video from Mads Peter Iversen in which he photographed the Lauterbrunnen valley from Wengen. After watching his wonderful video again, I was inspired to photograph that location myself. Where Mads photographed it when it was all green and lush, I could photograph it in the snow.
Hopefully, I would find a spare hour during my holiday so I could get the shot.
On Location
When we arrived in Wengen there was a distinct lack of snow. This wasn’t a problem for my skiing aspirations as the slopes were quite a bit further up the mountain on a cable car or train, but down in the village, the snow cover was sparse. There was some snow cover, but it was patchy and it looked like I would not get any joy with the photography.
Then one morning it snowed and (mostly) covered the ground with a fresh blanket of snow. With no other snowfall forecast for the week, I knew this was my best opportunity to get a photo. Fortunately, I was able to get away that afternoon, capture an image and make another one of my 5 Minute Photo Adventure videos.
Here it is:
And here is the photograph that I took:
Cloud and Snow Along The Lauterbrunnen Valley, Wengen, Switzerland - Nikon D850, Nikkor 16-35 mm f/4 VR at 35mm, f/13, 1/20th sec at ISO 64.
Challenges
It was actually a challenging shoot. As you saw in the video, a layer of cloud enveloped me at one point, there wasn’t quite enough snow to cover the ground completely, and I didn’t get much in the way of light in the valley or sky. However, I did anticipate the challenges of light on the valley and mountains thanks to some early analysis on The Photographer’s Ephemeris.
Despite all the challenges, I’m pretty happy with the photo. It was my first time at the location, I was really limited with what time I did have, and I was trying to video the whole experience! And besides, I had a lot of fun doing it all, and isn’t that the point?
I do hope you enjoyed this (slightly shorter than) 5 Minute Photo Adventure from Switzerland. Have you ever photographed Wengen or Switzerland? What Europeans countries have you photographed, and do you have a favourite? Let me know in the comments below.
Creating a Landscape Photography Gallery at Home
In the blog this week, I show you how I created my very own home gallery of images from Harris & Lewis using some fantastic papers from Fotospeed.
Printing Landscape Photographs at Home
If you’ve been reading my blog or watching my YouTube channel for a while you know I’m a big fan of printing! For me it’s an exciting part of the photographic process as I take a digital image and make it a physical photograph.
Regular readers/viewers will also know that last year I was lucky enough to photograph one of my bucket list locations, the Isle of Harris and the Isle of Lewis. I managed to capture some wonderful images but after sharing them on this blog, and social media, I knew I was going to not only have to print one image but a whole gallery of them!
I thought this would make for an interesting video, so I’m very pleased to share with you this video on how I went about creating my very own landscape photography gallery at home.
My Landscape Photography Adventure to the Outer Hebrides
As I mentioned in the video I created a video of my adventure to the Outer Hebrides, so if you are interested in seeing how some of the photographs I used in this printing video were created, you can see it here:
Products Used in Video
In the video I also said I would list out some of the products and equipment I used to create the gallery:
Fotospeed papers:
FYI - You can find the Fotospeed Tips and Tricks Facebook page here.
Printed using a Canon Pixma Pro-10S
Picture frames from Picture Frames Express
Those white cotton gloves I use to handle the paper
My Other Printing and Processing Videos
I also mentioned in the video that I would share with you all my other videos on printing and processing:
There’s Always Something to Print
I do hope you enjoyed my video on creating your own landscape photography gallery, and hopefully it has inspired you to print a little more. I highly recommend it!
Do you print at home? Do you have somewhere to create your own gallery? Is there another video on printing you would like to see me produce? Let me know in the comments below.
What's Your Photography Story?
In my first blog post of 2019 I share with you my 5 favourite images of 2018, and tell you how you can get involved in my latest community event, “What’s Your Photography Story?”.
