Bite-Size Blog Post #43 - Belstone Common - Dartmoor National Park
In this blog post I share with you some of the photographs I captured from the recent snowfall on Dartmoor, and I discuss some of the compositional challenges when there is "too much snow".
A Reminder of the Dangers of Driving in the Snow
I recently wrote in blog about how I photographed Dartmoor in the snow over a period of three days. We are lucky to get one day of snow on Dartmoor before it clears, so I felt fortunate to get out with my camera three times over three days. Aside from a tricky exit from one car park, driving around Dartmoor in the snowy conditions wasn't too bad and it gave me a bit of confidence to try it again should there be another snowfall.
As if luck was on my side, it was early on in January when Dartmoor experienced another dumping of snow. Eager to get out there and add to my library of snowy Dartmoor pictures I ventured out in the car to photograph the area around Row Tor in the Okehampton military zone. The driving conditions on the main roads weren't too bad, but as always, a little extra caution was called for.
All was going well until I started heading up Station Road in Okehampton where there is less traffic and steeper roads. There was clearly ice and snow on the road, but I was feeling bold, and I was eager to capture some photos, so I kept going. Station Road soon turned into Tors Road, and this is where things got tricky. Tors Road is particularly steep in places, and with very little traffic on that road (and certainly no gritting trucks), I found my car sliding on the ice.
I thought I might be able to make it to the boundary of the military camp, but even if I did, coming back down would be horrible. With the likelihood of the car sliding even under gentle braking, I really didn't fancy descending Tors Road and then sliding into something and damaging my car or someone else's property. So, I made a very careful three point turn and slowly descended back into Okehampton. It was a sensible decision.
However, I didn't want to just give up on my desire to capture photographs that morning. With sunrise getting ever closer there was only one place that I thought I could get a car close enough to and that was Belstone.
I had to drive carefully up the country lane to Belstone, but it was passable. I did the sensible thing and parked in the main car park and started the walk up to Belstone Common. It was a beautiful morning and Belstone village looked like a winter picture post card. Up on the moor the walking was hard going as the snow was deep. I was glad I was wearing my Muck Boot Artic Sport wellies!
Too Much Snow for Belstone?
A Snowy Belstone Tor #1, Dartmoor National Park, Devon - Nikon Z8, Nikkor Z 14-30mm f/4 S at 19mm, f/13, 1/15 sec at ISO64
I was surprised to see a few folk up on Belstone at that time of morning, especially with so much snow. My first concern was that they might have already walked through the snow and left foot prints but fortunately for me this wasn’t the case.
Belstone is a place I have photographed numerous times of the years, and I have compositions I know work well. However, as pretty as the snow was, there was more there that I'd ever experienced on Dartmoor and its presence considerably change the look of the location. Compositions featuring my favourite rock formations lost a lot of their definition under a blanket of snow. Don't get me wrong, the snow looked beautiful and some of the patterns that the wind had shaped the snow into looked amazing. But it was hard work finding compositions.
A Snowy Belstone Tor #2, Dartmoor National Park, Devon - Nikon Z8, Nikkor Z 14-30mm f/4 S at 18mm, f/13, 1/30 sec at ISO64
Another challenge was the mostly clear blue sky. With a very white foreground and a blue sky, I felt the scene lacked interest or drama. It was certainly wonderful to look at, but that doesn't always make for a compelling photograph.
While I am often critical of my photographs because I either should have composed them better or the conditions weren't right, the one thing I always do is enjoy my time while I'm out with the camera and I most certainly enjoyed my morning on Belstone Common. Watching the sunrise over the rolling hills of a snowy Dartmoor was a joyous experience and one that I would happily do again.
A SNowy Irishman’s Wall, Dartmoor National Park, Devon - Nikon Z8, Nikkor Z 14-30mm f/4 S at 26mm, f/13, 1/20 sec at ISO64
Photographing Dartmoor in the Snow
Snow can transform Dartmoor into a winter wonderland for landscape photography. In this blog, I share with you not one, but two locations, where I was fortunate enough to photograph them in the snow.
Who Doesn’t Like a Snowy Landscape?
There aren’t many types of weather that get landscape photographers as excited as snow. Snow can transform even the most mundane of landscapes into something pure and beautiful. Depending on where you live, it can also be rare.
