Start Point - A 5 Minute Photo Adventure from the South West Coast Path

Grab yourself a cup of coffee because it's time for another 5 Minute Photo Adventure! In this episode, I head to one of my favourite South West Coast Path locations, Start Point Lighthouse in south Devon.

The Challenge of Getting There

There’s only one problem with going to photograph Start Point on the south Devon coast and that’s the effort required to get there. It’s not so much the 50-mile driving distance (37 miles as the crow flies), but more with the time it takes to get there. The journey time for me takes around 90 minutes and while I’m no stranger to making such journeys for the benefit of my landscape photography, it’s the roads that make the journey more challenging.

Once I leave the A38 and start driving towards Kingsbridge the quality and width of the roads start to reduce. Nothing to bad (for Devon standards) but after Kingsbridge things get dull. Lots of small villages with low-speed limits and that last five miles just seems to take an age. It’s not so bad when you are shooting sunrise as there is a lot less traffic, but during the day when you can get caught behind a tractor or a broken-down cement truck and it all becomes very boring.

However, all those complaints about the roads all disappear when you park your car and step out to one of the finest views along the South West Coast Path. Once I’m there, breathing in that glorious sea air I couldn’t care less about how long it took me to get there.

Risk vs Reward

With the apparent extra effort it seems to take to get to Start Point, I don’t go there as much as I might like to. Unlike some other coastal locations where I’ll just take a punt, I’m always looking for favourable conditions before I commit to the drive. Even with a good forecast, there is no guarantee of interesting conditions. There is always an element of risk vs reward. This is especially true when the conditions are a bit stormy or unsettled. In terms of capturing photographs, heading out in these types of conditions is risky, but the rewards can be amazing.

Back in December, I decided that I wanted to return to Start Point and capture some photographs looking at the peninsula from the west. I had checked out this viewpoint a couple of times, but the forecast was predicting some unsettled weather and the opportunity to capture this location with setting sun and some big clouds were too tempting to ignore.

Knowing very well that I could spend 3 hours in the car to end up with not a lot to show for it at the end, I packed my camera bag and set off regardless. Here is how I got on.

I hope you enjoyed my 5 Minute Photo Adventure to Start Point. While the conditions weren’t as dramatic as I might have hoped, I still came away with some images that made the trip worthwhile.

Do you have any locations that seem to be “harder” than others to get to? Let me know in the comments below.

Start Point Photographs

As always here are the photographs you saw me capture in the video. Enjoy!

Sunset at Start Point #1, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 44mm, f/11, 1.6 secs at ISO 64, Kase Filters K9 CPL and ND.

Sunset at Start Point #2, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 39mm, f/11, 2 secs at ISO 64, Kase Filters K9 CPL and ND.

Sunset at Start Point #3, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 44mm, f/11, 13 secs at ISO 64, Kase Filters K9 CPL.

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Exploring More of Start Point

I'm no stranger to Start Point but I thought it was about time to explore the area to see if I could find some new compositions.

Discovering More

I'm spoilt for choice when it comes to locations on the south Devon coast to watch and photograph the sunrise.  One of my favourites is Start Point and I've captured numerous photographs from this distinctive coastal location.  While the photographs I've captured feature a variety of different weather conditions, most of them all have one thing in common.  They've all be taken from roughly the same spot.

The view that I normally capture at Start Point. Read the blog post for this image here.

The spot I like is high up on the peninsula looking down towards the lighthouse and out to sea.  This is a great view, but I've always believed that there are other compositions to be found.  I did make one brief trip further south-west along the coast one evening and I really liked the side-on view of the peninsula and the lighthouse.  I've been meaning to go back for some time.

I would go to Start Point more often but it is a bit of a trek to get there.  As the crow flies it's not far but by car, it's about an 80-minute drive from home and not always on the greatest of roads.  As part of my personal commitment to do more exploring in 2020, I decided that I would make the effort to not only explore the views further down the coast but to also check out Mattiscombe Sands (which is only a short walk from Start Point).

