Explore & Discover the Outer and Inner Hebrides published by fotoVUE - On My Bookshelf S06E06
The Scottish Hebrides is a photographer’s paradise but with so much to see and to photograph, it can be hard to know where to start. Explore & Discover the Inner Hebrides and the Outer Hebrides by Christoper Swan and published by fotoVUE aims to transform your time in the area from random chaos to an efficient voyage of discovery and exploration.
In this special on-location edition of On My Bookshelf, I put Explore & Discover The Outer Hebrides to a real-world test to see if it can get me to a new location so I capture a photograph of the Isle of Harris.
Photographing the Best Locations in the Hebrides
I purchased my first fotoVUE title (Photographing the Lake District) in 2017 and ever since then I’ve been regulary adding these location guides to my bookshelf. Some of them I use on a regular basis, some every now and again, and there are some I have yet to utilise (though I will get those places one day!).
When I found out that fotoVUE were publishing two new titles, Explore & Discover The Inner Hebrides and Explore & Discover The Outer Hebrides, I was very excited as it couldn’t have come at a better time. The publishing of these books would be just before I headed off to the Harris & Lewis for the 2nd time. From my previous experience of using fotoVUE guidebooks I knew they would be a fantastic resource to help me discover new locations and explore further the locations I had visited last time.
As well as producing my primary video for my photography adventure on Harris & Lewis, I thought the release of these two books on the Hebrides would make for a great episode of On My Bookshelf. Best of all, as I would be on Harris and Lewis, I could produce the video on-location and show you how useful these fotoVUE guidebooks can be through a practical example!
So, sit back, relax, and see how I used the book to find a viewpoint on Harris that I had not photographed before.
Buy fotoVUE Explore & Discover Books
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By using this discount code I may receive a commission for the sale. This has no effect on the price for you.
Harris Location 1, Luskentyre Beach
Here are the photographs that I captured in the video. In the book it’s viewpoint 3, Tràigh Rosamol Dunes.
Tràigh Rosamol Dunes #1, Luskentyre, Isle of Harris - Nikon Z8, Nikkor Z 24-120mm f/4 S at 48mm, f/13, 2 minutes at ISO 200, 16:9 crop.
Tràigh Rosamol Dunes #2, Luskentyre, Isle of Harris - Nikon Z8, Nikkor Z 24-120mm f/4 S at 33mm, f/14, 1.6 seconds at ISO 400.
The Great Wilderness by Alex Nail - On My Bookshelf S06E04
In this episode of On My Bookshelf I look at @alexnails latest self-published book, The Great Wilderness. This luxury hardback photography book covers one of Scotland's most remote regions and features images captured over a 4-year period from the Letterewe, Fisherfield and Dundonnell mountain areas.
A Masterpiece of Photography and Book Design
Over the 40 plus episodes of On My Bookshelf that I’ve made, I’ve featured books covering all sorts of genres and styles of photography. For the most part, they all have something that I like and that’s great photographs. However, every now and again I buy a book that I love. So, what separates a book with great photographs from a book that I love? Presentation!
How the photographs are printed, sequenced, and bound in a book can make all the difference on how even great photographs are experienced. If you want to look at a photographers great photographs you can do it on their website, but when you buy their book that experience should be a vastly superior.
Two of my favourite books, Beara and Kingdom (both my Norman McCloskey) are a great example of how to turn a collection of great photographs into a viewing experience to be savoured.
Another photographer that seems to be mastering this art is Alex Nail. His previous title, Northwest, was fantastic. It turned out to be one of my favourite landscape photography books.
When Alex announced pre-orders for his latest book, The Great Wilderness, I couldn’t give him my money fast enough. Alex had been hinting at the design choices he had been making for this book and it sounded like his attention to detail was going to be like no other book I would have on my bookshelf.
Now that I have the book, did Alex manage to deliver on both the photographs and the book design? Let’s find out!
You can pick up a copy of The Great Wilderness directly from Alex at https://www.alexnail.com/great-wilderness-book/
Photographing Glencoe and Vallerret Base Layers
There are few better places to visit as a landscape photographer than Glencoe in Scotland. However, at this time of year, the temperatures can be low enough to make any unprepared photographer give up and go home. In this video, I will share the joy of landscape photography at one of Glencoe's most famous viewpoints and I also try out Vallerret's new range of merino wool base layers.
Scotland at Its Very Best
Photographers are attracted to Glencoe for all sorts of reasons. One of the biggest reasons is that there are so many amazing viewpoints that are easy to access. There are some great photographs to be captured from either your car or with just a short walk. However, for those photographers willing to be a little more adventurous there are almost limitless opportunities, especially if you chuck the variable weather into the mix.
One such viewpoint is an elevated view of Stob Dear (Buachaille Etive Mòr). It’s always been a favourite of mine and I find it hard not to photograph it if I’m visiting Glencoe. On my most recent visit, the forecast was predicting lots of fog, and I had high hopes of a temperature inversion, and even though this didn’t occur, it was still an amazing morning of photography.
Keeping Warm with Vallerret Base Layers
While it might have been a sunny day on Glencoe, it was far from warm. The lower temperatures did therefore give me the chance to share my thoughts on Vallerret’s new range of merino wool base layers. You will be familiar with Vallerret’s range of photography gloves, and I have previously featured them in my videos. I suffer from cold hands and for me, my photography gloves are as important as my camera. I’ve had a few trips out with the camera ruined because I’ve been cold and miserable.
With winter just around the corner, the release of these new base layers from Vallerret was good news to me and I was happy to put them through their paces during my adventures in Scotland. You can learn more about them and hear my thoughts on them in the video below.
If you’d like to purchase any of these base layers you can do so directly from Vallerret right here.
Landscape Photographs from Glencoe
Buachaille Etive Mor (Stob Dearg) at Sunrise, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 21mm, f/11, 1/5 sec at ISO 64.
Glencoe Valley at Sunrise #1, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 21mm, f/11, 1/5 sec at ISO 64.
Glencoe Valley at Sunrise #2, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 14mm, f/11, 1/13 sec at ISO 64.
Vallerret Base Layers on Location
Those Vallerret base layers were warm enough and comfortable enough to allow me to take these on location photographs. I don’t think modelling is my strong point though. Perhaps I’ll stick to photography!
Vallerret Merino Wool Zip Jersey.
Vallerret Merino Wool Long Sleeve Tee
Your Photos Matter - Create a Photo Book
I completely forgot about a collection of images I had so I decided to do something with them!
Don’t Forget to Publish Your Photos!
In October of last year, I went on a photography bucket list trip to the Isle of Skye. This wasn’t a last-minute trip but one that I had probably started to organise some 18 months prior to departure. Over that 18 month period, I had a lot of time to get excited about the trip. Needless to say that when the trip did finally come around my levels of excitement were through the roof.