Living in the south-west of the UK, I don’t see snowfall that often. It will snow at least once during the winter months, but it tends to be a dusting of snow. This is unlike other places in the UK such as Scotland where snowfall can be significant.
Snow fall on Dartmoor for me is a double-edged sword. It transforms the landscape into a stunning winter wonderland but, accessing the moors can become challenging. Dartmoor has a mixture of busy A roads all the way down to narrow country lanes. Safe access to those roads during snow is not always possible. If I can’t get to Dartmoor, it doesn’t matter how great the snow is, I can’t photograph it.
The Transformation of Belstone Tor
I hadn’t been paying attention to the weather forecast and I certainly hadn’t considered that it might snow. That was until I got a message from a friend who was very excited about the prospect of snow and wondered if I wanted to join him on Dartmoor for a dawn shoot. I quickly checked the weather forecast and with a 95% chance of snow I immediately packed my camera bag for the following day.
There are a number of Dartmoor locations that sit on higher elevations but we chose Belstone because of its ease of access. It’s a short distance from the dual carriage way, there’s a car park in the village, and the elevation gain between the start of your walk to Belstone is sufficient enough that you can walk from no snow to the snow line (and beyond).
Arriving at Belstone village we were both pleased to see the weather forecast had been correct and it had snowed overnight. Excited, we started our ascent to the tor.
Arriving at the tor we found the landscape had received a good dusting of snow. It was far from a perfect white blanket, but definitely enough to give our photographs that wintery look. We still needed to be very careful where we walked though and we didn’t leave footprints in areas we later wanted to photograph.
A Snowy Irishman's Wall, Dartmoor, Devon - Nikon Z7, Nikkor Z 24-120mm f/4 S at 37mm, f/13, 1/10 sect at ISO 64, 16:9 crop.
We arrived plenty of time to explore the area before sunrise. We both know this location very well but things can look different in the snow so it was important to do a bit of wandering about. The first composition I picked out was of Irishman’s Wall, just as the sun started to light it up.
A Snowy Belstone Tor, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 19mm, f/13, 1/15 sect at ISO 64.
We then moved back to the main set of rock stacks to see what else we could pick out. I tend to shoot towards the sunrise at Belstone, but this morning all the action in the sky was towards the north. Perched high up on a rock I captured my image of Belstone Tor. The image still benefits from the light of the rising sun (to the right) and the incoming snow storms in the sky, but it could do with a little more snow.
Snow coverage is a tricky balance on Dartmoor. Too much and you lose a lot of the interest provided by those fantastic tors, and not enough, and it can look a bit messy. It’s still a good shot, but I would have liked a bit more snow. I’m never happy!
After a great morning in the snow, we headed off for some breakfast. We then planned to continue shooting Dartmoor and to make the most of the snow, but when we got the Great Staple Tor area, there was barely any snow. It also started raining. It looked like that was it for the snow on Dartmoor and we headed our seperate ways, both agreeing we’d had a brilliant morning.
A Surprise on Black Tor
A couple of days later I started to make plans for another dawn shoot. Black Tor (near High Willhays) had long been a location I wanted to photograph. It’s a location I’ve visited a number of times, but I’d never photographed it before. With the sunrising from a good direction, it seemed the perfect time to see what I could capture.
When I started my walk from Meldon Reservoir car park there was no sign of snow. I was expecting any either as I thought it would have melted since my visit to Belstone. So you can imagine my surprise when I reached Black Tor and I was able to capture the image below.
A Snowy Sunrise at Black Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 17mm, f/13, 1/3 sect at ISO 64.
Again, not a huge amount of snow but enough to make things interesting. The main disadvantage of shooting snow a few days after it has fallen is footprints. Even with some of the more remote Dartmoor locations such as Black Tor, you’re not going to be able to avoid foot prints in the snow. I’ve did my best to avoid them, but all I can do is minimise their impact.
A Snowy Sunrise at Black Tor #2, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 16mm, f/13, 1/30 sect at ISO 64.
Despite that wonderful pre-sunrise sky, it was after the sun rose that the landscape came to life. As the sun broke the horizon and started to swing round, it started to illuminate Corn Ridge to the south and the foreground tor.
