From Dawn to Dusk - Mastering the Light in Landscape Photography - On My Bookshelf S07E03
Mark Bauer and Ross Hoddinott are two of the UK's leading landscape photographers and in this episode of On My Bookshelf I look at their latest book 'From Dawn to Dusk - Mastering the Light in Landscape Photography'.
An Updated Edition by Ross and Mark
Over the last few years Ross and Mark have been publishing updated editions of their co-authored books on landscape photography technique. Now it’s the turn of ‘From Dawn to Dusk: Mastering the Light in Landscape Photography’ to get the updated edition treatment.
I’m not going to say too much more here as I cover all the book essentials in the episode of On My Bookshelf below, but needless to say, if you are looking to improve your landscape photography technique and capture photographs no matter what time of day, then this book from two of Britain’s leading landscape photographers is probably for you.
Enjoy the episode!
Purchase Ross and Mark’s Books
🛒 Purchase 'From Dawn to Dusk: Mastering the Light in Landscape Photography, by Ross Hoddinott and Mark Bauer' here - https://amzn.to/4jPF8Ib
🎞️ Watch my 2018 interview with Mark and Ross about the 1st edition of 'From Dawn to Dusk - https://www.youtube.com/watch?v=r9M-V_75604.
Check out these other great books by Mark and Ross
🛒 Purchase 'Landscape Photography Workshop (Updated Edition)' - https://amzn.to/3qBTHIW
🎞️ Watch On My Bookshelf S06E02 'The Landscape Photography Workshop by Mark Bauer and Ross Hoddinott' - https://youtu.be/TCoLXnzInxs
🛒 Purchase 'The Art of Landscape Photography (Updated Edition)' - https://amzn.to/45Z3WHn
🎞️ Watch On My Bookshelf S05E02 'The Art of Landscape Photography by Ross Hoddinott & Mark Bauer' - https://youtu.be/OMLKcikpoJw
Please note that these are affiliate links (but not paid links or ads). By buying through these links I may receive a commission for the sale. This has no effect on the price for you.
The Landscape Photography Workshop by Mark Bauer and Ross Hoddinott - On My Bookshelf S06E02
In their updated edition of The Landscape Photography Workshop, two of the UKs leading landscape photographers, Ross Hoddinott and Mark Bauer, are aiming to teach you everything you need to know to take amazing landscape photographs. Have they succeeded?
An Updated Edition
As they did last year with The Art of Landscape Photography, Ross Hoddinott and Mark Bauer, have now updated The Landscape Photography Workshop. The updated edition of The Art of Landscape Photography is a book I can easily recommend to anyone wanting to develop their skills in composition. So, when I heard they were also updating The Landscape Photography Workshop, I thought I’d better check it out to see if it would become my book recommendation for those want to learn more about the technical aspects of landscape photography.
Well, the updated edition has arrived, I’ve read it and I can now share my thoughts in the latest episode of On My Bookshelf!
You can buy both updated editions of the books with the links below. They make an excellent pairing!
🛒 Landscape Photography Workshop (Updated Edition) - https://amzn.to/3qBTHIW
🛒 The Art of Landscape Photography (Updated Edition) - https://amzn.to/45Z3WHn
Landscape Photography Audiobook - Ross Hoddinott & Daniel Lezano - On My Bookshelf S03E12
Have you just got a CAMERA? Are you new to LANDSCAPE PHOTOGRAPHY? Are you looking to gain a better understanding of landscape photography TECHNIQUE? If so, then "Landscape Photography: For Mirrorless and Digital SLR Users" by Ross Hoddinott and Daniel Lezano could be for you. In this special audiobook edition of On My Bookshelf, I tell you all about this unique title.
Learning Landscape Photography While on the Move
I spend a lot of time in the car travelling to locations for my landscape photography. Even though I’ve spent most of 2022 photographing my local area (i.e., Dartmoor), I still spend anywhere between 30 and 60 minutes just getting to a location. That’s not to mention how long it takes to walk to the spot I want to photograph after I’ve parked!
I’m not complaining. I’m just highlighting how much time I spend on the move. To make those car journeys pass a little quicker I love to listen to audiobooks. If you’ve ever been put off by the size of the Lord of the Rings or Game of Thrones books, then the audiobook could be the perfect option.
However, I’d never considered listening to an audiobook to learn landscape photography. Sure, I listen to a lot of photography podcasts, but can you teach landscape photography from an audiobook. After all, photography is such a visual medium how can you teach landscape photography without seeing anything?
Ross Hoddinott and Daniel Lezano believe they can and they sent me a copy of their audiobook “Landscape Photography: For Mirrorless and Digital SLR Users” to try out. I must admit that I was rather curious, so I put it to the test, and I share my thoughts on this audiobook title in this episode of On My Bookshelf.
If you like to pick up a copy of “Landscape Photography: For Mirrorless and Digital SLR Users” by Ross Hoddinott and Daniel Lezano, you can do so here - https://amzn.to/3YVL1tR
The Art of Landscape Photography by Ross Hoddinott & Mark Bauer - On My Bookshelf S05E02
In this episode of On My Bookshelf, I look at The Art of Landscape Photography by Ross Hoddinott and Mark Bauer. Will this book take your landscape photography skills from zero to hero?