With all that planning and excitement I find it odd that I left the photographs I captured just sitting on my hard drive. What was the point in spending all that time and money on capturing these images and doing nothing with them! So I decided the best and most interesting way to publish these photographs was with a photo book. If you a regular reader of the blog you’ll know how keen I am on creating something physical from my photographs. This time though, rather than print them myself I would create a photo book.
You can see how I went about it in the video below:
I hope you enjoyed the video and it has inspired you to dig about your catalogue of images, print some of them, or even create a photo book yourself. If you do, please let me know in the comments below.
My Isle of Skye Photographs
I hope you enjoy the collection of photographs that I placed in my book. Just click on a thumbnail to view the image full screen and see all the shooting information.
In The Footsteps of Colin Prior
Inspired by the landscape photographs I've seen in Colin Prior's book, Scotland's Finest Landscapes, I head to Loch Clair in Torridon to capture my own photographs of this stunning location. With only a few hours and typically Scottish weather, photography was always going to be a challenge!
Being Inspired
Inspiration for my photography comes from many different sources. Like most photographers, I look at a lot of photographs online using services such as Instagram and Flickr. For me though, one of the best sources of inspiration is the humble book. The bookshelf in my office is ever-expanding and I take a lot of joy in sharing my passion for photography books in my YouTube series, On My Bookshelf.
Last year I picked up a copy of Colin Prior's book, Scotland's Finest Landscapes and I thought it was amazing. I even did an episode of On My Bookshelf so if you want to hear my thoughts on this book in a bit more detail then click here. Even though I grew up in Scotland, and lived many of my adult years there, much of Scotland remains unexplored for me. Colin's book opened my eyes up to some of the amazing locations in Scotland and the photographic opportunities these wild locations could bring.
An Adventure to Scotland
As I browsed Colin's book I made note of all the places I would like to visit to capture my own photographs. The list was long! There aren't many negatives to living in Devon, but its distance from Scotland is definitely one of them. Trips back to the homeland are rare so if I was to tick off one of those locations from the list I would have to pick carefully and integrate it into whatever I was doing in Scotland on my next visit.
Fortunately for me, I had booked myself onto a photography workshop on the Isle of Skye with my workshop company of choice Dawn 2 Dusk Photography. The last time I went on a D2D workshop was Glencoe and I had an absolute blast. You can read about that adventure here. My trip to Skye was the perfect opportunity to spend a little extra time in the Highlands and visit one of the locations I saw in the book that had inspired me.
The Weather
As I was going to Skye I thought that one of the best areas I could visit was Torridon, an area of Scotland that I had not visited before. The images I saw in the book looked amazing and I was excited about capturing my own. I narrowed down the list and got ready for my trip to Scotland.
Arriving in Scotland I already knew that the weather wasn't going to be great and with only limited time before the workshop, I was going to have to work with what I had. What I really wanted to do was walk up one of the mountains to capture an epic vista but this was always going to be a bit of a challenge. Though I've bagged a few Munro's in my time, but these have mostly been fair-weather adventures. The weather forecast for the mountains when I was up was terrible. Way above my skill level!
Fortunately for me though, I had considered that the mountains might be inaccessible to me and I'd picked a few low-level locations as a backup. The night before I was due to head out I looked at my list and decided on Loch Clair near Liathach and Beinn Eighe. Would the low-level weather be kind to me? Would I get the opportunity to capture some amazing landscape photographs? Let's find out in my latest video, In The Footsteps of Colin Prior.
Landscape Photography Can be Hard
As you will have seen in the video, it was a challenging day. The weather conditions were variable, to say the least. It could be lashing with rain one minute, then you'd get howling winds, and then all of a sudden it would clear up. Typically Scottish really! There was no chance of reflections on the loch and I never saw the top of the mountains until I was finished for the day. While I knew the weather wasn't going to be great that day, I was hoping that it would break long enough to give me some dramatic light on the landscape.
Unfortunately, this never happened. While I did witness some amazing scenes such as incoming rain showers, crepuscular rays and rainbows, they were never really in the spots where I could have put them to good use in a composition. Despite the challenges of the photography I had a great time at Loch Clair. Yes it was cold, wet and windy at times but I had good clothing on so I was able to enjoy the wilderness and all it brings. I had a lot of time to look at the landscape while the weather was too wild to get the camera out and it looked amazing. It was just a pleasure to sit there and take it all in.
It was definitely a case of the adventure being more rewarding than the photography but I'm OK with that. Landscape photography can be hard but my love for the outdoors always means that I never consider my time wasted.
I do hope you have enjoyed this blog post and video. Who inspires your photography? Have you ever followed in the footsteps of one of your favourite photographers? Let me know in the comments below.
The Photographs
If you want to see the photographs from the video in a bit more detail you can see them below. They were all taken with the Panasonic Lumix S1R. Panasonic was kind enough to lend me this camera (and two lenses) to help me make this video. I have to say that the camera performed faultlessly despite the wild and wet conditions. I'm not planning on doing a full review of the camera but you can read some of my thoughts in this blog post.
Loch Clair Tree, Torridon, Scotland - Panasonic Lumix S1R, Lumix S 24-105mm f/4 at 24mm, f/13, 15 seconds at ISO 100, Kase Filters CPL.
Liathach from Loch Clair, Torridon, Scotland - Panasonic Lumix S1R, Lumix S 24-105mm f/4 at 24mm, f/13, 1/10th sec at ISO 100, Kase Filters CPL.
Loch Clair, Sgurr Dubh and Liathach, Torridon, Scotland - Panasonic Lumix S1R, Lumix S 24-105mm f/4 at 26mm, f/13, 1/15th sec at ISO 100, Kase Filters CPL.
Loch Clair, Liathach and Beinn Eighe, Torridon, Scotland - Panasonic Lumix S1R, Lumix S 24-105mm f/4 at 24mm, f/13, 40 seconds at ISO 100, Kase Filters CPL. Single image crop at 6:17
Loch Clair, Liathach and Beinn Eighe, Torridon, Scotland - Panasonic Lumix S1R, Lumix S 24-105mm f/4 at 24mm, f/13, 1/5th second at ISO 100, Kase Filters CPL.
Should YOU Photograph the Honeypot Locations?
Is there any point in capturing your own images from the landscape photography honeypot locations? With so many images captured from these popular locations you could be forgiven for giving them a miss. In this blog post I head to Glencoe in Scotland to photograph one of its most popular viewpoints and discuss why I think everyone should shoot a honeypot location.