A Snowy Sunrise at Black Tor #3, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 15mm, f/16, 1/50 sect at ISO 64.
I don’t often shoot straight in to the sun, especially when it is clear, but some of the compositions I was picking didn’t leave me much choice, so I had to embrace it. As it turns out, including the rising sun wasn’t a distraction and I felt it worked well. If I’m being picky though, and I like to be picky, I prefer the composition below rather than the one above. The foreground rock formation is more interesting and it catches the light well.
A Snowy Sunrise at Black Tor #4, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 14mm, f/16, 1/40 sect at ISO 64.
Even as the morning progressed and the sun got higher in the sky, the light remained soft and I continued to find new compositions.
A Snowy Sunrise at Black Tor #5, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 15mm, f/11, 1/50 sect at ISO 64.
Looking at these images I’m convinced that if Corn Ridge in the distance had been covered in snow it wouldn’t have looked as photogenic as it does here. The colour of the ground in this area of Dartmoor during winter is a beautiful golden colour and it would have been a shame not to see it catching the morning light. The snow helps break it up and produce texture.
A Snowy Sunrise at Black Tor #6, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 16mm, f/13, 1/50 sect at ISO 64.
Proper Snow at Darmoors’s Highest Point
After a fantastic, and unexpected morning of great photography at Black Tor I decided not to go home, but to continue my journey. I put the camera away and decided to go for a walk to see how things looked from High Willhays (Dartmoor’s highest point).
On the way up from Black Tor to High Willhays the snow got deeper. (Google Pixel 6 Pro).
It’s only a short walk east from Black to High Willhays but there is an elevation change of nearly 120m. As I ascended there was a noticeable change in snow coverage and depth. It wasn’t difficult walking but if you went looking for it you could find the snow knee deep!
By the time I got to the top of the hill, the snow was knee deep in some places. (Google Pixel 6 Pro).
Around High Willhays there was plenty of snow and it looked beautiful. Rather than get the camera out again I just decided to keep walking and enjoy it. And I wasn’t the only one. I saw runners, walkers, dogs and even someone on a bike. You never know how long the snow will last so people were deciding to make the most of it.
Along the summit ridge there was plenty of snow. (Google Pixel 6 Pro).
My walk continued to Yes Tor and then I descended back to Meldon where you wouldn’t have known that some 300m above there was a blanket of glorious snow.
Looking back it had been a brilliant couple of days. From not even considering there might be snow on Dartmoor to spending so much time making the most of a rare weather event. I’m not sure if it will snow again this winter, but even if it doesn’t, I at least know I made the most of it when it was here.
I hope you enjoyed this blog post. Have you had snow where you live? Have you managed to get out and take your own snowy landscapes? Let me know in the comments below.
Winter Landscape Photography On Dartmoor and Vallerret Gloves
In my latest video I head to Belstone for some Dartmoor snow and to capture some wintery landscape photographs. I’ll also tell you all about my new Vallerret photography gloves.
Dartmoor Snow
There can’t be many landscape photographers who are familiar with Dartmoor National Park that don’t excited about the possibility of snowfall. I’m certainly one of them and this was confirmed a few weeks ago when I found myself checking the weather forecast a lot more than usual! The forecast had been predicting varying levels of snowfall but it always seem that at the last minute, the forecast would change.
This went on for a few days. After spending days looking at my packed camera bag, I finally decided enough was enough, and to hell with the forecast, I was going to head out the following morning. I didn’t necessarily need a complete blanket of snow to capture the images I was hoping to get. I just needed Dartmoor to look a bit wintery.
Belstone Common
The forecast for the following morning was for light snow showers, but more importantly than that were the forecasted sub-zero temperatures. To maximise my chance of getting those wintery conditions I needed to go somewhere on Dartmoor that had an elevated viewpoint. For me, Belstone Tor at 479 m is a great balance between elevation and journey time (driving and walking time).
In the video below you can see how I got on and how I went about capturing the photographs you can see in this blog post.
Vallerret Skadi Zipper Mitt Review
In the video, you will have also seen me talk about an essential item of photography gear for winter, the Vallerret Skadi Zipper Mitt. I’ve always suffered from cold hands and these gloves have been a welcome addition to my kit bag, especially on frosty Dartmoor mornings! As it was such a wintery morning when I was shooting this video, I thought it was a good time to share my thoughts on them.