Learning Landscape Photography from a Book
YouTube has a rich variety of educational content to suit anything you might want to do with your camera. It is a wonderful place to learn photography. I use YouTube myself to improve my photography skills, and though my channel isn’t focused on photography education, I do still hope that people can still learn something from my videos.
That all said, sometimes the best way to learn something is by using a good old-fashioned book. Getting your education from a book can prove to be a more effective medium than YouTube. If you take the topic of landscape photography composition, which is a broad topic, it can be difficult to find a video, or collection of videos that provide sufficiently broad cover of the subject. Typically, you will only get information on one small topic in each video and unless you know what you don’t know, it can be hard to know what topic to cover next.
A book such as The Art of Landscape Photography will often provide broader coverage of the subject, allowing the reader to consume the information they were looking for, but also highlight areas that they might not have had previously thought about.
I’m not saying that the humble book is the best way to learn photography, but it should feature in the formats of educational content that you do consume.
Now that we have positioned the importance of educational photography books, let’s look at The Art of Landscape Photography to see if it should have a place on your bookshelf.
Book and Author Links
You can purchase your copy of The Art of Landscape Photography here.
You can also get:
From Dawn to Dusk: Mastering the Light in Landscape Photography - https://amzn.to/3GA3jGv
The Landscape Photography Workshop - https://amzn.to/3gu7Gs0
Digital Macro & Close-up Photography: New Edition - https://amzn.to/3rzIeI1
Mark's excellent fotoVUE on Photographing Dorset. *** Use the discount code JULIAN to get 20% off all books if you buy at fotovue.com ***
You can see Ross and Mark's photography on their websites - https://www.rosshoddinott.co.uk/ and https://markbauerphotography.com/
You can also check out their workshops at - https://www.dawn2duskphotography.co.uk/
Bite-Size Blog Post #7 - A Journey into Macro Photography
In this bite-size blog post I take a journey into the world of macro photography!
Learning Macro Skills
As you might have guessed this blog post is not going to contain landscape photographs but is instead going to be focused on the wonderful world of macro photography. Regular readers of this blog will know that I’ve been dabbling in macro photography for a while now. It started last year when I went out with a friend to photograph some butterflies and continued when I bought my macro lens a few months ago.
I promised myself that when I purchased a macro lens, I would also spend some money on getting myself some 1-2-1 tuition as well. You can learn a lot from fellow photographers, books and YouTube videos, but it’s hard to beat the value you can get from a 1-2-1 session with a professional.
For 1-2-1 tuition I’ve always valued the services of Ross Hoddinott. Ross has been paramount in my development as a landscape photographer and fortunately for me, he is also a highly-skilled, award-winning, close-up photographer as well. I had no hesitation in booking a 1-2-1 session with him.
Though I had some basic skills already, there was much for me to learn. Not only were there specific camera techniques to learn, but I also needed to learn how to find and identify insect species. And then when I found them, not scare them off with sudden movements!
It was a wonderful day, and even though I know my camera well, learning a whole new set of camera skills with was demanding. I managed to capture some images that I was happy with. They aren’t particularly unique or outstanding, but that wasn’t the point of the day. The point was that I learnt loads, got some images I was happy with, and I had a great day out.
I now feel I at least have the fundamental knowledge to head out into the wilderness myself and capture macro photographs.
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro - shame about the distracting background on this one!
Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro - and this one!
Essential Guide to Filters for Landscape Photography by Hoddinott & Bauer - On My Bookshelf S03E07
What are filters? Do I need filters? Which filters should I buy? How do I use filters? If you need answers to any of these questions, then the latest book to hit my virtual bookshelf could be the answer.
What Filters Should I Use for Landscape Photography?
Questions about filters is the one topic I get asked about more than any other. What filter kit should I buy? What filters do I need? All good questions and I do try and take the time to provide answers. However, I only use the Kase Filter system (which is very good by the way!) and a handful of filters so my experience of other brands and other types of filters is somewhat limited.
Up until now, there hasn’t really been a single, up to date, and comprehensive resource on filters for landscape photography. It would be nice to send people to a single resource where they can get all the information they need on which filters to buy and how to use them.
When Nature TTL announced that they were publishing a book by established photographers and renowned authors Mark Bauer and Ross Hoddinott, I knew I wanted to get a copy. After reading the book and seeing how comprehensive it was I knew I needed to feature it in an episode of On My Bookshelf so you could see for yourself if it might be a title for your bookshelf.
I hope you enjoyed this episode of On My Bookshelf. I thought it was an excellent book on filters for landscape photography and it will be a book that I will now recommend to anyone that has questions about filters. You can get a copy of the book right here.
52 Assignments Landscape Photography by Ross Hoddinott and Mark Bauer - On My Bookshelf S03E02
Are you looking to kickstart your landscape photography in 2020? In this episode of On My Bookshelf, I'm taking a look at 52 Assignments for Landscape Photography by Ross Hoddinott and Mark Bauer. It's packed full of creative assignments but there's really only one way to see how good it is and that is to head out on location and give one of those assignments a try.
OMBS On Location
Most of the photography books featured in On My Bookshelf (OMBS) are normally enjoyed at home with a nice cup of coffee. Every now and again though I get a book that has a more practical element to it and I feel the best way to share my thoughts on it is to go on location with it. I adopted this approach last year when I met up with Nick Livesey to discuss his book Photographing the Snowdonia Mountains.