Let’s All Look Back at Our Photography
At the end of every year, I always take a look back at the images I’ve taken that year and select my favourites. I do this for a number of reasons, but mostly to help me remember that my year as a landscape photographer was probably better than I remember! If your last shoot didn’t go well, it’s all too easy to focus on that one, regardless of what else you might have achieved that year.
As I was looking back through my images from 2018, I had the idea of looking at some photographers from much further back in time. In fact, I went all the way back to some of my earliest photographs. It was a really interesting experience as I could see how I have progressed as a photographer. Some of those images though represented significant moments in my journey as a landscape photographer.
Looking back and remembering the importance of some images got me thinking. Everyone else must also have photographs in their collection that represent significant moments in their life as a photographer. It was then I had the idea of collating some of those images and stories and then publishing them in a special community video.
In the video below, I’m going to kick things off with my photography story. I’ll take a look at how my photography has evolved over the years, and share some of my most important images. In the video I also ask you to share one of your most important images and the story behind it. If you would like your image and story to considered for the community video, then details on how to submit can be found later in this blog post.
Every Photographer and Photograph Has a Story
Hopefully, the video has reminded you of an image that you have taken that also has a good story, or marked an important milestone in your journey as a photographer. If so, and you would like the chance to have your story and image featured in a special community video, then you’ll find details on how to submit your image below.
I’m not necessarily looking to see your best image. I want to see images that have an interesting story attached to them. Maybe it was your first photograph, a photograph of a place that has special memories, the first photograph you had published. I may not be able to publish all submissions, so the more interesting your story and photo is, the more likely it will be included in the video!
How To Submit Your Story
What you need to prepare for submission:
Your Image - Images should be at least 3840px on the longest edge, please. I edit my video on a 4K timeline so the higher resolution your image is the better it will look. I can read most file types but if you can submit in JPG or TIFF that would be great. One image only, please.
Your Story - There is no word limit to your story, but please keep it short, concise and most importantly interesting. I would recommend keeping it as short as one or two paragraphs.
Additional Information - Please let me know your name so people know who you are when I read your story. When I display your image I can also display your website address or one of your social media handles. Please include details if you wish me to do this.
Submitting a Video - If you prefer to tell your story yourself, you can submit a video instead. Please keep video clips to a maximum of 30 to 60 seconds and the video file should be exported at a minimum resolution of 1080p. Remember to show your photograph in the video while you tell you story.
Submitting Your Images
Go to https://wetransfer.com/ - this is a free file transfer service and you don't need to register to use it.
Fill out the form as follows:
Add your files - this is where you attach your images (or video) for transfer.
Email to: yourstory@julianbaird.com
Your email: your email address ( Please use a valid email address though in case I need to contact you for further information.)
Message: Include the text for Your Story and the additional information I've requested above.
Hit the Transfer button
I really enjoyed the last community challenge, Let’s All Embrace The Grey, and the video I produced with all your photographs. Let’s hope we can all make something special again!
Closing date for all submissions is 31st January 2019. Thanks!
My 5 Favourite Images of 2018
And finally, in the video, I shared with you my 5 favourite images from 2018. It wasn’t easy to select just 5 but if you want to know how I did it I published a video last year for my 5 favourites of 2017. You can see that video here.
Happy 2019
All that remains for this blog post is for me to wish you a very happy 2019 and I hope you have a wonderful year of photography.
What photography adventures do you have planned for 2019? What are you looking forward to most? Do you have any goals for the year? Let me know in the comments below.
3 GREAT Landscape Photography Locations on Dartmoor
What are the best locations on Dartmoor for landscape photography? In this blog article, I'm going to show you 3 GREAT landscape photography locations on Dartmoor that I think will inspire you to photograph Dartmoor!
Landscape Photography on Dartmoor
Dartmoor National Park covers over 950 km2 so you can be forgiven for being a bit overwhelmed with the sheer number of landscape photography locations to choose from. Fear not though! I’m here to help.