If you’d like to pick up a pair of these gloves, then just click the link here.
Dartmoor Landscape Photographs
Below you will find the photographs I captured in the video. As a bonus, I’ve also included the first image I captured just before sunrise, so you can see the difference the morning light from the sun makes. I have to say though, even without the golden light I still really like that first photography.
A Snowy Dawn at Belstone, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 20mm, f/11, 0.5 seconds at ISO 64, Kase Filters K9 CPL and ND grad.
Sunrise and Snow at Belstone #1, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 19mm, f/11, 1/4 seconds at ISO 64, Kase Filters K9 CPL and ND grad.
Sunrise and Snow at Belstone #2, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 16mm, f/11, 1/4 seconds at ISO 64, Kase Filters K9 CPL and ND grad.
Just a Little Bit of Snow on Dartmoor
Even the slightest chance of snow is enough to make me set my alarm for 4:30 am and head up to one of Dartmoor’s highest tors.
Who Loves Snow?
There is something about snow that makes some UK based landscape photographers very excited, and I admit, I’m one of them. I think this is for two reasons. First is that we don’t often get a lot of snow in the UK. Some parts of the country like the Highlands of Scotland get more than say Devon, but it is rare for us to get widespread heavy snowfall. The other appealing aspect of snow is how it can transform a location. Your favourite viewpoints can take on a different look and it can make some locations that you would never normally photograph suddenly become beautiful. So when I heard that snow was forecast on Dartmoor I immediately started to make plans for a dawn shoot.
Do You Want To Build a Snowman?
While the weather forecast was predicting snow, I already knew it wasn’t going to be a great big dumping of the stuff. While the forecast was predicting a 95% chance of snow, it was only forecast for short periods and on the very highest reaches of Dartmoor. I guessed that it would be similar conditions to the time I got snow up on Belstone Common (which you can see below). There certainly wasn’t going to be enough snow to build a snowman.
Great Mis Tor
To make the most of what snow there was going to be I needed to choose a Dartmoor location that was both high, reasonably easy to access, and offered some interesting compositions. Two tors spring to mind that meet these criteria, Great Staple Tor and Great Mis Tor. With Great Mis Tor being around 90 meters higher than Great Staple Tor I opted to go there. Experience has taught me that even a small difference in height can mean the difference between snow or no snow.
When I arrived at the car park for Great Mis Tor things looked positive. There was already a light dusting of snow. By the time I got to the Tor things were looking not too bad. As expected, it wasn’t a blanket of snow but I felt there was enough to work with. It reminded me of my last visit to Great Mis Tor where I also had snow that morning.
A Snowy Dawn at Great Mis Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 14mm, f/13, 1/5th sec at ISO 64, Kase Filters K9 CPL and ND Grad.
While the addition of snow to a scene is often a welcome addition, that doesn’t mean that the photography becomes easy. With only a little bit of snow what I really needed to add something to the scene was a bit of morning light. There were plenty of showers passing through and they would leave gaps in the sky, but I never really got a decent break in the light. As is always the way, there were many patches of great light in the surrounding landscape, just not where I was!
A Snowy Dawn at Great Mis Tor #2, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 14mm, f/13, 1/5th sec at ISO 64, Kase Filters K9 CPL and ND Grad.
Looking back at my images I feel they are lacking something. I know that I talk about the quality of the light a lot but it really can make a difference when shooting Dartmoor. I’m more than happy to Embrace the Grey at the right locations, but this rarely works for me on Dartmoor. Don’t get me wrong, the images are pleasing enough but even without good light, I think the compositions need a little tweaking. I’ve only shot Great Mis Tor a couple of times so I can’t expect to instantly come away with great compositions with little experience there. I’ll just need to keep going back. Which is no bad thing?
A Snowy Dawn at Great Mis Tor #3, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 17mm, f/11, 1/13th sec at ISO 64, Kase Filters K9 CPL and ND Grad.
Photography challenges aside, I had a great time. I know standing on a snowy, windy tor, 538m up isn’t everyone’s idea of fun, but for me, it was the perfect way to witness the start of a new day. The photos capture what I saw that morning and combined with the experience of actually being there, it made for a perfect morning in the wilderness.