When I received my copy of 52 Assignments: Landscape Photography by Ross Hoddinott and Mark Bauer I knew straight away that this would be another book that would be best demonstrated on location. The only challenge I had was which of the 52 assignments should I pick!
So join me in the latest episode of OMBS as I share my thoughts on this book and head out to Dartmoor on assignment.
I really hope you enjoyed this episode of OMBS. Santa was good enough to bring me a book on landscape photography that I’ve had on my list for a while now and I hope to bring you that episode of OMBS in the near future.
What do you have planned for your photography in 2020? Do you give yourself any assignments or projects? How do you discover creative ideas and techniques? Let me know in the comments below.
The Photographs
As always, here are the images that you saw in the video. I can’t wait to get back to this location. Hopefully when the light is a bit better and the wind a lot lighter!
West Mill Tor #2, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 21mm, f/13, 1/8th second at ISO 400, CPL and ND Grad.
West Mill Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 14mm, f/13, 1/3rd second at ISO 400, CPL and ND Grad.
West Mill Tor #3, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 21mm, f/13, 1/8th second at ISO 400, CPL and ND Grad.
Digital Books for Your Digital Bookshelf - On My Bookshelf S02E03
In this episode of On My Bookshelf, I take a quick look at 5 digital books that should have a place on your virtual bookshelf.
Inspiration on the Move
I’m a big fan of the photography book. Anyone who’s been subscribed to my YouTube channel for a while will have seen an episode of On My Bookshelf and watched me talk about some of my favourite photography books. For the most part though, those books are too big to take anywhere apart from your own living room.
In most cases, a printed photography book is preferential to a digital photography book. But what if you wanted a little bit of photography inspiration on the move. Perhaps you might have to commute to work every day, or you’ve got a long train journey or even a flight somewhere. Some of the books I have would need to pay for their own seat on a plane!
In this special, digital edition of On My Bookshelf, I’m going to share with you 5 digital photography books that I think should be on your virtual bookshelf, so you can a little bit of photography inspiration on the move.
Your Reading List
As promised, here is a list of those books from the video:
The Art of Landscape Photography - by Ross Hoddinott and Mark Bauer
Gordon Laing - In Camera: Perfect Pictures Straight Out of the Camera
I do hope you enjoyed this shorter than normal episode of On My Bookshelf, but hopefully, you’ve spotted a book there that you might be able to take with you next time you are on the move.
Do you read any digital photography books? Have you got any digital recommendations? Let me know in the comments below.
From Dawn to Dusk - Mastering the Light in Landscape Photography - On My Bookshelf S01E05
In this very special blog post I share with you the latest episode of On My Bookshelf. In the episode I interview Mark Bauer and Ross Hoddinott about their latest book on landscape photography, From Dawn to Dusk. I also tell you about a giveaway where you can win all three of their books.
On My Bookshelf
Over the last few months, I've been sharing with you the On My Bookshelf series of videos. Even though my photography life is predominately digital, I still believe the printed book is an important part of my development and enjoyment of photography. So in each episode of On My Bookshelf, I've told you about a book that I've enjoyed reading in the hope that it will also inspire you.
From Dawn to Dusk
When I first heard that two of my favourite landscape photographers were writing another book I knew straight away that I would need to get myself a copy. After all, their last book, The Art of Landscape Photography, had a big impact on my development as a photography and I read it many times.
As the publication date got closer I reached out to Ross Hoddinott and Mark Bauer and asked if they would like to appear on an episode of On My Bookshelf. I was delighted when they both agreed and they invited me along to see them sign and dispatch the first batch of orders of From Dawn to Dusk - Mastering the Light in Landscape Photography.
They also kindly agreed to an interview where I got the chance to ask them about their latest book, what's in it, who's it for, and how it differs from their previous 2 titles. You can see the full interview in the video below.
Book Giveaway!
After the interview, Mark and Ross offered me a signed copy of their latest book to give away to one lucky viewer. Not only that, they also gave me two signed copies of their previous two titles The Art of Landscape Photography and The Landscape Photography Workshop.
There are two ways in which to gain an entry to win all 3 books:
Watch this episode of On My Bookshelf: From Dawn to Dusk on YouTube and then leave a comment in the YouTube comments section for the video. Comments are welcome here, but to enter you need to leave a comment on the video itself.
Share the Facebook post for this video. You can find it here: <insert URL>
You a free to enter using one, either, or both of the above ways. If you do both though, you will be entered into the giveaway twice!
Entries for the giveaway close 12 pm (GMT) 28th May 2018.
If you can't wait to get a copy of From Dawn to Dusk - Mastering the Light in Landscape Photography you can still order a signed copy straight from the authors at http://www.dawn2duskphotography.co.uk/books/
Finally, I just want to say a big thanks to Mark and Ross for the interview! It was a real pleasure talking to you both and judging by the number of pre-orders you were signing and sending out it looks like From Dawn to Dusk - Mastering the Light in Landscape Photography is going to be a big success!
Some of the links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Masters of Landscape Photography - On My Bookshelf S01E02
In this blog post, I take a look at the book Masters of Photography.
Masters of Landscape Photography
Back in October, I introduced you to a new series of videos that I was going to create called On My Bookshelf. The first video was called 5 Great Landscape Photography Books and it feature 5 of my favourite landscape photography books.
Well, I'm very pleased to share with you the latest episode of On My Bookshelf which looks at the book, Masters of Landscape Photography.