At this time of year, the sunrise time isn't too late in the morning but also not too early that you need to get up at 3 am.  With the weather conditions looking OK I decided that it was time to head back to Start Point.  I contacted with my friend and super talented photographer Andy Campbell who was more than happy to join me on my latest adventure.

Old Location, New Views

Arriving at Start Point on the 21st of February, I was tempted to head straight to my favourite viewpoint and bag a safety shot but I managed to pull myself away and move further down the coast.  I soon found a viewpoint I liked and started taking some photographs.  The view gave me a side-on look at the peninsula and lighthouse and it looked dramatic.  Unfortunately, I don’t have any photographs to share with you from that viewpoint as the light was pretty dull and none of the resulting images processed particularly well.  It is a viewpoint I will be back to though so expect to see an image from there soon!

I then took a walk a little further down the coast again and though it is a similar view to the previous one I just described, this view has the addition of some jaggy foreground rocks which I like.  I am happy to share a couple of those photographs but for me, that viewpoint will come alive as a sunset location when the light hits that peninsula and the rocks.  I will be coming back to photograph that spot again as well.

Start Point Sunrise #1, Devon - Nikon Z7, Nikkor 24-70mm f/4 S at 36mm, f/13, 0.6 secs at ISO 64, Kase Filters K9 CPL and ND Grad.

With my recce mission of Start Point complete, me and Andy took a walk along to Mattiscombe Sands.  The sunrise had been long gone by then so we weren't going to be taking any photos but from what we could see there is a lot of potential at that location given the right tide.  Another location marked for a future visit!

Start Point Sunrise #2, Devon - Nikon Z7, Nikkor 24-70mm f/4 S at 28mm, f/13, 0.8 secs at ISO 64, Kase Filters K9 CPL and ND Grad.

Though my visit to Start Point was a short one it was a successful one.  I wasn't expecting to get great images that morning, but I did want to check out some new viewpoints of Start Point and Mattiscombe Sands for future visits.  So, in that sense, it was time well spent.  Plus, I got to catch up with my friend Andi.  Even when the conditions aren't great, if you've got a friend along with you it can still be a lot of fun.

I'll be heading back to Start Point again as soon as I can so stay tuned to my blog for more photos, blog posts and even a video! 

Are there any locations you are planning to photograph this year that you haven't before?  Let me know what is on your hit list in the comments below.

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Do Spectacular Conditions Make Landscape Photography Easier?

On a recent trip to photograph the sunrise at Start Point, I discover than amazing conditions doesn’t always mean that the photography is going to be easy.

Into the Sun at Start Point

One of the reasons yr.no is my favourite weather forecast website is the fact that it splits cloud coverage into low, medium and high levels. I’m always on the lookout for a bit of high-level cloud combined with little medium and low-level cloud. It’s generally the high-level cloud that catches the light from the rising or setting sun giving us those lovely pink skies that we sometimes crave.

Start Point in all its glory.

It was those very conditions that were predicted for Start Point on the South Devon coast one morning recently. I was not only looking to do a little coastal photography, but I was also keen to return to Start Point, so with a positive forecast for the morning I was (for once) sure that it would be the place to be.

My only slight concern was the position of the rising sun. At this time of year I would almost certainly be shooting straight into the sun. There’s nothing wrong with shooting into the sun, and plenty of people make an excellent job of it, but I’ve never really got to grips with it. A quick scan through my Lightroom catalogue of my previous images from Start Point reminded me that I could also shoot the lighthouse further down the coast towards the west. This would not only give me something a bit different from the normal shots that I take there, but it would also mean the sun would rise from the side instead of straight on.

Decisions, Decisions!

My regular viewpoint of Start Point, Feb 2019.

It’s at least a 75-minute drive to Start Point for me, and given that I like to be on location at least 1 hour before sunrise, I had to get up really early. As I got into the car and it was still 2 hours before sunrise, I could see a bit of high-level cloud in the sky. Those big long patches of cloud that catch the light. I was beginning to get really excited about the morning.