They Are Honeypot Locations for a Reason
This is going to be a bit of a short blog post. There are a couple of reasons for this. Firstly, most of what I want to say is said in the video to go with this post, so there’s little point repeating it all here. I’m also a little short in time because I’ve got lots of exciting content to work on that I want to get ready before the festive period really starts.
All that aside, I’ve been wanting to make this video for a while. My original plan was to shoot it down at Durdle Door but I never quite made it there this year. When I started making plans for my trip to Skye I knew I was going to stop off in Glencoe so I decided that I would make the video there. Glencoe is not short of a few honeypot locations but I settled on the viewpoint with the small waterfall (on the river Coupall) and Stob Dearg in the background. There can’t be that many of you that haven’t seen that viewpoint before!
It’s a stunning viewpoint and one that I can’t resist photographing every time I’m in Glencoe. These viewpoints aren’t called honeypot locations for no reason! However, in some circles, photographing these locations and viewpoints can be frowned upon. While it is true that getting something new from these locations can be tricky, I don’t think this is a reason to not shoot them.
If you want to know why I think you should shoot them, check out my video below:
I’m sure most of you have already shot a few honeypot locations and have enjoyed the experience of capturing your own images. If you haven’t though, I hope this video has inspired you to visit places like the Glencoe viewpoint in the video, or even Durdle Door.
Do you have a favourite honeypot location? Are there any honeypot locations you’d like to shoot? Let me know in the comments below.
One Location, Many Viewpoints
If you want to see the images from the video in a bit more detail you’ll find them below.
The River Coupall and Buachaille Etive Mor, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 at 22mm, f/13, 1 second at ISO 200, CPL and 3 stop ND.
River Coupall Falls, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 at 15mm, f/13, 1/8th at ISO 160, CPL.
The River Coupall and Stob Dearg, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 at 22mm, f/13, 4 seconds at ISO 160, CPL and 3 stop ND.
Mountain Landscape Photography - A 5 Minute Photo Adventure from Ben Cruachan
The ascent of a Munro is a rare treat for me these days so I was really excited when I recently got the chance to walk up Ben Cruachan to do some mountain landscape photography in the Scottish Highlands.
Hill Walking in Scotland
It’s rare for me to have the opportunity to walk up a Munro these days. I live hundreds of miles away from the nearest one, and when I am in Scotland it’s usually for a family holiday and so disappearing for a day in the mountains can be a little tricky.
I almost managed an ascent of a 3000+ ft Scottish mountain last year but some unexpected snowfall put all of the Munros out of reach due to my lack in snowy mountain skills. So when I planned a return visit to Scotland over Easter, I was eager try and squeeze in an ascent.
As is the way with family holidays though, my time was squeezed, so I had to select a mountain that I could do in a few hours!
Photography from the Summit of Ben Cruachan
When selecting which mountain I was going to walk up I need only have looked out the window from where I was holidaying. Ben Cruachan, standing at 1126 m high, it definitely qualifies as a Munro, and I could make a quick ascent and still be back down before it got too dark.
In order to get up to the summit in time for sunset I need to strip my backpack down to essential camera gear. So I just took my Nikon D850, my Nikkor 24-70 mm f/2.8, my tripod, and a few filters. I had considered taking the drone but the wind was too strong. (Though it was very still at the summit….how annoying!)
I also decided to take my vlogging camera because I thought my little mountain adventure would make for a great 5 Minute Photo Adventure. So if you want to see how I got on, then check out my video below:
It was unfortunate that the conditions weren’t a little better. The sun really fizzled out in the haze along the horizon so I didn’t get much in the way of light on the mountains. However, just watching that dramatic sky from such an amazing location was reward enough for me.
Do you ever get the chance to combine landscape photography with hill walking? What’s your favourite hill or mountain? Let me know in the comments below.
Landscape Photographs from Ben Cruachan
Before I go here are the photographs you saw me capture in the video.
Drochaid Ghlas from Ben Cruachan, Argyll, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 24, f/13, 1/5th sec at ISO 64.
Stob Dearg from Ben Cruachan, Argyll, Scotland - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 24mm, f/13, 1/5th sec at ISO 64.
Extreme Scotland by Nadir Khan - On My Bookshelf S02E05
In the latest episode of On My Bookshelf, I take a look at Nadir Khan's Extreme Scotland. Is this a book for photographers, adventure sports fans, lovers of the Scottish landscape or is there something in it for everyone?
Discovering Other Photographers
I discover the work of other photographers in many different ways. A few weeks ago I wrote about how discovered the book Beara by Norman Mccloskey in Outdoor Photography magazine. The book that I'm looking at in this episode of On My Bookshelf, Extreme Scotland, I found by listening to a recent episode of one of my favourite photography podcasts, The Togcast.
The book Extreme Scotland appealed to me in 3 different ways, photography, adventure sports and Scotland! But does it deliver on any or all of those things? Let's find out.
I do hope you enjoyed this episode of On My Bookshelf. A bit of a short blog post from me this week I'm afraid as I'm writing this while I'm on holiday in Scotland. However, I am here with my camera so I might have time to create some content for a blog or vlog. So stay tuned!
You can pick up a copy of Nadir Khan's Extreme Scotland here.
Printing and Framing a Special Landscape Photograph
Some landscape photographs just need to be printed and hung on the wall. In this blog post, I take a very special image, print it, frame it, and give it a permanent place on my wall.
Success in Scottish Landscape Photographer of the Year
Entering big photography competitions can seem like a waste of time. Some of these competitions can attract 1000's of entries, sometimes even 10,000’s of entries . Getting shortlisted can seem like an achievement sometimes. How do you create a winning image though? There's no easy answer to that question. Judging, even in the same competition, can vary from year to year. Just look at the winning images from Landscape Photographer of Year since it started. It's really hard to "know" what the judges are looking for.
However, there is one thing I do know. If I don't enter I certainly won't win anything! There is also one piece of advice I can share , and it's a piece of advice given to me by a photographer and photography competition judge. He told me that if you think you have a strong image then keep entering it into competitions year after year. Even if it doesn't get placed in one competition, it might in another. It's also worth entering the same image in the same competition a different year.
I've always remembered this bit of advice, so ever since I took the image of Stob Dearg (Buachaille Etive Mor) you see below, I've been entering it into competitions. This perseverance has finally paid off and the image has received a commended award in the Scottish Landscape Photographer of the Year competition. It's the 2nd time I've entered it into this competition, and 4th time in all competitions. So if you have a good image that you think could win an award, don't be put off by the first failure. Keep trying!!
First Light on Stob Dearg, Buachaille Etive Mor, Glencoe - Nikon D750, Nikkor 24-70 mm f/2.8 VR at 28 mm, f/11, 1/25th sec at ISO 100.