After the positive feedback I received for my video 3 GREAT Landscape Photography Locations in Cornwall, I decided to produce for Dartmoor locations. Guess what I called it? Yes, that’s right 3 GREAT Landscape Photography Locations on Dartmoor! The locations I visit in the video aren’t necessarily a top 3 or best 3, just 3 great locations that I think will inspire your landscape photography.
After many hours of being frozen and blown about, I’m very happy to share with you the video, 3 GREAT Landscape Photography Location on Dartmoor.
A Bonus 4th Location
I’m also very happy to share with you a bonus 4th location. Wistman’s Wood is a popular Dartmoor location for landscape photographers and for good reason. Unfortunately the day I visited there was very little wind and so the midges were out and that made capturing images and video very difficult. Despite the challenges of the day though, I still managed to create a video that I hope you will enjoy.
More Information on Those Locations
If you want a bit more information on these amazing locations or the images from the video, then I've already published blog posts on the featured locations:
You can also see my 5 Minute Photo Adventure video of Belstone Common (where I shot the intro to the video), right here.
All Those Landscape Photographs
Here all the images you saw in both videos:
What Next?
As with the Cornwall video, the Dartmoor video required a significant amount of effort to produce. However, despite the work required I would like to create more videos like this. If there are other locations in the south-west that you would like to me to make a video on then let me know in the comments below.
A New Vision of The Cobb
In the blog this week I tell you about my most recent visit to Lyme Regis in Dorset to capture landscape images of The Cobb, and how an overcast morning changed the way I view this iconic location.
Weather Obsession
I have to admit it, I'm obsessed with the weather. More specifically, the weather forecast. But what landscape photographer isn't slightly obsessed by the weather. I'm constantly checking the forecast and looking for the best place to visit with the limited about of time that I have for my landscape photography.
After a few days of frankly terrible weather, it was going to take some pretty awful conditions to stop me heading out with the camera. After much head scratching over the weather forecast I thought the best place to go would be The Cobb at Lyme Regis in Dorset.
It was a bit of a risk to go there given the predicted cloud cover. Either side of sunrise it was forecasting 100% cloud cover, but around sunrise itself, the cloud cover could drop to around 50%. Combined with the direction of the rising sun, I was hoping to capture an image similar to this one I'd taken a while back.
The Cobb vs The Sea, Lyme Regis, Dorset - Nikon D750, Nikkor 16-35 mm f/4 at 22 mm, f/13, 0.6 secs at ISO 100, Lee Filters ND Grad.
Choose Life, Choose The Cobb
Before I carry on, I've just remembered that I created one of my 5 Minute Photo Adventure videos from The Cobb, so if you want to see what it looks like, then check out the video below. You can also read the blog article for that video here.
Anyway, back to the story of my most recent visit. When I arrived in Lyme Regis, the weather was as forecast and cloud coverage looked to be 100%. As I walked from the car and approached The Cobb I could see that I wasn't the only photographer that high hopes for capturing a good image that morning.
As I setup my camera and took my first few shots, I suddenly changed my mind on the type of shot that I wanted. Rather than trying to repeat the type of shot I showed you earlier, I decided the image below was the style of image I wanted to capture that morning.
A New Vision of The Cobb, Lyme Regis, Dorset - Nikon D850, Nikkor 16-35 mm f/4 at 24 mm, f/13, 30 secs at ISO 64.
The calm waters, overcast sky, the colour of the water and long exposure all add up to a very different, but still pleasing image. Normally I like to capture the drama of the sea at The Cobb, but that morning called for something different.
As soon as I saw the image on the back on the screen on my D850 I realised that I had been missing out on some creative compositions at this location. I would definitely have to visit when the conditions were like this again.
After a short while, a break in the cloud started appearing in the distance, and the mood of the scene changed. Normally I'm happy when the cloud starts breaking up, but in this instance, I wanted the cloud cover to stay at 100%! With the gap in the cloud, the serenity and calmness of the scene was broken.
It was an interesting morning for me. My previous visits to The Cobb had gradually embedded into my mind the type of image I should capture there. This visit broke all that and I left with a renewed sense of excitement about returning to The Cobb on the next grey and overcast day!