You can see my thoughts on this book in the video below:
I do hope you enjoyed that episode of On My Bookshelf. If you'd like to pick up a copy of this book then you click here and it will take you straight to Amazon.
I'm also very interested to hear your feedback. Is this type of content of interest to you? Was this episode too long or too short? Let me know your thoughts in the comments below.
5 Great Landscape Photography Books - On My Bookshelf S01E01
In the blog this week I tell you about a new video series I'm creating and what my 5 favourite landscape photography books are.
A New Video Series
For me, photography books are still very important in my development as a landscape photographer. I value the experience that a book gives me. Rather than simply just scrolling through an image feed on one of the popular photo sharing sites, reading a book gives me the time to really look at a photograph. It's a more involved experience and I like the way it forces me to take time away from the computer to look at an image in detail. Besides, looking at photographs in print is always a great experience.
So I've decided to create a new series of videos for my YouTube channel called On My Bookshelf. In each video will talk about a book (or even a few books) that are important to me and tell you why. I think we all should spend more time reading photography books, and hopefully, these videos will give you some ideas on what to read next.
5 Great Landscape Photography Books
For my first video in this series, I tell you about my 5 favourite landscape photography books.
I hope you enjoyed the video and that it has inspired you to grab your favourite photography book. If you are interested in picking up any of the books I mentioned in the video, you can use the following links:
The Causeway Coast by Steven Hanna (ISBN 978-0857043047) - Amazon or direct from Steven for signed copy
The Art of Landscape Photography by Ross Hoddinott and Mark Bauer (ISBN 978-1781450529) - Amazon
Wildlife Photographer of the Year: Portfolio 26 (ISBN 978-0565093952) - Amazon
Photographing Cornwall and Devon by Adam Burton (ISBN 978-0992905132) - Amazon
Landscape Photographer of the Year: Collection 1 (ISBN 978-0749552244) - Amazon
The links used above are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
There are a number of exciting landscape photography books coming out over the next few months so be sure to subscribe to my YouTube channel so you get notified when I publish a new episode of On My Bookshelf!
So do you have a favourite photography book? Which photography book are looking forward to seeing next? Let me know in the comments below.
Glencoe Adventure - Part 1, The Workshop
In this first of two special Glencoe blog posts I'll share with you my images and stories from the Dawn 2 Dusk Glencoe workshop that I attended recently. It was a fantastic few days of photography. Though the weather was typically Scottish at times, the variable conditions resulted in some awesome images.
The Importance of Adventure
I have talked about the importance of practising the art of photography on this blog a number of times. For me, and I expect this is the same for many photographers, most of this practice will take place in your own back yard. Not literally of course, but most of the time you are out with a camera it will be in your local area. For me, this is Devon with the occasional visit across the border to Cornwall or Dorset.
While there are many benefits to shooting locally, such as time and familiarity, there is nothing quite like the challenge of pushing the boundaries of your photography by going on an adventure! Adventure means different things to different people, but for me, it's the excitement of travel, of meeting new people and of course photographing something new. All these elements can really push your photography in a way that you sometimes just can't get locally.
Though I have visited Glencoe a number of times and even grew up not far away, this will be my first time in the area as a dedicated photographer. So while the area might be familiar, the prospect of photographing it was exciting, to say the least. Well worth the 3 days off work (plus the weekend) and the 10 hours drive each way!
This week, in the first of two Glencoe blog posts, I will be sharing my memories, thoughts and photographs of the Dawn 2 Dusk Photography Glencoe photography workshop that I attended. Next week, in part 2, I will be sharing the images and video that I took with some of the extra time I had in Glencoe.
Why Workshops are Important
So why didn't I just spend all the time I had in Glencoe doing my own thing? Well, for me at least, workshops provide a number of unique benefits that I can't get by shooting on my own:
Practical and Artistic Development - Tuition is still a big part of my development as a landscape photographer and for the Glencoe workshop, I had access to two of the UK's leading landscape photographers, Ross Hoddinott and Adam Burton. Having access to this level of photographer not only helps with the artistic side of my photography but also with some of the more practical aspects of photography (read how later in the blog post).
Being Social - The life of a landscape photographer can be a solitary existence, especially if you favour early mornings like me. However, every now and again it's just good to be around like-minded individuals. Just by chatting during the day you can not only learn about how your photography looks to others, but also learn from their photography. At night, normally around the bar, it is a great chance to share those funny, odd, or disastrous trips out with the camera.
Local Knowledge - There is only so much planning and preparation you can do on the computer. In order to maximise time with the camera when you arrive at a new location, it's sometimes useful to have access to some local knowledge. For me, workshops provide me with an introduction to the photographic possibilities of an area and while I could do this myself I don't always have the extra time.
So now that we've talked about the importance of adventure and the value in workshops, let's get into the most important aspects of this adventure, the photographs!
Day 1: Castle Stalker
The 2.5-day workshop started with a briefing at our base of the Clachaig Inn just outside Glencoe village. Adam and Ross managed to suitably embarrass me by remembering my birthday with a chocolate cake and singing happy birthday! After the very sociable start of coffee and cake, we all headed down for a sunset shoot at Castle Stalker on Loch Linnhe.
Nikon D750, Nikkor 70-200mm f/2.8, @ 200mm, f/8, 1/60th second, ISO 100, Lee Filters ND Grad, 16:9 crop.
