The Impossible Shot?
Even without the perfect composition, a quiet evening at an unfamiliar waterfall sparked the beginning of a new creative project.
Sometimes the photographs you cannot take lead to the ideas that matter most.
The Start of a Mini Project
When cloud and rain roll in over Dartmoor, my creative options for photography often feel more limited. The tors come to life when light catches them, but under grey, overcast skies they lose a little of their magic.
I am currently in Scotland, where rain and cloud are even more frequent, but here that extra water opens up new opportunities. Waterfalls scattered across the landscape come into their own in these conditions. Even in winter, without foliage, there are still strong and interesting compositions to be found.
With that in mind, I set out one evening to visit a waterfall I had never seen before. I do not think I had even come across a photograph of it, but I had spotted it on the map and, with no other plans on a damp and overcast evening, it felt like the perfect excuse to explore.
On arrival, I was immediately drawn to the multiple streams cascading down the dark rock. It did not take long to realise that the surrounding landscape was adding nothing to the scene. This was going to be a tighter composition with a longer lens, and it was always going to be black and white. The contrast between the dark rock and the flowing white water felt like it would work beautifully.
There was just one problem. There was no clean shot.
The waterfall can only be viewed from a small, fenced viewpoint, which limits movement quite significantly. The fence is there for good reason, with a steep drop beyond it, so stepping over it was never really an option. Even if it had been, branches framed the scene in a way that would have crept into almost any composition.
It was one of those moments where a drone would have been ideal, allowing a clear view beyond the branches and a chance to capture the scene properly. From where I stood, though, that clean composition simply was not possible.
Despite that, the photographs I did take sparked an idea.
There are countless waterfalls in this area, and I found myself really enjoying the process of capturing these high contrast black and white images. It felt like the beginning of something, so I decided to turn it into a small project. Over the next couple of weeks, I plan to explore more of these locations and build a set of images around this theme.
The photograph I had in mind that evening may not have been possible, but the experience led to something just as valuable. No matter the conditions, it is always worth heading out with the camera. You never quite know where it might lead.
Inverlochy Waterfall, Argyll, Scotland - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 120mm, f/8, 1.3 sec at ISO 64, Kase Filters CPL.
Your Photos Matter - Create a Photo Book
I completely forgot about a collection of images I had so I decided to do something with them!
Don’t Forget to Publish Your Photos!
In October of last year, I went on a photography bucket list trip to the Isle of Skye. This wasn’t a last-minute trip but one that I had probably started to organise some 18 months prior to departure. Over that 18 month period, I had a lot of time to get excited about the trip. Needless to say that when the trip did finally come around my levels of excitement were through the roof.
With all that planning and excitement I find it odd that I left the photographs I captured just sitting on my hard drive. What was the point in spending all that time and money on capturing these images and doing nothing with them! So I decided the best and most interesting way to publish these photographs was with a photo book. If you a regular reader of the blog you’ll know how keen I am on creating something physical from my photographs. This time though, rather than print them myself I would create a photo book.
You can see how I went about it in the video below:
I hope you enjoyed the video and it has inspired you to dig about your catalogue of images, print some of them, or even create a photo book yourself. If you do, please let me know in the comments below.
My Isle of Skye Photographs
I hope you enjoy the collection of photographs that I placed in my book. Just click on a thumbnail to view the image full screen and see all the shooting information.
Mountain Landscape Photography - A 5 Minute Photo Adventure from Ben Cruachan
The ascent of a Munro is a rare treat for me these days so I was really excited when I recently got the chance to walk up Ben Cruachan to do some mountain landscape photography in the Scottish Highlands.
Hill Walking in Scotland
It’s rare for me to have the opportunity to walk up a Munro these days. I live hundreds of miles away from the nearest one, and when I am in Scotland it’s usually for a family holiday and so disappearing for a day in the mountains can be a little tricky.
I almost managed an ascent of a 3000+ ft Scottish mountain last year but some unexpected snowfall put all of the Munros out of reach due to my lack in snowy mountain skills. So when I planned a return visit to Scotland over Easter, I was eager try and squeeze in an ascent.
As is the way with family holidays though, my time was squeezed, so I had to select a mountain that I could do in a few hours!
Photography from the Summit of Ben Cruachan
When selecting which mountain I was going to walk up I need only have looked out the window from where I was holidaying. Ben Cruachan, standing at 1126 m high, it definitely qualifies as a Munro, and I could make a quick ascent and still be back down before it got too dark.
In order to get up to the summit in time for sunset I need to strip my backpack down to essential camera gear. So I just took my Nikon D850, my Nikkor 24-70 mm f/2.8, my tripod, and a few filters. I had considered taking the drone but the wind was too strong. (Though it was very still at the summit….how annoying!)