Have you had a similar experience? Have you had your perception of a favourite location changed by weather? Let me know in the comments below.
Great Staple Tor
In the blog this week I head to Great Staple Tor on Dartmoor where I find I have to work very quickly to get even one shot.
Dartmoor, Here We Go Again
When I’m short of time, there are generally two places I’ll go to get my photography fix. If I’m in the mood for creating coastal images I’ll head to Dawlish Warren and if not, I’ll go to Dartmoor. I’m very lucky to live so close to Dartmoor, but I’m sometimes overwhelmed by the sheer number of different locations I could select to photograph.
Normally the weather will dictate which part of Dartmoor I will go to, but this time the forecast was generally clear all over Dartmoor. On clear days I like to shoot from Rippon Tor <insert URL>, but as I’d visited there recently I decided that I wanted another high elevation point to shoot from. After a little bit of thought, I decided that a visit to Great Staple Tor was in order.
Like most tors on Dartmoor, Great Staple Tor needs good light to make the most of it. That probably wasn’t going to be an issue given the forecast so all I was going to need was a few clouds in the sky so I wouldn’t end up with just a blanket of blue. A little bit of action in the sky always works well when shooting the open moorland of Dartmoor.
Great Staple Tor
As I found on my recent shoot at Rippon Tor <insert URL>, what the weather forecast states and what the weather actually is on Dartmoor can be two very different things. Arriving at the car park on Pork Hill it soon became apparent that it was going to be a very overcast morning. Not to be put off, I started my ascent up and soon reached Middle Staple Tor.
Normally you can see Great Staple Tor from Middle Staple Tor, but all I could see this morning was cloud. In fact, I had to check my map that I was going in the right direction! I soon reached my destination though and the cloud started to lift a little and combined with a cup of coffee, my spirits also started to lift.
It was definitely going to be a morning of waiting. The cloud would clear a little, but then get heavy again. One minute you could see for miles, the next you couldn’t even see the next tor. As time ticked by and sunrise came and went, I thought that was it and I wouldn’t be capturing any images that morning.
Then all of a sudden there was a clear spell and I got some morning light on Great Staple Tor. I quickly took these two images.
Late Morning Light on Great Staple Tor, Dartmoor, Devon - Nikkon D850, Nikkor 16-35 mm f/4 at 21 mm, f/13, 1/6th sec at ISO 64, Lee Filters ND Grad.
Dawn at Great Staple Tor, Dartmoor, Devon - Nikkon D850, Nikkor 16-35 mm f/4 at 21 mm, f/13, 1/6th sec at ISO 64, Lee Filters ND Grad.
Within a few minutes though all that warm light had gone and the sun disappeared behind a bank of cloud. I would have waited longer to see if the sun would make another appearance, but the sky soon clouded over so I decided that I’d probably had the best of the morning conditions.
While it obviously wasn’t the most productive of mornings, I did at least manage to get a couple of images, so it was far from a wasted trip. Besides, even if I’d captured no images that morning, watching the day start from high up the moor with a cup of coffee is rarely a bad thing.
Have you ever photographed Great Staple Tor? Do you shoot a location where the weather can change quickly? Let me know in the comments below.
Evolving Landscapes - On My Bookshelf S01E06
In this episode of On My Bookshelf, I take a look at Evolving Landscapes by Light & Land. Is this a landscape photography book that needs to be on your bookshelf?
I expect most of you will have heard of Charlie Waite. He is one of the highest profile landscape photographers in the UK and also the founder of the hugely popular competition Landscape Photographer of the Year. He is also founded the photography travel and workshop company Light & Land. Over the years, Light & Land have built a reputation for having some of the best landscape photographers as workshop tutors and leaders.
When I heard that Light & Land were releasing Evolving Landscapes and it would feature photographs from some those tutors I thought it would make an excellent addition to my bookshelf. However, the question is, is it a book that should be on your bookshelf. Let's find out.