As you can see from the shot above, the descending sun illuminates the side of the castle rather nicely. I was hoping to get a similar shot to this with water surrounding the island, but as the tide came in the light became flat thanks to some heavy cloud where the sun was setting.
It was still a good start to the workshop and we all headed back to the hotel for some well-earned food and drinks.
Day 2: Lochan na Fola and Stob nan Cabar
As you might expect with a landscape photography workshop it was an early start to the 2nd day. Fortunately, the drive to our next location of Lochan na Fola wasn't far from our hotel so the alarm call wasn't too early.
When we arrived at Lochan na Fola the water was beautifully still giving us some wonderful reflections of Stob nan Cabar. Just as we setup though some cloud rolled in blocking the view of the mountain. As we waited I decided to try out my new drone the DJI Mavic Pro. The arrival of the drone caused a bit of excitement amongst the group as I demonstrated some of its capabilities. While I couldn't get find a gap in the cloud to fly a little higher, I did get the chance to grab a quick group shot.
We didn't have to wait to long for the cloud to clear though and all of sudden it was battle stations as we were presented with some truly epic scenes!
Nikon D750, Nikkor 16-35mm f/4 @ 18mm, f/11, 1/20th second, ISO 100, Lee Filters Circular Polariser.
Nikon D750, Nikkor 16-35mm f/4 @ 26mm, f/11, 1/20th second, ISO 100, Lee Filters Circular Polariser.
I can't decide which of the two images above I like the most. Both of them greatly appeal to me with their near perfect reflections and frosty reeds in the chilly lochan. It would have been so easy just to go back to the hotel and have an early breakfast when the cloud came in, but everyone was glad they stuck it out.
Day 2: Lochan na h-Achlaise and Loch Ba
After a very successful morning and a big Scottish breakfast, we headed up to Lochan na h-Achlaise. Shooting around midday is always challenging though and coupled with the bright blue sky I did struggle a little bit to get some images.
However, by exploring along the shore line of Lochan na h-Achlaise I did find this interesting composition.
Nikon D750, Nikkor 24-70 f/2.8 @ 34mm, f/13, 30 seconds, ISO 100, Lee Filters Circular Polariser and Big Stopper.
Exploring just a little further I found this scene just off the road at Loch Ba. This is a more pleasing image thanks to the horseshoe arrangement of the foreground rocks and the reflection of the mountain in the water.
Nikon D750, Nikkor 24-70 f/2.8 @ 40mm, f/13, 2.5 seconds, ISO 100, Lee Filters Circular Polariser and Little Stopper.
I also had just enough time to try and capture a panorama of the area using my DJI Mavic Pro.
DJI Mavic Pro - 7 images stitched and processed in Lightroom.
Day 2: Blackrock Cottage
Blackrock Cottage is probably one of the most photographed locations on Glencoe, but it would have somehow seemed rude not to photograph it. After all, we were passing it on our way to get coffee from the cafe at the ski centre.
I rarely convert to black and white but in this case, the image seemed to work better without colour. The texture on the mountain (Buachaille Etive Mor) really stands out.
Nikon D750, Nikkor 24-70mm f/2.8 @ 62mm, f/11, 1/25th second, ISO 100.
Day 2: Glen Etive
Towards the end of day 2, we headed down the long and windy road of Glen Etive towards the head of Loch Etive. Here the stunning mountains reach right down into the sea loch and it's an ideal location for capturing the last light as it touches the tops of the mountains.
As I waited for the light I was still able to capture some striking images of the north east shore of Loch Etive.
Nikon D750, Nikkor 24-70mm f/2.8 @ 26mm, f/11, 198 seconds, ISO 100, Lee Filters Big Stopper, ND Grad and Circular Polariser.
As I've written on this blog before it's always important to see what is going on behind you. It appeared that the sun was shining on the mountains diretly behind me!
Nikon D750, Nikkor 70-200mm f/2.8 @ 150mm, f/8, 1/5th second, ISO 100, Lee Filters Big ND Grad.
In my hurry to get to the head of the loch to capture last night on the mountains I completely missed another great composition. It wasn't until I was heading back to the car that I found a few of my fellow photographers shooting this interesting scene.
Nikon D750, Nikkor 16-35mm f/4 @ 19mm, f/11, 20 seconds, ISO 100, Lee Filters Circular Polariser and ND Grad.
I had actually walked by this location in my hurry to get to the head of the loch. Perhaps I should have taken just a little more time to explore this area before settling into my chosen location.
Day 2 was certainly a busy one. Would day 3 be just as good?
Day 3: The Study
After the successes of day 2, the weather had a change of heart and went typically Scottish. Lots of low clouds, and lots of rain. Our initial plan was to do a pre-breakfast shoot of Buachaille Etive Mor. We would go down to the river Coupall to shoot the waterfalls with the mountain in the background. Only trouble was you couldn't see the mountain or anything really. Reluctantly we headed back for an early breakfast and discuss our next move.
With the weather forecast predicting a stop to the rain, our tutors suggested we shoot from The Study, a slightly elevated viewpoint with excellent views of the mountains (The Three Sisters). Sure enough, the rain stopped and we were back in business.
I don't often shoot panoramas but this viewpoint seemed like the ideal location to do so. Fortunately, Adam Burton was on hand to give me some excellent tuition on how to setup the tripod correctly and the best way to rotate the camera. Taking my new found knowledge I managed to capture this image of The Three Sisters.