Have you managed to capture any snowy images this year? Is snow a bonus or a hindrance for your photography? What snowy scenes do you like to capture? Let me know in the comments below.
Is It Time to Ditch the Nikon D850?
In this blog post I ponder the idea of going to a mirrorless camera system.
Goodbye D850, Hello Mirrorless?
Some people consider the Nikon D850 the best DSLR there currently is. This might well be true, but cameras with a flapping mirror (DSLRs) are a dying bred. Mirrorless cameras have been on the rise for some time now and at some point I expect the DSLR to go the same way as the film camera.
There are many reasons why mirrorless cameras are better. They generally have better tech in them such as a wider spread of AF points and EVFs. While you could say that mirrorless cameras are technically superior, does that mean if you still own a DSLR that you should be looking to get rid of it as soon as possible and replace it with a mirrorless camera?
We all know that a camera doesn’t make a poor photographer great, but the correct choice of camera can make the process of capturing an image easier or more enjoyable. This is one of the reasons why I upgraded from my D750 to the D850. There was nothing wrong with my D750, it’s just that the D850 had some features that I wanted that ultimately improved my process of capturing images.
I’m now at the stage where I am seriously considering moving to a mirrorless system. Not because there is anything wrong with my D850, it’s just that some of that new mirrorless tech could improve my process of capturing images.
So is it time to ditch the Nikon D850? Let’s find out.
It’s a Matter of When Not If
For me, the move away from the Nikon D850 to the Nikon Z camera system is a matter of when not if. I’m not in a hurry though. After all, my current gear is hardly causing me issues. But, I do believe the Z system will offer me more. A better wide angle zoom in the 14-30 mm f/4, and that all important EVF. Unless I have a change in circumstances, I expect to have, at least in part, moved over the Z system in 2019.
If for some reason that doesn’t happen. I’ll still be capturing wonderful images with my trusty Nikon D850.
Are you considering changing from a DSLR to a mirrorless system? Do you already have a mirrorless camera? Do you have a Nikon Z camera? Let me know in the comments below.
Those Landscape Photographs from Dartmoor
If you want to take a closer look at those images I captured in video from Great Staple Tor, you can check them out below.
A Wintry Dawn on Great Staple Tor, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 25 mm, f/11, 1/4th sec at ISO 64.
Roos Tor and Great Mis Tor Panorama from Great Mis Tor, Dartmoor, Devon - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 70 mm, f/11, 1/40th sec at ISO 64, 11 stitch panorama.
A Dusting of Snow on Great Staple Tor, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 21 mm, f/13, 1/6th sec at ISO 64.
Wengen, Switzerland - A 5 Minute Photo Adventure
In the blog this week I’m in Wengen in Switerzland doing a little bit of landscape photography in the snow!
Why Wengen, Switzerland?
If you are a regular reader of my blog or viewer of my YouTube channel, you will know that most of my adventures are based in the south west of England or occasionally in the wider parts of the UK. It’s rare that I’m on some epic international photography expedition!
My visit to Wengen in Switzerland over the festive period actually had nothing to do with landscape photography. I was actually there on a family holiday. A time to relax, eat too much food, drink a lot of glühwein, and maybe hit the slopes for a bit of skiing and snowboarding. This holiday was definitely not a photography trip.
I’ll Take a Camera Just in Case
No matter where I go, or who with, I normally have some sort of camera with me. It could be my current phone, the OnePlus 6, or my trusty old Sony RX100 M4, but it’s rare that I take my D850 with me on a family holiday. On a family holiday I generally don’t have enough time to spare to dedicate to landscape photography, and besides, sometimes you really do need to take a break from all that serious photography stuff!
When I booked the holiday though, I remembered watching a video from Mads Peter Iversen in which he photographed the Lauterbrunnen valley from Wengen. After watching his wonderful video again, I was inspired to photograph that location myself. Where Mads photographed it when it was all green and lush, I could photograph it in the snow.
Hopefully, I would find a spare hour during my holiday so I could get the shot.
On Location
When we arrived in Wengen there was a distinct lack of snow. This wasn’t a problem for my skiing aspirations as the slopes were quite a bit further up the mountain on a cable car or train, but down in the village, the snow cover was sparse. There was some snow cover, but it was patchy and it looked like I would not get any joy with the photography.