I also decided to take my vlogging camera because I thought my little mountain adventure would make for a great 5 Minute Photo Adventure. So if you want to see how I got on, then check out my video below:
It was unfortunate that the conditions weren’t a little better. The sun really fizzled out in the haze along the horizon so I didn’t get much in the way of light on the mountains. However, just watching that dramatic sky from such an amazing location was reward enough for me.
Do you ever get the chance to combine landscape photography with hill walking? What’s your favourite hill or mountain? Let me know in the comments below.
Landscape Photographs from Ben Cruachan
Before I go here are the photographs you saw me capture in the video.
Drochaid Ghlas from Ben Cruachan, Argyll, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 24, f/13, 1/5th sec at ISO 64.
Stob Dearg from Ben Cruachan, Argyll, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 24mm, f/13, 1/5th sec at ISO 64.
Creating a Landscape Photography Gallery at Home
In the blog this week, I show you how I created my very own home gallery of images from Harris & Lewis using some fantastic papers from Fotospeed.
Printing Landscape Photographs at Home
If you’ve been reading my blog or watching my YouTube channel for a while you know I’m a big fan of printing! For me it’s an exciting part of the photographic process as I take a digital image and make it a physical photograph.
Regular readers/viewers will also know that last year I was lucky enough to photograph one of my bucket list locations, the Isle of Harris and the Isle of Lewis. I managed to capture some wonderful images but after sharing them on this blog, and social media, I knew I was going to not only have to print one image but a whole gallery of them!
I thought this would make for an interesting video, so I’m very pleased to share with you this video on how I went about creating my very own landscape photography gallery at home.
My Landscape Photography Adventure to the Outer Hebrides
As I mentioned in the video I created a video of my adventure to the Outer Hebrides, so if you are interested in seeing how some of the photographs I used in this printing video were created, you can see it here:
Products Used in Video
In the video I also said I would list out some of the products and equipment I used to create the gallery:
Fotospeed papers:
FYI - You can find the Fotospeed Tips and Tricks Facebook page here.
Printed using a Canon Pixma Pro-10S
Picture frames from Picture Frames Express
Those white cotton gloves I use to handle the paper
My Other Printing and Processing Videos
I also mentioned in the video that I would share with you all my other videos on printing and processing:
There’s Always Something to Print
I do hope you enjoyed my video on creating your own landscape photography gallery, and hopefully it has inspired you to print a little more. I highly recommend it!
Do you print at home? Do you have somewhere to create your own gallery? Is there another video on printing you would like to see me produce? Let me know in the comments below.
GREAT Landscape Photography Locations on Harris and Lewis
Looking for a new bucket list location for your landscape photography? In the blog this week, I share with you some of the amazing locations I discovered while photographing two of the Outer Hebrides most famous locations, Harris and Lewis.
Harris and Lewis - Photography Bucket List Locations
I can’t remember when the Isle of Harris and the Isle of Lewis made it onto my bucket list of landscape photography locations. I’m not entirely sure what inspired me to want to go there. Maybe it was a Thomas Heaton video from Harris or seeing some holiday photographs from my sister.
Maybe it wasn’t just one thing, but rather it came through a gradual consumption of media and photographs from this most stunning Scottish location. No matter how it made it on to my list, I had decided that early on in 2018 that I was committed to making the long journey back into my homeland and onwards to the Outer Hebrides.
Immersing Myself in Photography
Time is precious and the amount of time I can normally commit to just doing landscape photography is limited. Things would be different on this trip though. Where my longest landscape photography adventures had normally been limited to a long weekend, this trip would see me commit 9 days. Nine whole days of landscape photography!
Actually, it was going to be nearer to 5 days. From Devon, it’s a two-day drive there and a two day drive back. It is over 650 miles one way, and you also need to get a ferry for part of the journey. That aside, 5 days is way more than I normally get to allocate to my passion. Besides, the journey wouldn’t be so long as I had a mate coming long with me. Plenty of time to catch up and chat.
I also set myself some clear priorities. This trip was going to be all about my photography. The weather gods hadn’t been kind to me in 2018 and I felt I wasn’t taking the images I knew I could. This trip was going to change that and I was going immerse myself in landscape photography.
With the decision to immerse myself in stills photography, I also made the decision not to make creating content for my YouTube channel a priority. The stills photography would be the top priority. My goal for the trip was to capture great landscape images. However, I do love creating content for my YouTube channel so I wasn’t going to go all the way to Harris and Lewis and not film anything.
The Journey Up
Our plan was to get as far as Glencoe on the first day. With a bit of luck, we’d get there before sunset and grab some shots. Fortunately for us, we did and you can see the results in the blog post Glencoe - One Location, 3 Compositions.
Our luck the next day soon ran out though. Not only was the weather not suitable for any sort of landscape photography, but the winds had picked up to gale force and it looked like the ferry crossing would be cancelled. Well, it appeared as if the captain of the boat wasn’t going to let a thing like the wind stop him from sailing, so we eventually left Uig at 9 pm. There wasn’t going to be a sunset shoot on Harris that day, but we were at least going to be making the crossing that evening.