Nikon D750, Nikkor 24-70mm f/2.8 @ 24mm, f/11, 1/100th second, 10 vertical images stiched and processed in Lightroom CC.
I then decided to opt for a much tighter composition giving me one of my favourite images from the workshop.
Nikon D750, Nikkor 70-200mm f/2.8 @ 90mm, f/11, 1/40th second, ISO 100, Lee Filters ND Grad.
Day 3: Stob Dearg and the River Coupall
There is no doubt that this location has been photographed a lot. However, that doesn't make it any less worth shooting. There are always new compositions to be had, different weather conditions to manage and personal style to put into an image.
The key element for this location is a visible Stob Dearg (Buachaille Etive Mor), something that was missing that afternoon. This made my decision a couple of days earlier not to photograph this very scene because "I'll be back in a couple of days", even more heartbreaking.
However, with probably an unjustified amount of optimism, I put on my wellington boots, got into the river and set up my shot. All I needed was for the cloud to clear from the mountain. So I waited, and waited, and waited. It came so very close to being completely clear, but as the sky darkened I knew it wasn't going to happen.
Though you can't see the whole of the mountain in this image, I still like the end result.
Nikon D750, Nikkor 16-35mm f/4 @ 19mm, f/13, 0.8 seconds, ISO 100, Lee Filters Circular Polariser and 0.3 ND Grad.
Though it had been a challenging day with the weather, it was still a successful day out with the camera.
Workshop Summary
At the start of this blog post, I mentioned the three things that I look for on a workshop; personal development as a photographer, social interaction, and local knowledge.
There is no doubt that my artistic eye has developed a little bit more and that I'm now better prepared to shoot panoramas. I also got to spend a couple of days with a great group of people who shared my passion for landscape photography. We all shared some great stories in the bar! And finally, thanks to some excellent planning and local knowledge, the weather and conditions rarely caused a problem with the flexible itinerary.
I've come away with some great images and some even better memories, so it was definitely worth a few days off work and a very long drive!
In Part 2...
In part 2 of my Glencoe Adventure blog post, I will tell you about the images I took during the spare 24 hrs I had before the workshop started, including a video of my very early and snowy ascent of Beinn a'Chrulaiste!
Inspiration and Influence
In this blog post I discuss my personal photographic influences. These are the photographers that have not only inspired my creative style but also given me encouragement to publish my work, write this blog and even create videos.
A Source of Inspiration
Inspiration is a powerful thing and for landscape photographers it can come from many sources. It could be from seeing in image in a magazine you were reading over a coffee one morning, or from a visit to an art gallery to see the work of some of the greats. Either way, I'm not sure many of us would have become photographers if we hadn't been inspired by someone or something.
As a landscape photographer (who is still learning his craft), I gain a lot of inspiration from the work of other landscape photographers. In particular I have been heavily motivated by the inspiring photographs in competitions such as Landscape Photographer of the Year. (Read my thoughts on photography competitions here). Images like those found in Landscape Photographer of the Year have driven me to shoot more and improve the quality of my work. Without the influential and inspiring works of others I probably would have chosen to ignore some of those 4am alarm calls or have chosen to open a bottle of wine in the evening.
In this blog post I discuss my personal photographic influences. These are the photographers that have not only inspired my creative style but also given me encouragement to publish my work, write this blog and even create videos.
Thomas Heaton
I first discovered the work of Thomas Heaton on the Improve Photography podcast where I pleased to hear a British photographer being interviewed. Not only does Thomas Heaton produce stunning landscape images but he produces fantastic YouTube videos on how he goes about his photography. It was content that I could connect to and relate to.
His stories are wonderfully told and though I'd been thinking about blogging and vlogging for a while it was definitely the viewing of Thomas Heaton's videos that gave me that final inspiration to just get on and do it. His images also are a great source of inspiration. So much so that I've purchased his 2017 calendar which you can see here and purchase here. That calendar should encourage me to see a few more 4am alarm calls.
And if you ever need some motivation or inspiration for you landscape photography check out this wonderful video by Thomas Heaton called Wake Up.
Not only is this video by Thomas Heaton inspiring, but it is a great example of how to produce engageing content.
Jared Polin - Aka FroKnowsPhoto
As with Thomas Heaton I discovered the work of Jared Polin on a photography podcast, but this time it was TWiP. It's hard to describe Jared in words but larger than life seems apt. His work has influenced and inspired me in two ways. Firstly his photography has greatly influenced my music work (see my blog post on My Other Photography Life). Through his YouTube channel I have learnt not only how to go about shooting live music but how to work my way up from shooting local venues to music festivals run by national broadcasters.
He has also been very influential in how I style the content that I'm writing now and will be in the future. If there was ever a great example of how to produce compelling and entertain content it is him. His free video guide to branding is well worth a download and I recommend you subscribe to his YouTube channel.
My first landscape photography video. I'm trying to make engaging content, something that Jared is a master at. I have a long way to go, but we've all got to start somewhere.
David duChemin
David's work and videos have been inspirational in developing the artistic style of my images. His YouTube channel has a wonderful series of videos in which he delves into the art of photography. Topics such as intent, composition, processing and printing have all influenced my approach to photography and how I output my images. It inspires me to improve my process and approach to taking images in the field.