Then one morning it snowed and (mostly) covered the ground with a fresh blanket of snow. With no other snowfall forecast for the week, I knew this was my best opportunity to get a photo. Fortunately, I was able to get away that afternoon, capture an image and make another one of my 5 Minute Photo Adventure videos.
Here it is:
And here is the photograph that I took:
Cloud and Snow Along The Lauterbrunnen Valley, Wengen, Switzerland - Nikon D850, Nikkor 16-35 mm f/4 VR at 35mm, f/13, 1/20th sec at ISO 64.
Challenges
It was actually a challenging shoot. As you saw in the video, a layer of cloud enveloped me at one point, there wasn’t quite enough snow to cover the ground completely, and I didn’t get much in the way of light in the valley or sky. However, I did anticipate the challenges of light on the valley and mountains thanks to some early analysis on The Photographer’s Ephemeris.
Despite all the challenges, I’m pretty happy with the photo. It was my first time at the location, I was really limited with what time I did have, and I was trying to video the whole experience! And besides, I had a lot of fun doing it all, and isn’t that the point?
I do hope you enjoyed this (slightly shorter than) 5 Minute Photo Adventure from Switzerland. Have you ever photographed Wengen or Switzerland? What Europeans countries have you photographed, and do you have a favourite? Let me know in the comments below.
Creating Panoramic Images of Glen Etive with a Drone: A 5 Minute Photo Adventure
In this blog post, I share with you the story, photographs and video of how I went about creating some aerial panoramic images with my DJI Mavic Pro drone.
Over the last couple of weeks, I have told you about my recent photography adventures to the Dalveen Pass, and to Kilchurn Castle. To be honest, given both these adventures were undertaken while on a family holiday I thought I was doing really well. After all, I was supposed to be spending time with my family.
Beinn Duirinnis
Landscape photograph aside one of the things I was most looking forward to doing while visiting Scotland was getting up into the hills. Or to be more precise the mountains! I love Devon. It's a beautiful county but I do miss walking the hills and mountains of the Scottish highlands.
When I suggested to my brother-in-law that maybe we should climb a Munro while I was visiting he couldn't have said yes fast enough. However, there was one slight problem. Despite it being April, there was still a lot of snow on the upper slopes of the higher mountains. Unfortunately, my skills as a hill walker don't include snow so we had to revisit our plan.
Almost directly opposite to where I was staying is a hill called Beinn Duirinnis. At only 550 m this was much more likely to be snow free. However, it would deliver magnificent views of north up Loch Etive towards Glen Etive. This was highlighted in Jager Scot's video and I thought a trip up this mountain might mean another chance for some landscape photography.
Unfortunately for me, Mother Nature hadn't finished delivering snow to Scotland, and an unexpected overnight dumping of snow meant that even Beinn Duirinnis became out of reach. Another plan was needed!
Landscape Photography from Your Back Garden
With almost every local mountain out with my skill set, I decided I would try something a little different. I had been playing with the drone a few days taking some panoramic images of the surrounding landscape. This got me thinking. Perhaps I could do some landscape photography without even leaving home and maybe produce a video to go with it!
With all the extra snow on the hills, I decided to send the drone up and see what I could capture. Here is how I got on:
As you saw, a drone can really open up some new creative options. It would have been impossible to capture those images without a drone. While I haven't used the drone that much for stills photography, this really did open my eyes again to the possibilities that this amazing bit of technology can offer.
Do you have an amazing view from your garden? Do you use a drone for stills photography? Let me know in the comments below.
Those Images
Here are those panoramic images you saw in the video. Enjoy!
This is the image I shot the evening I made the video. DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 11 DNG files.
I took this image a few days before I shot the video. I much prefer the light in this one. DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 9 DNG files.
30 Minutes at Great Mis Tor
In the blog this week I head to Great Mis Tor to capture some snow landscape images of Dartmoor. The trouble was I only had 30 minutes to do it!
Tight Timelines
When my friend, who also happens to be a photographer, called me to tell me snow was forecast for Dartmoor and would I like to join him on a morning shoot, I just had to say yes. What better way to start the day than a quick hike up to Great Mis Tor to capture some morning light, and hopefully a little snow.