Printing and Framing
The image is one that I am immensely proud off and it brings back many happy memories of my adventure to Glencoe (which you can watch here). While it will be a real privilege to see it in the yearbook from the competition, I really wanted to make my own print of it, frame it, and give it a permanent place on my wall.
In the video below I show you how I went about printing the image, selecting a paper, framing it, and eventually hanging it on the wall.
If you are interested in doing something similar yourself, here are the products I used in the video:
Fotospeed Cotton 305 - https://www.fotospeed.com/Platinum-Cotton-305-Paper/groupproduct/2937/
Fotospeed Baryta 300 - https://www.fotospeed.com/Platinum-Baryta-300/groupproduct/1437/
Fotospeed Legacy Gloss 325 - https://www.fotospeed.com/NEW-Legacy-Gloss-325-Paper/groupproduct/3103/
Picture Frames Express - https://www.pictureframesexpress.co.uk/
Conservation Tape - https://www.pictureframesexpress.co.uk/picture-frame-supplies/tapes/74/
Picture Hanging Strips - https://amzn.to/2TWuE2l
I hope you enjoyed this video and blog post. Do you have any photography competition tips? How do you go about displaying your prints? Let me know in the comments below.
Colin Prior’s Scotland’s Finest Landscapes & Alex Nail’s Northwest – On My Bookshelf S02E01
Colin Prior or Alex Nail? In this special episode of On My Bookshelf, I look at Colin Prior's Scotland's Finest Landscapes and Alex Nail's Northwest. Which one, if any, should you buy?
Landscape Photography Books
I love a good photography book. Over the years they have inspired and influenced my photography in no small way. As I become a better photographer I actually find myself buying more photography books. This is particularly true during the winter months when I can't get out with the camera as much as I'd possibly like.
Last month, as the festive period approached, the discussion around what I'd like for Christmas came up in conversation. While options such as a new Nikon Z7 or a two week photography holiday to the Faroe Islands were quickly dismissed, a more sensible option of getting a good landscape photography book was decided.
Colin Prior or Alex Nail
There were two books high up on my list to get. These were Colin Prior's Scotland's Finest Landscapes, and Alex Nail's Northwest. Given that Colin's book was originally selling for £100, I decided that asking for Alex's book at £36 would be much more sensible.
With that all sorted I just needed to wait for Santa to deliver my copy of Northwest. During the run up to Christmas though I spotted a post on Facebook by Colin Prior who was doing a Black Friday sale and that his book Scotland's Finest Landscapes was on sale for £50. This is still a lot of money for a book, but I've wanted to own a copy of this book for some time now, so I decided to treat myself!
On My Bookshelf
As regular readers of this blog know I have series of videos on my YouTube channel called On My Bookshelf. After reading Colin and Alex's books over the festive period I thought I would share my thoughts on both books. However, rather than do separate videos for each book, I thought I would produce one episode of On My Bookshelf that looked at both books.
Both titles are on similar themes and areas of landscape photography, and neither title is inexpensive, so I thought it would be useful to look at them both in the same episode. So which one should be on your bookshelf? Let's find out.
I really hope you enjoyed this episode of On My Bookshelf. Both these books are some of the finest books on Scottish landscape photography I have and it was a joy being able to read both of them.
Do you own either of these titles? Will you now buy either of these books? Let me know in the comments below.
Glencoe - One Location, 3 Compositions
It’s almost impossible to drive through Glencoe and not want to stop to take some landscape photographs. In the blog this week I make an unscheduled stop in Glencoe and take 3 photographs from one location.
Glencoe
There are some locations for landscape photographers that are virtually impossible to drive through without stopping to take a photograph. In my mind, Glencoe is one such location. It is stunningly beautiful and impressive no matter the weather. I still have many happy memories of my last visit.
Check out this video of my last visit to Glencoe.
A few weeks ago I was heading up to Harris & Lewis for a week-long photography trip. With such an amazing destination one could be forgiven for trying to get there as soon as possible. However, when your route takes you through the heart of Glencoe there was no way I wasn’t going to take at least one photograph.
Fortunately for me, my journey from Devon would allow me to arrive in Glencoe for around sunset. With so many locations to pick from in Glencoe, what would I photograph?
Stob nan Cabar and Lochan na Fola
I first discovered the beauty of this location on a workshop I attended last year. Despite its grandeur, it’s not that well photographed and can be easily missed despite its roadside location. As I photographed it at dawn last time, I thought I would try it at dusk this time.
I wasn’t feeling any pressure to take an image so I spent a little more time experimenting with my composition. While I would normally only post one image from a location, I thought it would be interesting to show you the three variations I have.
Stob nan Cabar from Lochan na Fola (Vertical), Glencoe, Scotland - Nikon D850, Nikkor 16-35 mm f/4 at 16 mm, 0.8 seconds at ISO 64, f/13, Lee Filters Circular Polariser, ND Grad.
Stob nan Cabar from Lochan na Fola (Landscape), Glencoe, Scotland - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, 1.0 seconds at ISO 64, f/13, Lee Filters Circular Polariser, ND Grad.
Stob nan Cabar from Lochan na Fola (Panoramic), Glencoe, Scotland - Nikon D850, Nikkor 16-35 mm f/4 at 16 mm, 0.8 seconds at ISO 64, f/13, Lee Filters Circular Polariser. 8 Image panoramic stitch, cropped to 6:17.
All three images benefit from the beautiful autumnal colours of the ground, and just the right amount of cloud cover to get some light reflected from the setting sun. While I do like all three, I think it is perhaps the first image I prefer the most. Though this scene would typically be shot in landscape orientation, the portrait orientation of the first image works well.
There are a couple of things I like about the first image. First of all the reflection is larger, and clearer giving it more impact. I also like all the triangles in the image. There is, of course, the mountain and its reflection, but also from the cloud in the top right of the image which leads you back to the mountain.
It was a long drive from Devon to get to Glencoe so I only had time to shoot this one location, but what a location. It was unfortunately dark when I drove back through Glencoe, but even this brief opportunity to photograph it again means its right up near the top of my list of locations to photograph again.
So which image composition did you like best? What is your favourite Glencoe location to photograph? Let me know in the comments below.
P.S. Harris & Lewis
Oh, that Harris & Lewis trip I mentioned at the start of this blog…well…I hope to have a blog and video posted right here in a couple of weeks time.
Photographing Britain's National Parks
In the blog this week I’m very happy to share with you the story of my latest adventure. Check out the images and video I captured as I travel to three different national parks, across three countries and all in one day!
Grand Ideas
One of the primary goals of my YouTube channel is to share my landscape photography adventures. By sharing my adventures I can hopefully provide a little inspiration to my fellow landscape photographers or even encourage people to get out there and see the great outdoors.