Now the Story Really Starts
It was dark when we arrived in Tarbert, and it was dark when the alarm went off the next day for the first of our sunrise shoots. Having seen nothing of Harris so far we set off in the dark and headed to Luskentyre beach. This is the point where I move the storytelling from the blog to the vlog.
Photographs, Locations and Information
You will have noticed in the video that I didn’t talk about some of the locations we visited. I only showed the photographs. As I said earlier though, I really wanted this trip to be about immersing myself in my photography and not having to worry about talking to the camera.
So you have a more complete picture (excuse the pun) of my trip to Harris and Lewis, the next few sections of this blog post will feature all the images you saw in the video, along with the camera settings, and where they were taken. I hope you will find this information useful and the photographs inspiring.
If you are looking for a bit more inspiration, and more details on some of the locations I visited, be sure to check out Dougie Cunningham's excellent book Photographing Scotland.
Luskentyre Beach #1
No visit to Harris would be complete without going to Luskentyre. I found the photography here so inspiring that I photographed it almost every day.
North Harris from Luskentyre Beach, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 3 seconds at ISO 200, Lee Filters Circular Polariser and ND Grad.
Pull of the Tide at Luskentyre Beach, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 2 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Dunes of Luskentyre Beach #2, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 20 mm, f/13, 1/5th second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Northton Saltings
This interesting location is easy to access as it is right beside the road. Take some wellies though!
Stormy Saltings, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 16 mm, f/13, 15 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
The S in Saltings, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 35 mm, f/13, 15 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Northon Saltings from Above, Isle of Harris - DJI Mavic Pro, 1/100th second at ISO 126, 26 mm at f/2.2.
Traigh Mheilein
Not the easiest beach to get to, but worth the walk.
Traigh Mheilein, Isle of Harris - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 32 mm, f/13, 62 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Stac a' Phris
A spectacular coastline made even more impressive with the Stac a' Phris sea arch.
Turbulent Water at Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/11, 1 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 20 mm, f/11, 2 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Sunset at Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 21 mm, f/11, 5 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Luskentyre Beach #2
The 2nd visit proved even more amazing than the first!
Sunrise at Luskentyre Dunes, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 1 second at ISO 100, Lee Filters Circular ND Grad.
Sky Fire at Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 0.6 seconds at ISO 100, Lee Filters Circular ND Grad, single image crop at 6:17.
Mangurstadh Stacks
Another dramatic coastal location on the Isle of Lewis.
Mangurstadh Stacks, Isle of Lewis - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 52 mm, f/11, 119 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Tràigh Scarasta
There are so many beaches to photograph on Harris, but if you like patterns in your sand this one is well worth a visit.
Tràigh Scarasta, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 69 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Tràigh Scarasta (ICM), Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 24 mm, f/22, 1/4 second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Tràigh Sheileboist
I know it’s another beach, but even in the wildest of conditions it’s possible to get an image at one of the many golden beaches on Harris.
Tràigh Sheileboist, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 26 mm, f/13, 30 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad. Single image crop at 6:17
Luskentyre Beach #3
Last of the Luskentyre images…promise! (It was such an amazing location!)
Tranquility at Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 3 seconds at ISO 64, Lee Filters Circular Polariser, ND and ND Grad.
Sand, Wind and Time, Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 25 mm, f/13, 25 seconds at ISO 64, Lee Filters Circular Polariser, ND and ND Grad.
The Pastel Shades of Luskentyre, Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 144 seconds at ISO 400, Lee Filters Circular Polariser, ND and ND Grad.
Luskentyre Beach Panorama, Isle of Harris - DJI Mavic Pro, 1/50th second at ISO 161, 26 mm at f/2.2, 9 image stitch cropped at 6:17.
A Tearful Goodbye
After 5 whole days of photography, it was sadly time to go home. We were really rather lucky with the conditions we got. The Outer Hebrides aren’t exactly known for settled weather but we managed to make it out every day with the camera. Some days were definitely more challenging than others, but even in wild conditions this magical place had something to offer.
As for the trip home ,that was similar to the trip up. The ferry was delayed due to bad weather so no chance of a sunset shoot back on the mainland, and the conditions the following morning were flat grey and overcast. As we headed down the M6 past the Lake District I didn’t even feel bad for passing it by as I had memory cards full of amazing images and video.
I do hope this blog post and video has given you a sense of not only what my adventure was like, but also what it is like to photograph Harris and Lewis. It truly is one of the most amazing landscapes I’ve ever photographed. From its dramatic coastal locations, grand mountains and open moorland, it never failed to surprise me. There was a real sense of awe. I grew up in the highlands of Scotland and now live in Devon so I know a good landscape, but Harris and Lewis were something special.
Are you planning a trip to the Outer Hebrides? Which photograph or locations was your favourite? What locations are on your bucket list? Let me know in the comments.