As is sometimes the way, the timing of this too good miss offer wasn't great. I had commitments that morning that I could not miss. So I decided to work out all the timings to see I could fit it all in.
I would need to get up at 05:30 to meet my friend at 06:30. It would then be a short drive of about 20 minutes to get to the car park near the start of the walk. It's then about another 20 to 30-minute walk up to Great Mis Tor.
Sunrise was going to be about 08:04, and I would need to be back in the car no later than 09:00. It was going tight that was for sure!
Beautiful Dartmoor
On the morning of the shoot, things started off as expected. We started our walk up to Great Mis Tor with great enthusiasm and chat about the recent Star Wars film and the lack of Game of Thrones in 2018. As we walked up there was a distinct lack of snow, but as we approached Great Mis Tor we found the ground covered with a light dusting of snow. It looked beautiful.
I'd never been to Great Mis Tor before and I surprised by how large an area it was. With only about 15 to 20 minutes before sunrise, I was going to have to work fast to work out what compositions I was going to shoot. I could spot different weather conditions all around me so I also knew things could and probably would change rapidly.
Go Go Go!
After a little scout about, the action started fairly quickly. I was mostly relying on my instincts as I went from spot to spot capturing images. I was glad that I was well versed in the workings of the D850 so I was able to setup and shoot with the camera with ease, allowing me to concentrate on compositions.
As predicted the weather and conditions changed rapidly. We had everything from pink clouds to snow showers to beautiful light on the surrounding hills. It was fun and exciting, but hard work. Here are the photos that I captured:
In retrospect, I wasn't able to make the most of my time there and I perhaps could have captured stronger images. It was always going to be a challenge though given the amount of time I had there, and my lack of experience with the location (and it's many viewpoints). Did I regret my visit? Of course not!
There is almost always something to be gained from a trip out with the camera. Firstly I got to visit a new location. Great Mis Tor is definitely a location I will photograph again. It was also great being up on Dartmoor. A walk on Dartmoor is always a special thing, but when it snows it can be magical. (If you want to see what I mean check out my vlog from Belstone Common). And finally, it was great to have the opportunity to catch up with a friend. Overall, time well spent in my opinion!
So have you had the chance to shoot any snowy landscapes this year? Do you take every opportunity to squeeze in time with the camera? Let me know in the comments below.
Snow on Belstone Common
In this blog post and video, I head up to Belstone Common on Dartmoor to catch the first snow of the winter.
Snow!
I think most landscape photographers like a bit of snow. It's rare to see here in the south west of England, so when it does come it can transform the winter landscape from dull and boring, to crisp and white. It can really change the look of a location and provide opportunities to shoot something a little different.
When my wife casually mentioned that snow was forecast my first reaction was for disbelief. It was November and probably a little early for snow. However, I'm not one to miss an opportunity so I checked the Will It Snow forecast and was happy to see that there was a 57% chance of snow on Dartmoor.
I got my thinking hat on and thought the higher up I went on Dartmoor, the greater the chance of snow there would be. I then remember Belstone Common, a location that I've photographed before. It's close to home, easy to access and importantly over 400m above sea level.
Despite the 50/50 odds on it snowing, I couldn't miss this potential opportunity, so I got my gear ready and made plans for an early start the next day.
You can see how I got on in my latest 5 Minute Photo Adventure video below:
The Images
Here are the images that I captured that you will have seen in the video.
Nikon D850, Nikkor 16-35mm f/4 at 18mm, ISO 64, 3 seconds at f/13, Lee Filters 0.6 ND graduated filter.
Nikon D850, Nikkor 16-35mm f/4 at 18mm, ISO 64, 1/5th second at f/13.
Nikon D850, Nikkor 16-35mm f/4 at 18mm, ISO 64, 1/5th second at f/13, Lee Filters 0.6 ND graduated filter.
Nikon D850, Nikkor 16-35mm f/4 at 19mm, ISO 64, 1/8th second at f/13, Lee Filters 0..6 ND graduated filter.
I hope you enjoyed the video and the images I captured. I certainly had fun up on Dartmoor that morning, despite the freezing temperatures. It really is mornings like that I look forward to. A lot of action, changing conditions, and plenty of opportunities to capture images.