Sometimes my adventures are unplanned, but every now and again I come up with a plan for a grand adventure! The problem is that these grand plans aren't exactly simple to execute. Time is the normally the limiting factor for me.
However, when I read about National Parks Week, I thought it was the perfect excuse to execute one of those grand adventures. My idea was simple. I would visit 3 national parks, in 3 different countries and do it all in one day. Would it even be possible? Let's find out.
As you saw in the video, it is indeed possible. I wouldn't exactly recommend it though. It was a lot of driving and a very long day. But I sure did enjoy it! The locations I visited were stunning, and that was only 3 of the 15 national parks in Britain.
If you haven't visited a national park before, or it's been a while, I really recommend that you check out the National Parks website as there is sure to be one near you. I'm really lucky as I have Dartmoor on my doorstep. The national parks are a valuable resource, so if you have some time it's also worth considering spending some time on your local national park as a volunteer. You can see how I got on one year volunteering on Dartmoor here.
I really hope you enjoyed this video. If you are looking for a bit more detail on the locations I visited and the photographs you saw, you'll find them below.
So are heading out for National Parks Week? What is your favourite national park? Let me know in the comments below.
Wales - Snowdonia National Park
For more information about Snowdonia National Park, click here.
Snowdonia National Park - near Plas y Brenin, Wales: Nikon D850, Nikkor 16-35 mm f/4 at 25 mm, 1/20th sec at ISO 64, f/13, Lee Filters Circular Polariser.
England - Lake District National Park
For more information about The Lake District National Park click here.
Haweswater Reservoir - Lake District, England: Nikon D850, Nikkor 16-35 mm f/4 at 17 mm, 1/20th sec at ISO 64, f/13, Lee Filters Circular Polariser.
Scotland - Loch Lomond and The Trossachs National Park
For more information about the Loch Lomond and The Trossachs National Park, click here.
A Pastel Sunset at Ben A'an - Loch Lomond and The Trossachs National Park: Nikon D850, Nikkor 24-70 mm f/2.8 at 70 mm, 1/5th sec at ISO 64, f/13, Lee Filters 2 Stop ND Grad.
Looking North from Ben A'an on a Beautiful Summers Evening - Loch Lomond and The Trossachs National Park: Nikon D850, Nikkor 24-70 mm f/2.8 at 48 mm, 1/3rd sec at ISO 64, f/8, Lee Filters 2 Stop ND Grad.
A Summer Sunset At Ben A'an and Loch Katrine - Loch Lomond and The Trossachs National Park:: Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, 0.5 sec at ISO 64, f/18, Lee Filters 2 Stop ND Grad.
Grey Mare's Tail and Loch Skene: A 5 Minute Photo Adventure
In this blog post, I share with you the story, photographs and video of my time photographing Loch Skeen and Grey Mare's Tail. This is another location I discovered just off the M74.
If you've been reading my blog over the last few weeks you'll have seen that despite being on a family holiday I still managed to capture images from Dalveen Pass, Kilchurn Castle, and Glen Etive. I even managed to make the experiences into some 5 Minute Photo Adventure videos. This was far more photography that I could have hoped for or even planned for.
So when I finally finished my holiday in Scotland and started the journey back I expected that was the end of my photography activities for this holiday. However, as with the idea behind shooting Dalveen Pass, I thought I might be able to do something similar for the journey back.
Amazing scenery but…
So yet again I picked up my copy of Photographing Scotland and looked for a suitable location. Almost on the opposite side of the M74 from Dalveen Pass, I found the location called Grey Mare's Tail. It looked perfect. Only a few miles off my route it had a big waterfall and a beautiful loch. I had a plan. I would drop my family off at Glasgow Airport, drive down the M74 and then stop and grab some images.
I departed for Glasgow Airport early in the morning and I soon started driving along the banks of Loch Awe. To my surprise there the water was calm and there was a lot of low lying mist hanging over the water. I already knew before I got to Kilchurn Castle that the conditions for taking photographs there would almost be perfect. Glassy water, low lying mist and a ruined castle…what more could you want?
It broke my heart to drive past Kilchurn Castle that morning. I could have taken some amazing photographs but I had to get to the airport. There simply wasn't time to stop. The amazing conditions didn't stop there though. All along the route to Glasgow, there was mist and the low-level cloud hanging about over water. As I approached Loch Lomond I was sure there was a cloud inversion and if I'd had time to ascend Ben Lomond I would have been treated to an epic show!
Grey Mare's Tail
It was tough having to drive past all those amazing locations in those weather conditions but that's just the way it is sometimes. However, I dropped off the family at the airport and started my journey to Grey Mare's Tail. When I arrived and saw the waterfall and the surrounding hills I was not disappointed. It looked amazing. Here's what I got up to:
The conditions weren't ideal, and I was really short of time, but this is definitely a location I need to revisit. There is a lot of different spots along the path past the waterfalls and up along the loch side. I wish I could have spent all day there. However, now I know where it is and what to expect, it's definitely getting added to my custom Google locations map.
Have you visited Grey Mare's Tail before? Did you make the ascent all the way up to Loch Skene? Let me know in the comments below.
The Photographs
Here are some of the images I captured during my brief time at Grey Mare's Tail and Loch Skeen (Skene).
Nikon D850, Nikkor 24-70mm f/2.8 @ 52mm, f/11, 25 seconds at ISO 64, Lee Filters Circular Polariser and 10 stop ProGlass IRND.
Nikon D850, Nikkor 24-70mm f/2.8 @ 32mm, f/11, 13 seconds at ISO 64, Lee Filters Circular Polariser and 10 stop ProGlass IRND.
Nikon D850, Nikkor 24-70mm f/2.8 @ 34mm, f/13, 1/8th seconds at ISO 64, Lee Filters Circular Polariser.
PS - The product links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Creating Panoramic Images of Glen Etive with a Drone: A 5 Minute Photo Adventure
In this blog post, I share with you the story, photographs and video of how I went about creating some aerial panoramic images with my DJI Mavic Pro drone.
Over the last couple of weeks, I have told you about my recent photography adventures to the Dalveen Pass, and to Kilchurn Castle. To be honest, given both these adventures were undertaken while on a family holiday I thought I was doing really well. After all, I was supposed to be spending time with my family.
Beinn Duirinnis
Landscape photograph aside one of the things I was most looking forward to doing while visiting Scotland was getting up into the hills. Or to be more precise the mountains! I love Devon. It's a beautiful county but I do miss walking the hills and mountains of the Scottish highlands.
When I suggested to my brother-in-law that maybe we should climb a Munro while I was visiting he couldn't have said yes fast enough. However, there was one slight problem. Despite it being April, there was still a lot of snow on the upper slopes of the higher mountains. Unfortunately, my skills as a hill walker don't include snow so we had to revisit our plan.