Though I will probably never visit some of the locations David has photographed, images like the those found in his Portraits of Earth collection inspire me to improve my artistic skills and develop my own personal style.
When I shot this image I had a vision in mind. It also didn't need much post-processing. This kind of approach to my photography has been influenced by the approach taken by David in his videos.
Ross Hoddinott
Ross has probably has probably inspired me the most in my journey as a landscape photography. This will be largely due to the regular contact I have with him (see my post on Tuition and Mentoring). Through the many 1-2-1 tuition sessions I've had with Ross I have learnt a great deal about photography and how to approach and shoot the landscape. With each new photography skill learnt from Ross my confidence grows and it is with that growing confidence that I find myself being even more inspired to not only shoot more but to drive up the quality of my images.
Furthermore I find his images inspiring as not only is a lot of his work local to me but I find he produces images of a style and quality that I wish to aspire to. Just check out his wonderful image of Dawlish Warren in this link.
I created this image of a groyne on Dawlish Warren after being inspired by the work of my photography mentor Ross Hoddinott.
Always Look for Inspiration
While all these photographers have inspired and influenced my artistic style, each one has also influenced my photographic journey in other ways. Photography is so much more than just taking images and through following the work of others I have been inspired to extend my skills as a photographer by taking on challenges such as writing this blog.
I continue to find new sources of inspiration and influence, and hopefully one day the pictures I take or the content I create will inspire a photographer to produce something special.
Which photographers inspire you to get out of bed in the morning? Do we even need inspiration or should we try to find our own direction from the start? Let me know in the comments.
Not All Shoots Are Successful Shoots
In this blog I discuss the challenges of shooting on a beach and I give my own image a critique.
The Best Laid Plans
As a photographer you always want to put your best images out there. If you practice enough your technique will improve and your style develop, hopefully resulting in a gradual but noticeable improvement to your images. While this is generally true, it doesn't necessarily mean that every trip out with the camera will result in an image that was better than the last one. When I started this blog one of my key goals was to discuss my success and my failures. As I said in my first blog post, landscape photography isn't all about 5 star images captured on epic international trips.
In this blog post I'm going to take you through one of my less successful trips out with the camera. I had it all planned out. I would finish work bang on time, drive to West Bay in Dorset, and photograph the sea and evening light as it gloriously reflected off sea and cliffs. Well, that was my vision anyway. I went through all my normal planning steps, weather, cloud, tide, bearing of sunset and it all looked good.
Challenging Conditions
I've visited West Bay a couple of times, but never to photograph it. The east beach there, recently made more famous by the TV series Broadchurch, is long and sandy with dramatic cliffs running as far as the eye can see. However, when I arrived the reality of actually shooting there became apparent.
Firstly was the tide. After checking the tide tables I knew it was coming in, but what you can't tell from the tables is how long of a reach those waves have. The waves weren't tall, but their reach up the beach was long. Now I don't mind getting my feet wet, but it becomes really difficult to frame your shot if your camera sinks a little with each wave. If I moved further away from the waves I lost a lot of the sea in the frame. Normally this would be less of an issue if the beach has a natural curve.
The other challenge was the weather. While it wasn't raining nor the wind as strong as I expected it to be, the light was very flat. The forecast had indicated lots of high cloud and no low cloud. This I hoped would give me a spectacular evening sky to add to my composition. However, there was a lot of low cloud and the chances of there being any evening light bouncing off the cliff seemed very unlikely.
Change of Plan
Spare time to do photography is at a premium for me. While I like to do some location scouting when I can, it's not always possible, and so sometimes I just have to wing it. So with the very real sense that I might have just wasted a 2 hour round trip in the car, I put my thinking hat on and tried to think of a different composition. This approach of looking around and not getting focused on one thing had worked well on a recent trip to Dartmoor, so I picked up my tripod and got walking.
It wasn't long before I had the idea of doing a long exposure of the beach, looking straight out to see, and including a few well-placed rocks or stones in the foreground. This composition would probably deliver better results. I would have better visibility of the waves and the quality of the light was less of a dependency.
An Ever Changing Beach
Though I had a new vision on what my photograph would be my challenges weren't over. I would find an interesting composition, setup, grab a frame, maybe two at the most, and then a wave would come in wash my composition away! Even some of the larger stones in my composition weren't big enough to resist the pull of the waves. So this left me with very little time to grab a frame for each composition I found along the beach. I had to make sure the camera was level, focused, and correctly exposed in very short time or I might not get another go at it.
After only a few compositions the light had faded and I decided to take my very sandy tripod and wet feet back home for a nice meal and glass of wine.
Critiquing My Own Image
I only took a handful of frames that evening but here is the image that I think turned out the best.
Nikon D750 with Nikon 16-35mm f/4, 1.3 secs, f11 at 20mm, Lee Filters Polariser and 3 Stop ND
Now I'll be the first to admit this isn't an image for my portfolio. Though I like the mood and style of the image it does have a number of issues. If I'd had more time at the location I might have worked out these issues but as I said at the start of the blog, not all shoots are successful shoots.
The main issues I have with the image are around the rocks I have used in the foreground. The rock in the lower right of the frame for me is just a little too close to the edge of frame. I would like to have had just a little bit more space as there is with the rock on the left.. Given a bit more time between waves, I might have setup my tripod in a slightly different location to give me that space.