My alternative viewpoint further along the coast, Feb 2017.

When I arrived at Start Point things were still looking positive. A little too much blue sky, but there were some great patches of high-level cloud. I grabbed my bag and started walking. I did however have a bit of a dilemma on my hands. If I were to locate myself further down the coast to get the peninsula from the side, there wouldn’t be any of the high-level clouds in the shot. If I went to my regular position I would be shooting into the sun but I could include the high-level cloud in the shot (which was already pinking up nicely).

I decided to head down the coast and just check what the side shot would look like. When I got there I was correct with my assessment in that I just had a clear sky. The question was should I wait there to see if the cloud would move, and move in the right direction, or should I head back to my normal viewpoint. That high-level cloud really had some nice colour to it so I decided to head to my normal spot.

Sunrise

As I stood in my favourite spot I watched the sky and clouds change colour as sunrise approached and passed. While it wasn’t the most amazing sunrise I’d ever seen it was still really nice. Having experienced so many dull mornings recently this was a most welcome change and photography aside, I couldn’t think of a better way to experience the start of a new day.

Despite the very favourable conditions, I have to admit I struggled a little with my photography. I’m not sure if it was the thought that I should have been at the other spot (as the cloud had indeed moved into a good position) or that I was feeling a little uninspired, or even that I was finding it tricky shooting into the sun. Sometimes things just don’t click. Despite the good conditions I wasn’t finding the photography easy.

A Glorious Morning at Start Point, South Devon - Nikon Z7, Nikkor 14-30mm f/4 at 14mm, f/16, 15 secs at ISO 64, Kase Filters K9, CPL, ND Grad and 6 Stop ND.

Image Review

This was the best image of the morning, and despite it being better than I thought it would turn out, there is something that I don’t like about it. I’m not sure if it’s the composition, the tones or some combination of factors. Some times it's difficult to put your finger on these things so I’ve decided to do the best thing you can do when you want to learn from your own photography and that is to make a print.

Learn from your photography by making a print.

Learn from your photography by making a print.

If I make a print of the image and leave it sitting around my desk I will spend more time looking at it. Hopefully by spending more time with the image, and in a printed form, I will learn what I don’t like about the image, what I need to change (in the composition or post-processing) or even that I do indeed like the image. For me, making the print is one of the best ways to improve your photography.

Whatever I ultimately end up feeling about this image, one thing I have learned is that spectacular conditions don’t always make landscape photography easier!

 

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A Stormy Sunday at Start Point

In this blog post I head to Start Point on the south Devon coast to capture some landscape photographs during some stormy weather.

Risk vs Reward

As the crow flies, Start Point in Devon isn’t that far from home. Thanks to some narrow, twisty Devon roads though, the journey there can take up to an hour and a half each way. For that reason, I tend to only visit the location if I think I’m going to get a good photo.

Spectacular sunrises work well at Start Point so I’m always looking at which direction the sun is rising from and what the cloud cover will be before I commit to a trip to one of my favourite lighthouses on the South West Coast Path. The weather forecast for my most recent trip was a little different though. Heavy rain showers and thick cloud were forecast, but it was also forecast to start clearing around sunrise.

This could lead to some spectacular and dramatic weather conditions if everything happens at the right time. Would the risk of travelling all that way reward me with some spectacular landscape photographs?

Stormy Weather Landscape Photography

Despite the 5 am alarm calling causing my brain to become a little muddled when talking to the camera, I did manage to record my South West Coast Path adventure at Start Point. So sit back, relax, keep warm, and join me at Start Point for a spot of landscape photography!

I hope you enjoyed watching my little adventure to Start Point. Which image was your favourite? Have you been to Start Point before? Do you like capturing landscape images during stormy weather? Let me in the comments below.