Almost directly opposite to where I was staying is a hill called Beinn Duirinnis. At only 550 m this was much more likely to be snow free. However, it would deliver magnificent views of north up Loch Etive towards Glen Etive. This was highlighted in Jager Scot's video and I thought a trip up this mountain might mean another chance for some landscape photography.
Unfortunately for me, Mother Nature hadn't finished delivering snow to Scotland, and an unexpected overnight dumping of snow meant that even Beinn Duirinnis became out of reach. Another plan was needed!
Landscape Photography from Your Back Garden
With almost every local mountain out with my skill set, I decided I would try something a little different. I had been playing with the drone a few days taking some panoramic images of the surrounding landscape. This got me thinking. Perhaps I could do some landscape photography without even leaving home and maybe produce a video to go with it!
With all the extra snow on the hills, I decided to send the drone up and see what I could capture. Here is how I got on:
As you saw, a drone can really open up some new creative options. It would have been impossible to capture those images without a drone. While I haven't used the drone that much for stills photography, this really did open my eyes again to the possibilities that this amazing bit of technology can offer.
Do you have an amazing view from your garden? Do you use a drone for stills photography? Let me know in the comments below.
Those Images
Here are those panoramic images you saw in the video. Enjoy!
This is the image I shot the evening I made the video. DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 11 DNG files.
I took this image a few days before I shot the video. I much prefer the light in this one. DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 9 DNG files.
Kilchurn Castle: A 5 Minute Photo Adventure (Special Edition)
In this blog post, I share with you the story, photographs and video of a near perfect morning at Kilchurn Castle on the banks of Loch Awe in Scotland.
More Landscape Photography on Holiday
In my recent blog post on Dalveen Pass, I talked about my desire to fit in some landscape photography while on an Easter holiday with the family. Dalveen Pass was easy to fit in as it was a short detour off the M74 while on the drive up to Scotland.
I was really looking forward to my family holiday but there was really no way I was going to spend a week in the highlands of Scotland and not do some sort of landscape photography! Fortunately, my family agreed (kind of) and so I was able to take a morning off from holidaying and take my camera out to capture some images. But where to go?
Kilchurn Castle
I was staying in a small village just outside of Oban in Argyll, so I could feasibly drive to any number of amazing locations. The obvious choice was to go to Glencoe. I had amazing photography adventure there last year, and normally I wouldn't hesitate to go back, but in the back of my mind, there was a location I wanted to visit even more.
Scotland has many amazing castles to photograph, but to me, Kilchurn Castle is one of my favourites. I grew up only a few miles away from Kilchurn Castle and so I had seen it from the road many, many times. I'd even visited the castle a couple of times. However, now that I am a landscape photographer I was desperate to revisit the castle to photograph it.
Picking the Right Day
With the exception of one day, I could pick any of my holiday days to visit Kilchurn Castle. A quick check of the weather forecast showed that the first full day of my holiday was for very light winds. This was ideal for the type of shot I wanted as there was a good chance that Loch Awe would be very still and provide some great reflections.
The only trouble was that I would need to get up very early and I would be tired from a long drive the day before. However, if the conditions were to be as predicted it would be so worth it!
Let's see how I got on.
As you can see the conditions were a bit of a mixed bag. I certainly got the glassy reflections on the loch, but these annoyingly disappeared for a while when the sun came up. The sky was also a little too clear. Some clouds would have added something a little extra to the images, but on the whole, it was a pretty special morning. Well worth getting up early for!
One thing you didn't see in the video was the other photographers that were there. I always enjoy having a chat with other photographers and the conversations I had were very welcome and good distraction from the cold. One of the photographers I chatted to, Dan Rooke, also has a YouTube channel, and I recommend you check it out here.
So have you photographed Kilchurn Castle before? Where would you have gone if you had just one morning to take photographs? Let me know in the comments below.
The Photographs
Here is a selection of the photographs I took that morning.
Nikon D850, Nikkor 24-70mm f/2.8 VR at 50mm, 1/5th sec at ISO 64, f/11, Lee Filters Circular Polariser.
Nikon D850, Nikkor 24-70mm f/2.8 VR at 38mm, 6 secs at ISO 64, f/11, Lee Filters Circular Polariser and 6 stop ProGlass IRND.
Bit of a bonus photograph for you. As I drove home from Kilchurn Castle I noticed the near perfect reflections on the Pass of Brander so I just had to share this image with you.
Nikon D850, Nikkor 24-70mm f/2.8 VR at 24mm, 1/50th sec at ISO 64, f/11, Lee Filters Circular Polariser.
Dalveen Pass: A 5 Minute Photo Adventure
In this blog post, I share with you the story, photographs and video of my discovery of a great roadside location just off the M74 called Dalveen Pass.
Landscape Photography on Holiday
Family holidays are typically not a great time for landscape photography. After all, the point of being on holiday is that one should take a break and spend time with loved ones. However, it can be difficult for me to switch off my passion for landscape photography so I'm always thinking of new ideas and how to make opportunities to get out with the camera.
So when I arranged a holiday to the highlands of Scotland my mind was full of grand ideas for photography and creating content for my YouTube channel. Most of my grand ideas though would involve being away for hours and getting out the house at unsociable hours. All these photography based plans would essentially defeat the purpose of going on a family holiday, and to be honest, I actually needed a break so I decided to reign in my ideas.
M74
There was one idea that I came up with though that wouldn't impact my holiday. Though we would all be going to the same holiday destination, my wife and kids would be flying up, and I would be driving up to Scotland with all the bags, bikes, and most importantly the camera gear. With such a long drive I would need to stop a few times for a break so surely there would be some close by locations worthy of a bit photography.
I would be passing near the Peak District and the Lake District, but I wanted to visit somewhere a bit different, and closer to my final destination. So I picked up my copy of Photographing Scotland and spotted the location Dalveen Pass in Dumfries & Galloway. It looked ideal as it was just off the M74 and a couple of recommended viewpoints were on the roadside. It looked perfect. I could stop and have some lunch, and grab a few photos.
Photographing Davleen Pass
The morning of the drive I set my alarm nice and early so I would have plenty of time for the drive, make my planned stop, and still reach my destination in time to meet my family off the plane. Despite it being Easter weekend the traffic was light and I made it to Dalveen Pass in plenty of time. When I got there I decided that I would also make video of my experience so I'm very happy to share with you my latest 5 Minute Photo Adventure from Dalveen Pass.
As you can see I didn't exactly have the best conditions for photography. The grey overcast skies don't matter so much for the waterfall shots, but those beautiful hills would have been lovely with a bit of light and drama in the sky. However, I very much enjoyed my time on Dalveen Pass. This location has a lot of potential and with it being just of the M74 I'm sure to stop off again on my way up or down from Scotland.