While the image roughly follows the rule of thirds, it doesn't follow the rule of odds. Now, I know that these rules are more like guidelines, but quite often they do make sense and I do think following the rule of odds in this scene would have helped with the overall composition.
Rocks at Porth Nanven - Nikon D750, Nikon 16-34 f/4 at f/16, 1.6 secs at 20mm.
I learnt about the rule of odds in the book, The Art of Landscape Photography by Mark Bauer and Ross Hoddinott (it's a fantastic book and well worth picking up). In the book Ross and Mark discuss how having an odd number of objects helps create visual stability or symmetry.
In this image I took of Porth Naven a couple of years ago you can see how I've composed with three rocks in the foreground. The balance and implied triangle in this image is something I would have liked to have seen in my West Bay image.
Always Good to Be Out With The Camera
Despite the fact that my shoes are still drying off and I had to strip down my tripod to get rid of the sand, I still felt it was time well spent with the camera. I'm also not going to win any awards for the image, but that really isn't the point. I was outdoors with my camera on a beautiful beach taking images and for a person that spends most his time sitting at a desk it's just nice be outside. Yes, conditions were challenging but it's through these challenges that you learn to progress as a photographer.
Actually I'm going to change my mind, it was a successful shoot. Just successful in a different way.
So what do you think of the image? How would you have shot the scene? Have you got any tips for photographing beach scenes? Please let me know in the comments.
The Benefits of Tuition and Mentoring
Tuition and mentoring has had a massive impact on my photography. Read more about this part of my photographic journey in this blog post.
In the beginning...
One of my early landscape images taken in Glen Coe in 2008.
I bought my first DSLR in 2006 when I purchased a Nikon D80. Previous to that I had a Minolta DiMAGE A1 so this was a big step up for me. It was at this point that I started to want to learn more about the craft of photography. So as many people do I went to my the nearest newsagent and picked up a photography magazine. And so started a journey of several years of reading a lot about photography.
The problem was I wasn't actually taking that many pictures. Sure I was inspired by what I was reading and saw, but despite having considerably more free time back then I didn't practice the craft of photography as much. (Read my blog post on Practicing the Craft of Photography). I also wasn't that focused on a specific genre of photography. Most photography magazines have a broad range of articles from portraits to macro so I would often spend time trying these things out. Don't get me wrong, I did go out with my camera, but looking back I don't think I was trying hard enough to really learn about photography.
Changing My Approach
This changed back in 2013, when I decided to go full frame and buy a Nikon D600. I promised myself that if I was going to invest all this money in a camera (and lenses!) I was for sure going to learn how to improve my photography. By this stage though I was fairly sure that my heart lay with landscape photography.
Some early lessons about composition with David Nightingale.
I decided that the best way to make progress was to actually go out and shoot more, and to engage the services of a professional for some 1-2-1 tuition. At the time I was following the work of Blackpool based photographer David Nightingale and so I booked a whole weekend of tuition and got to work on improving my photography. The weekend went well and it was a bit of an eye opener for me. Firstly, I actually didn't know as much about my camera as I thought. While I knew some of my composition skills were lacking, I thought I knew my camera well but this wasn't really the case! It all goes back to practicing the art of photography, something I hadn't been very good at!
Up till this point I had wondered if it were actually possible to teach someone about composition and how to make a beautiful photograph. As many of my previous photographs had been average at best, I was beginning to think that you couldn't really learn an art, you had to have a natural talent for it to start with. While many people do find creating art easy, for me I had to learn about it. Fortunately David reassured me that I could learn the art of photography. So for that reason alone that weekend was a success.
Making Progress
A year later I had kept to my promise of going out more with my camera. I was still bound by my work and family commitments but I was at least using my spare time to go out and shoot. In 2014 I went on a Dawn 2 Dusk Photography workshop on Dartmoor where not only did I have a lot of fun with some like minded photographers but I also learnt a considerable amount about landscape photography. On the workshop I also met Ross Hoddinott, one of the tutors. I had been looking for a local tutor to help with my learning journey and Ross seemed the ideal person.
Learning about timing and waiting for the light on a 1-2-1 with Ross.
A few months later I met Ross for a 1-2-1 session and in that one day I probably learnt more about composition that I had done since I purchased my first DSLR 2006. Not only did I become inspired from that session but I also became more confident with my photography. Since that first 1-2-1 session with Ross I have regularly met with Ross for further 1-2-1s and portfolio reviews and this has had a significant impact on my photography. Each session I learn something new. Sometimes it's a really small change in how I might compose an image, but it often has a big impact.
So this brings me to the point of this blog post. If you are struggling with your photography or you've reached a plateau then I can strongly recommend that you find a tutor or mentor to help with your photography. Find someone close to home or who's work you respect. Most photographers offer some kind of tuition on a 1-2-1 basis now. Or if that seems a little much as a first step try a photography workshop such as those offered by Dawn 2 Dusk Photography.
We spend so much money on gear (something I'm definitely guilty off) but the one thing that has had the biggest impact on my photography is the time I've spent with a professional photographer. No matter what stage you are at with your photography journey I believe a little mentoring and tuition can be very beneficial. Of course I still read photography magazines, Outdoor Photography being my personal favourite, but when it comes to developing as a photographer 1-2-1s for me are invaluable.
Do you have a photography mentor or favourite tutor? What do you think of 1-2-1 days with professional photographers? Let me know your thoughts.