If you want to pick up a copy of Evolving Landscapes you can do so directly from Light & Land by following this link: https://www.lightandland.co.uk/store/view/evolving-landscapes-book/books
You will also have heard me mention The Togcast podcast. Be sure to check out that show here: http://www.thetogcast.com/
I hope you enjoyed this episode of On My Bookshelf. What was the last photography book you purchased? Are there any books you are planning on buying? Let me know in the comments below.
GREAT Landscape Photography Locations on Harris and Lewis
Looking for a new bucket list location for your landscape photography? In the blog this week, I share with you some of the amazing locations I discovered while photographing two of the Outer Hebrides most famous locations, Harris and Lewis.
Harris and Lewis - Photography Bucket List Locations
I can’t remember when the Isle of Harris and the Isle of Lewis made it onto my bucket list of landscape photography locations. I’m not entirely sure what inspired me to want to go there. Maybe it was a Thomas Heaton video from Harris or seeing some holiday photographs from my sister.
Maybe it wasn’t just one thing, but rather it came through a gradual consumption of media and photographs from this most stunning Scottish location. No matter how it made it on to my list, I had decided that early on in 2018 that I was committed to making the long journey back into my homeland and onwards to the Outer Hebrides.
Immersing Myself in Photography
Time is precious and the amount of time I can normally commit to just doing landscape photography is limited. Things would be different on this trip though. Where my longest landscape photography adventures had normally been limited to a long weekend, this trip would see me commit 9 days. Nine whole days of landscape photography!
Actually, it was going to be nearer to 5 days. From Devon, it’s a two-day drive there and a two day drive back. It is over 650 miles one way, and you also need to get a ferry for part of the journey. That aside, 5 days is way more than I normally get to allocate to my passion. Besides, the journey wouldn’t be so long as I had a mate coming long with me. Plenty of time to catch up and chat.
I also set myself some clear priorities. This trip was going to be all about my photography. The weather gods hadn’t been kind to me in 2018 and I felt I wasn’t taking the images I knew I could. This trip was going to change that and I was going immerse myself in landscape photography.
With the decision to immerse myself in stills photography, I also made the decision not to make creating content for my YouTube channel a priority. The stills photography would be the top priority. My goal for the trip was to capture great landscape images. However, I do love creating content for my YouTube channel so I wasn’t going to go all the way to Harris and Lewis and not film anything.
The Journey Up
Our plan was to get as far as Glencoe on the first day. With a bit of luck, we’d get there before sunset and grab some shots. Fortunately for us, we did and you can see the results in the blog post Glencoe - One Location, 3 Compositions.
Our luck the next day soon ran out though. Not only was the weather not suitable for any sort of landscape photography, but the winds had picked up to gale force and it looked like the ferry crossing would be cancelled. Well, it appeared as if the captain of the boat wasn’t going to let a thing like the wind stop him from sailing, so we eventually left Uig at 9 pm. There wasn’t going to be a sunset shoot on Harris that day, but we were at least going to be making the crossing that evening.
Now the Story Really Starts
It was dark when we arrived in Tarbert, and it was dark when the alarm went off the next day for the first of our sunrise shoots. Having seen nothing of Harris so far we set off in the dark and headed to Luskentyre beach. This is the point where I move the storytelling from the blog to the vlog.
Photographs, Locations and Information
You will have noticed in the video that I didn’t talk about some of the locations we visited. I only showed the photographs. As I said earlier though, I really wanted this trip to be about immersing myself in my photography and not having to worry about talking to the camera.
So you have a more complete picture (excuse the pun) of my trip to Harris and Lewis, the next few sections of this blog post will feature all the images you saw in the video, along with the camera settings, and where they were taken. I hope you will find this information useful and the photographs inspiring.
If you are looking for a bit more inspiration, and more details on some of the locations I visited, be sure to check out Dougie Cunningham's excellent book Photographing Scotland.