So have you photographed any snowy scenes this winter? What is your favourite season to photograph? Let me know in the comments below.
Snow, Glorious Snow!
In this blog post, I tell you about a recent visit to photograph Dartmoor in the snow, how I learnt a little more about a favourite location, and how I can plan my shoots more effectively.
Weather Forecast Addict
Though I do whinge about winter with its short days and fewer opportunities for landscape photography, it is also the season for snow. Snow down here in the south-west of England is rare, especially at lower elevations, but every now and again some of the higher ground will get a coating of the white stuff.
All it took was the rumour of a possible snowfall to get me excited and straight onto regularly checking the snow forecast for Dartmoor. As the weekend approached the number of times I was hitting refresh on my browser steadily increased. The "snow risk" percentage went up, then down, then up again. Towards the end of the week I was also checking the Dartmoor Webcam desperately hoping to see a dusting of snow on the ground.
Do You Wanna Build a Snowman?
When I finally saw a little snow on the Dartmoor Webcam I decided that I was going to get up early the next morning and head to Dartmoor. Even without snow, the conditions up on Dartmoor can be arctic so the first step in getting organised was to get out all my winter layers. I know from bitter experience that if I found myself freezing cold that my enthusiasm for photography would be short lived and I would be home with a cup of coffee and bacon roll before sunrise.
When I left in the morning there was no sign of snow but I already knew that I would have to go to higher ground. My planned location of Emsworthy (one of My 5 Favourite Locations for Landscape Photography in Devon) would probably be high enough so I wasn't overly worried. Sure enough just as I passed Haytor everything started to turn white. There wasn't a huge amount of snow, but I was sure there was enough to work with (or at least build a snowman).
Waiting for the Light
The signs looked good early on.
Naturally, snow on Dartmoor attracted a fair few photographers to come out so I wasn't overly surprised to be sharing my Emsworthy location with a couple of other local photographers. There's plenty of room at Emsworthy for three photographers so there were no issues over who was where and it was nice as always to have a chat and a coffee while waiting for the sun to come up.
My vision for the image I was hoping to get was relatively straight forward. In the foreground are small clumps of ground, which when illuminated by the rising sun would hopefully turn the snow a nice golden colour. This coupled with the tree and the tor in the foreground, and some dramatic clouds would make a good image. All I had to do was wait for the sun to rise and bathe the ground, tree and tor in golden light.
Always Learning
Landscape photography is rarely easy and conditions can change rapidly, for the better or for the worse. As I patiently waited for the sun to rise the cloud started to clear. Those nice big pink clouds that I thought would be a key feature of the image cleared from the sky leaving it almost clear. Not to be put off though I continued to wait.
Another problem was that when the sun had risen over the horizon, it wasn't high enough to shine over the hill behind me. What I hadn't taken into account was that during the winter months the direction of the sunrise meant it would be around 30 minutes before the sunlight would hit the foreground at my location. The problem with the sunlight 30 minutes later is it can be a bit harsh and will have lost some of its morning warmth as you can see with the image that I took below.
Nikon D750, Nikkor 24-70 f/2.8 VR at 38mm, F/11, 1/40 sec, Lee Filters ND Grad, post processed in Lightroom CC.
So while my first image lacks the punch I was hoping for I did learn something from the experience. I've shot Emsworthy a few times in the morning, but that doesn't necessarily mean that it's a good sunrise location all year round. Though I use The Photographer's Ephemeris to plan my shoots I've learnt that not only do I need to pay attention to the direction of sunrise, but the height of the surrounding ground.
Alyn Wallace has actually produced an excellent video on how he uses The Photographer's Ephemeris to plan around changes in ground elevation. I shall be watching his video a few more times! Also, be sure to check out Alyn's work, it's inspiring stuff.
Goodbye Snow
Unfortunately the arctic conditions didn't last the weekend.
The snow on Dartmoor didn't really last past that weekend so I was unable to go back out and try again. So while I was unable to get the image I was hoping for it was great, as always, to get out with the camera and practice the craft of photography. I also learnt something new about one of my favourite locations and how to plan a little bit better. So overall I call that shoot a success!
So have you been out with your camera in the snow recently? Do you use The Photographer's Ephemeris to plan your shoots? Let me know in the comments below.