My Landscape Photographs from Start Point

If you’d like to see the photographs from the video in a bit more detail, here they are.

Breaking Light at Start Point, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 2 seconds at ISO 64, polariser, ND grad.

Calm in the Storm at Start Point, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 81 seconds at ISO 64, polariser, ND grad, 6 stop ND.

Start Point Swirls, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 22 mm, f/13, 60 seconds at ISO 64, polariser, ND grad, 6 stop ND.

A Stormy Dawn at Start Point Lighthouse, Devon - Nikon D850, Nikkor 16-35 mm f/4 at 22 mm, f/13, 1.3 seconds at ISO 64, polariser, ND grad.

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Friends, Fun and Landscape Photography

In the blog this week I share with you my latest video where I head out with a couple of landscape photography friends to capture sunrise photographs of Start Point lighthouse on the south Devon coast.  Those 3am alarm calls don't seem so bad when you are having fun with friends!

A Solitary Pastime

For me, some of the things I love about landscape photography are the early starts and the solitude.  This may sound like an odd thing to say but those unsociable hours mean that my photography generally doesn't interfere with my other commitments.  Though I'm a very sociable person, there aren't many better things than watching the start of a new day with nothing but the sound of the breeze and the birds singing. 

Don't get me wrong, if you see me one morning out taking photographs, come over and say hello.  Many a trip out with the camera has been enhanced with a good old chat.

Photography Friends

One of the unexpected benefits of publishing videos on my YouTube channel is that I've made a few friends along the way.  People that not only share my passion for landscape photography but people I can have a bit of a laugh with.

When two of my photography friends Gareth Danks and Chris Sale decided to visit me on my home turf I was delighted.  I knew that even if the photography turned out to be challenging, the spirit of friendship and general attitude towards fun would make the whole experience more enjoyable.

You can see how we got on in my latest video:

We did a lot more larking about than was showed in the video, but hopefully, I've shown some of the collective spirit we had that morning.  I'm not sure I would have driven all the way to Start Point at that time in the morning if it had been for Chris and Gareth!

If you have time, you should really check out their videos from our little adventure as well:

Is landscape photography something you prefer to do on your own?  Do you have any friends that also share your passion?  Let me know in the comment below.

Those Photographs

Here are the photographs that you saw in the video.

Sunset at The Daymark - Devon:  Nikon D850, Nikkor 16-35 mm f/4 @ 20mm, 1/5th sec @ ISO 64, f/13, Lee Filters Circular Polariser.

Dawn Light on Start Point Lighthouse - Devon:  Nikon D850, Nikkor 16-35 mm f/4 @ 19 mm, 10 secs @ ISO 64, f/13, Lee Filters 6 Stop IRND.

 

 

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Winter Solstice Adventure

In the blog this week I share with you the highs and lows of landscape photography as I head out on winter solstice to capture some images.

The Longest Shortest Day

Back in June of 2017, I headed out with the camera to create some landscape images on the summer solstice.  You can see the images I created that day along with the video I made by clicking here.

I really enjoyed that day so I knew that when winter solstice came along in December I was going to spend the day out with the camera.  Being the shortest day of the year it shouldn't have been nearly as tiring as the summer solstice.

Unfortunately when winter solstice did come around the weather was grey and overcast.  I had checked the weather forecast the night before and had planned my locations to suit the weather.  I'm all for "embracing the grey", but a full day might well be a challenge too far even for me! 

As with summer solstice, I spent the day capturing images and filming my experiences.  It was definitely a tough day.  Maybe I was tired, maybe I was feeling challenged, but one thing is for sure, it sure did feel like a long day.  However, saying all that I did have some great experiences, and if you watch all the video you'll see something special happen right at the end.

Enjoy!

 

A Winter Solstice Gallery

As always I do hope you enjoyed watching my adventures.  I tried to make the most of the weather conditions and the images I took that day both reflect my varying moods and the conditions I had to work with.

You'll have seen these images in the video, but here they are again in case you want a closer look.