Have you photographed Dalveen Pass before? Do you have any recommendations for great locations near motorways? Let me know in the comments below.
PS. There will be more landscape photography videos from my holiday in Scotland so stay tuned to my blog or even better make sure you subscribe to my YouTube channel and remember to click on the bell icon so you receive a notification as soon as I post up a new video.
The Photographs
As promised in the video here are the photographs that I captured from Dalveen Pass.
Nikon D850, Nikkor 24-70mm f/2.8 VR at 62mm, f/11, 1/4 sec at ISO 64, Lee Filters Circular Polariser.
Nikon D850, Nikkor 70-200mm f/2.8 VR at 70mm, f/11, 1/30th sec at ISO 64
Developing a Passion for Printing
In the vlog this week I expand my printing skills by printing a panoramic image on panoramic paper and then mounting it into a custom-made panoramic frame. I also take a look at some different paper types to try and see what impact each one has on an image.
Discovering the Joy of Printing
Back in April of this year, I wrote about how I purchased a new Canon Pixma Pro-10S printer while I was at The Photography Show in Birmingham. You can read why bought a printer and watch the video I made on my first experiences of printing, in my blog article Discovery the Joy of Printing.
Ever since then I've been printing my images. A lot. And I have to say it's been a lot of fun. I've enjoyed the experience of going out to make an image, post-processing it, and then creating a print at the end.
Developing a Passion for Printing
I have however been keeping things relatively simple. I've been using standard paper sizes, using Canon's Platinum Pro glossy paper. The results have been great. Prints match what is on the screen and the whole workflow is straightforward.
However, there any many different paper types from many different paper manufacturers, so I thought it was about time to expand my printing horizons. In the video below I take one of my favourite panoramic images and print it on some panoramic paper from Fotospeed, and then mount it in a custom frame from Picture Frames Direct. I also take another one of my favourite images of the year and print it on some different paper types.
These are the images I printed in the video.
Nikon D750, Nikkor 24-70mm f/2.8 VR at 20mm, 1/3 sec at f/11, ISO 100, 7 image panorama.
Nikon D850, Nikkor 16-35mm f/4 @ 18mm, ISO 100, 5 sec @ f/13, Lee Filters circular polariser and ND grad.
Well, I hope you enjoyed my follow-up video on printing. As you can see I've still got a lot to learn, but I'm really enjoying the challenge. I get a great sense of satisfaction on owning the entire process from capture to print.
Have you recently taken up printing? Are you an experienced printer? Do you have any advice on printing? Let me know in the comments below.
Glencoe Adventure - Part 1, The Workshop
In this first of two special Glencoe blog posts I'll share with you my images and stories from the Dawn 2 Dusk Glencoe workshop that I attended recently. It was a fantastic few days of photography. Though the weather was typically Scottish at times, the variable conditions resulted in some awesome images.
The Importance of Adventure
I have talked about the importance of practising the art of photography on this blog a number of times. For me, and I expect this is the same for many photographers, most of this practice will take place in your own back yard. Not literally of course, but most of the time you are out with a camera it will be in your local area. For me, this is Devon with the occasional visit across the border to Cornwall or Dorset.
While there are many benefits to shooting locally, such as time and familiarity, there is nothing quite like the challenge of pushing the boundaries of your photography by going on an adventure! Adventure means different things to different people, but for me, it's the excitement of travel, of meeting new people and of course photographing something new. All these elements can really push your photography in a way that you sometimes just can't get locally.
Though I have visited Glencoe a number of times and even grew up not far away, this will be my first time in the area as a dedicated photographer. So while the area might be familiar, the prospect of photographing it was exciting, to say the least. Well worth the 3 days off work (plus the weekend) and the 10 hours drive each way!
This week, in the first of two Glencoe blog posts, I will be sharing my memories, thoughts and photographs of the Dawn 2 Dusk Photography Glencoe photography workshop that I attended. Next week, in part 2, I will be sharing the images and video that I took with some of the extra time I had in Glencoe.
Why Workshops are Important
So why didn't I just spend all the time I had in Glencoe doing my own thing? Well, for me at least, workshops provide a number of unique benefits that I can't get by shooting on my own:
Practical and Artistic Development - Tuition is still a big part of my development as a landscape photographer and for the Glencoe workshop, I had access to two of the UK's leading landscape photographers, Ross Hoddinott and Adam Burton. Having access to this level of photographer not only helps with the artistic side of my photography but also with some of the more practical aspects of photography (read how later in the blog post).
Being Social - The life of a landscape photographer can be a solitary existence, especially if you favour early mornings like me. However, every now and again it's just good to be around like-minded individuals. Just by chatting during the day you can not only learn about how your photography looks to others, but also learn from their photography. At night, normally around the bar, it is a great chance to share those funny, odd, or disastrous trips out with the camera.
Local Knowledge - There is only so much planning and preparation you can do on the computer. In order to maximise time with the camera when you arrive at a new location, it's sometimes useful to have access to some local knowledge. For me, workshops provide me with an introduction to the photographic possibilities of an area and while I could do this myself I don't always have the extra time.
So now that we've talked about the importance of adventure and the value in workshops, let's get into the most important aspects of this adventure, the photographs!
Day 1: Castle Stalker
The 2.5-day workshop started with a briefing at our base of the Clachaig Inn just outside Glencoe village. Adam and Ross managed to suitably embarrass me by remembering my birthday with a chocolate cake and singing happy birthday! After the very sociable start of coffee and cake, we all headed down for a sunset shoot at Castle Stalker on Loch Linnhe.
Nikon D750, Nikkor 70-200mm f/2.8, @ 200mm, f/8, 1/60th second, ISO 100, Lee Filters ND Grad, 16:9 crop.
As you can see from the shot above, the descending sun illuminates the side of the castle rather nicely. I was hoping to get a similar shot to this with water surrounding the island, but as the tide came in the light became flat thanks to some heavy cloud where the sun was setting.
It was still a good start to the workshop and we all headed back to the hotel for some well-earned food and drinks.
Day 2: Lochan na Fola and Stob nan Cabar
As you might expect with a landscape photography workshop it was an early start to the 2nd day. Fortunately, the drive to our next location of Lochan na Fola wasn't far from our hotel so the alarm call wasn't too early.
When we arrived at Lochan na Fola the water was beautifully still giving us some wonderful reflections of Stob nan Cabar. Just as we setup though some cloud rolled in blocking the view of the mountain. As we waited I decided to try out my new drone the DJI Mavic Pro. The arrival of the drone caused a bit of excitement amongst the group as I demonstrated some of its capabilities. While I couldn't get find a gap in the cloud to fly a little higher, I did get the chance to grab a quick group shot.