Luskentyre Beach #1
No visit to Harris would be complete without going to Luskentyre. I found the photography here so inspiring that I photographed it almost every day.
North Harris from Luskentyre Beach, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 3 seconds at ISO 200, Lee Filters Circular Polariser and ND Grad.
Pull of the Tide at Luskentyre Beach, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 2 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Dunes of Luskentyre Beach #2, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 20 mm, f/13, 1/5th second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Northton Saltings
This interesting location is easy to access as it is right beside the road. Take some wellies though!
Stormy Saltings, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 16 mm, f/13, 15 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
The S in Saltings, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 35 mm, f/13, 15 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Northon Saltings from Above, Isle of Harris - DJI Mavic Pro, 1/100th second at ISO 126, 26 mm at f/2.2.
Traigh Mheilein
Not the easiest beach to get to, but worth the walk.
Traigh Mheilein, Isle of Harris - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 32 mm, f/13, 62 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Stac a' Phris
A spectacular coastline made even more impressive with the Stac a' Phris sea arch.
Turbulent Water at Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/11, 1 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 20 mm, f/11, 2 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Sunset at Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 21 mm, f/11, 5 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Luskentyre Beach #2
The 2nd visit proved even more amazing than the first!
Sunrise at Luskentyre Dunes, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 1 second at ISO 100, Lee Filters Circular ND Grad.
Sky Fire at Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 0.6 seconds at ISO 100, Lee Filters Circular ND Grad, single image crop at 6:17.
Mangurstadh Stacks
Another dramatic coastal location on the Isle of Lewis.
Mangurstadh Stacks, Isle of Lewis - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 52 mm, f/11, 119 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Tràigh Scarasta
There are so many beaches to photograph on Harris, but if you like patterns in your sand this one is well worth a visit.
Tràigh Scarasta, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 69 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Tràigh Scarasta (ICM), Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 24 mm, f/22, 1/4 second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Tràigh Sheileboist
I know it’s another beach, but even in the wildest of conditions it’s possible to get an image at one of the many golden beaches on Harris.
Tràigh Sheileboist, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 26 mm, f/13, 30 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad. Single image crop at 6:17
Luskentyre Beach #3
Last of the Luskentyre images…promise! (It was such an amazing location!)
Tranquility at Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 3 seconds at ISO 64, Lee Filters Circular Polariser, ND and ND Grad.
Sand, Wind and Time, Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 25 mm, f/13, 25 seconds at ISO 64, Lee Filters Circular Polariser, ND and ND Grad.
The Pastel Shades of Luskentyre, Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 144 seconds at ISO 400, Lee Filters Circular Polariser, ND and ND Grad.
Luskentyre Beach Panorama, Isle of Harris - DJI Mavic Pro, 1/50th second at ISO 161, 26 mm at f/2.2, 9 image stitch cropped at 6:17.
A Tearful Goodbye
After 5 whole days of photography, it was sadly time to go home. We were really rather lucky with the conditions we got. The Outer Hebrides aren’t exactly known for settled weather but we managed to make it out every day with the camera. Some days were definitely more challenging than others, but even in wild conditions this magical place had something to offer.
As for the trip home ,that was similar to the trip up. The ferry was delayed due to bad weather so no chance of a sunset shoot back on the mainland, and the conditions the following morning were flat grey and overcast. As we headed down the M6 past the Lake District I didn’t even feel bad for passing it by as I had memory cards full of amazing images and video.
I do hope this blog post and video has given you a sense of not only what my adventure was like, but also what it is like to photograph Harris and Lewis. It truly is one of the most amazing landscapes I’ve ever photographed. From its dramatic coastal locations, grand mountains and open moorland, it never failed to surprise me. There was a real sense of awe. I grew up in the highlands of Scotland and now live in Devon so I know a good landscape, but Harris and Lewis were something special.
Are you planning a trip to the Outer Hebrides? Which photograph or locations was your favourite? What locations are on your bucket list? Let me know in the comments.