We didn't have to wait to long for the cloud to clear though and all of sudden it was battle stations as we were presented with some truly epic scenes!
Nikon D750, Nikkor 16-35mm f/4 @ 18mm, f/11, 1/20th second, ISO 100, Lee Filters Circular Polariser.
Nikon D750, Nikkor 16-35mm f/4 @ 26mm, f/11, 1/20th second, ISO 100, Lee Filters Circular Polariser.
I can't decide which of the two images above I like the most. Both of them greatly appeal to me with their near perfect reflections and frosty reeds in the chilly lochan. It would have been so easy just to go back to the hotel and have an early breakfast when the cloud came in, but everyone was glad they stuck it out.
Day 2: Lochan na h-Achlaise and Loch Ba
After a very successful morning and a big Scottish breakfast, we headed up to Lochan na h-Achlaise. Shooting around midday is always challenging though and coupled with the bright blue sky I did struggle a little bit to get some images.
However, by exploring along the shore line of Lochan na h-Achlaise I did find this interesting composition.
Nikon D750, Nikkor 24-70 f/2.8 @ 34mm, f/13, 30 seconds, ISO 100, Lee Filters Circular Polariser and Big Stopper.
Exploring just a little further I found this scene just off the road at Loch Ba. This is a more pleasing image thanks to the horseshoe arrangement of the foreground rocks and the reflection of the mountain in the water.
Nikon D750, Nikkor 24-70 f/2.8 @ 40mm, f/13, 2.5 seconds, ISO 100, Lee Filters Circular Polariser and Little Stopper.
I also had just enough time to try and capture a panorama of the area using my DJI Mavic Pro.
DJI Mavic Pro - 7 images stitched and processed in Lightroom.
Day 2: Blackrock Cottage
Blackrock Cottage is probably one of the most photographed locations on Glencoe, but it would have somehow seemed rude not to photograph it. After all, we were passing it on our way to get coffee from the cafe at the ski centre.
I rarely convert to black and white but in this case, the image seemed to work better without colour. The texture on the mountain (Buachaille Etive Mor) really stands out.
Nikon D750, Nikkor 24-70mm f/2.8 @ 62mm, f/11, 1/25th second, ISO 100.
Day 2: Glen Etive
Towards the end of day 2, we headed down the long and windy road of Glen Etive towards the head of Loch Etive. Here the stunning mountains reach right down into the sea loch and it's an ideal location for capturing the last light as it touches the tops of the mountains.
As I waited for the light I was still able to capture some striking images of the north east shore of Loch Etive.
Nikon D750, Nikkor 24-70mm f/2.8 @ 26mm, f/11, 198 seconds, ISO 100, Lee Filters Big Stopper, ND Grad and Circular Polariser.
As I've written on this blog before it's always important to see what is going on behind you. It appeared that the sun was shining on the mountains diretly behind me!
Nikon D750, Nikkor 70-200mm f/2.8 @ 150mm, f/8, 1/5th second, ISO 100, Lee Filters Big ND Grad.
In my hurry to get to the head of the loch to capture last night on the mountains I completely missed another great composition. It wasn't until I was heading back to the car that I found a few of my fellow photographers shooting this interesting scene.
Nikon D750, Nikkor 16-35mm f/4 @ 19mm, f/11, 20 seconds, ISO 100, Lee Filters Circular Polariser and ND Grad.
I had actually walked by this location in my hurry to get to the head of the loch. Perhaps I should have taken just a little more time to explore this area before settling into my chosen location.
Day 2 was certainly a busy one. Would day 3 be just as good?
Day 3: The Study
After the successes of day 2, the weather had a change of heart and went typically Scottish. Lots of low clouds, and lots of rain. Our initial plan was to do a pre-breakfast shoot of Buachaille Etive Mor. We would go down to the river Coupall to shoot the waterfalls with the mountain in the background. Only trouble was you couldn't see the mountain or anything really. Reluctantly we headed back for an early breakfast and discuss our next move.
With the weather forecast predicting a stop to the rain, our tutors suggested we shoot from The Study, a slightly elevated viewpoint with excellent views of the mountains (The Three Sisters). Sure enough, the rain stopped and we were back in business.
I don't often shoot panoramas but this viewpoint seemed like the ideal location to do so. Fortunately, Adam Burton was on hand to give me some excellent tuition on how to setup the tripod correctly and the best way to rotate the camera. Taking my new found knowledge I managed to capture this image of The Three Sisters.
Nikon D750, Nikkor 24-70mm f/2.8 @ 24mm, f/11, 1/100th second, 10 vertical images stiched and processed in Lightroom CC.
I then decided to opt for a much tighter composition giving me one of my favourite images from the workshop.
Nikon D750, Nikkor 70-200mm f/2.8 @ 90mm, f/11, 1/40th second, ISO 100, Lee Filters ND Grad.
Day 3: Stob Dearg and the River Coupall
There is no doubt that this location has been photographed a lot. However, that doesn't make it any less worth shooting. There are always new compositions to be had, different weather conditions to manage and personal style to put into an image.
The key element for this location is a visible Stob Dearg (Buachaille Etive Mor), something that was missing that afternoon. This made my decision a couple of days earlier not to photograph this very scene because "I'll be back in a couple of days", even more heartbreaking.
However, with probably an unjustified amount of optimism, I put on my wellington boots, got into the river and set up my shot. All I needed was for the cloud to clear from the mountain. So I waited, and waited, and waited. It came so very close to being completely clear, but as the sky darkened I knew it wasn't going to happen.
Though you can't see the whole of the mountain in this image, I still like the end result.
Nikon D750, Nikkor 16-35mm f/4 @ 19mm, f/13, 0.8 seconds, ISO 100, Lee Filters Circular Polariser and 0.3 ND Grad.
Though it had been a challenging day with the weather, it was still a successful day out with the camera.
Workshop Summary
At the start of this blog post, I mentioned the three things that I look for on a workshop; personal development as a photographer, social interaction, and local knowledge.
There is no doubt that my artistic eye has developed a little bit more and that I'm now better prepared to shoot panoramas. I also got to spend a couple of days with a great group of people who shared my passion for landscape photography. We all shared some great stories in the bar! And finally, thanks to some excellent planning and local knowledge, the weather and conditions rarely caused a problem with the flexible itinerary.
I've come away with some great images and some even better memories, so it was definitely worth a few days off work and a very long drive!
In Part 2...
In part 2 of my Glencoe Adventure blog post, I will tell you about the images I took during the spare 24 hrs I had before the workshop started, including a video of my very early and snowy ascent of Beinn a'Chrulaiste!