Nikon D850, Nikkor 16-35 mm f/4 VR at 19 mm, 180 seconds at ISO 64, f/11, Lee Filters circular polariser and Big Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 19 mm, 180 seconds at ISO 64, f/11, Lee Filters circular polariser and Big Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 19 mm, 180 seconds at ISO 64, f/11, Lee Filters circular polariser, ND grad and Big Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 19 mm, 180 seconds at ISO 64, f/11, Lee Filters circular polariser, ND grad and Big Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 18 mm, 180 seconds at ISO 64, f/13, Lee Filters circular polariser, ND grad and Big Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 18 mm, 180 seconds at ISO 64, f/13, Lee Filters circular polariser, ND grad and Big Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 18 mm, 8 seconds at ISO 64, f/13, Lee Filters circular polariser, ND grad and Little Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 18 mm, 8 seconds at ISO 64, f/13, Lee Filters circular polariser, ND grad and Little Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 17 mm, 4.8 seconds at ISO 64, f/13, Lee Filters circular polariser, ND grad and Little Stopper.

Nikon D850, Nikkor 16-35 mm f/4 VR at 17 mm, 4.8 seconds at ISO 64, f/13, Lee Filters circular polariser, ND grad and Little Stopper.

Well, I do hope you enjoyed those images and my winter solstice video.  Did you head out for winter solstice?  Have you had days where landscape photography has been both a joy and a drag?  Let me know in the comments below.

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Storms, Sunset and Start Point

In this blog post I tell you about how a passing storm at Start Point in Devon forced me back to my car but in the end it added a new dramatic element to my composition.

Favourite Location, New Viewpoint

In my video Top 5 Locations in Devon to Shoot Landscape Photography I took you to Start Point on the south Devon coast.  I've shot there numerous times and thanks to the coastal weather I've come away with a wide variety of images.  All my visits to Start Point do have one thing in common, they have been shot at dawn and all, roughly speaking, from the same viewpoint.  

Just recently though I was inspired to shoot Start Point from a slightly different location.  I've written about the power of inspiration on this blog before and how important it is to my development as a photography.  However, it was a post by one of my favourite local photographers Matt Davis on Instagram that showed me a viewpoint that I hadn't considered before.  It was still clearly Start Point, but you could see more of the rugged coastline and it was ideal for shooting at sunset.  I had a plan!

Incoming!

 

It's about 1hr 15m drive from home to Start Point and while it's not that far as the crow flies, it does involve the navigation of a few of the smaller country roads that Devon has to offer so it often feels like a longer drive.  With the weather forecast predicting cloud at different heights I felt the drive would be worth it for a great sunset and some drama in the sky.

Watching the storm approach from the west.

Watching the storm approach from the west.

I arrived at the Start Point car park, got my bag, and headed down to the view point.  As I looked west and out to sea I could see a very large rain shower coming my way.  I knew from the forecast there might be the odd bit of rain but this looked a little more than just a shower.  I stuck to my location, kept my camera in the bag, and waited.  Firstly the wind picked up, then the rain started, and then the rain got very heavy!

Determined not to be put off though I decided to shelter on the other side of the ridge that runs down to Start Point lighthouse.  It was a lot less windy by still wet.  I got my phone out and checked my favourite rain app, Rain Today.  All I could see over my location was a big, dark blue blob, indicating heavy rainfall.  the good news was that it was only forecast to last 30 minutes, and once it had passed I would still have 30 minutes before sunset.

So I did the sensible thing and went back to the car, had a cup of coffee and ate some chocolate.

Run Julian, Run!

As I sat in my car drinking my coffee I could see what was going on in most directions.  To the east, the direction the storm was going, it was looking very dark.  To the west, it wasn't really looking much better.  I was beginning to think I might not even take a single frame.  Then the thunder and lightning started and it was at that point I was very happy to have made the decision to wait it out in the car.

Spectacular conditions immediately after the storm had passed. I had to be quick just to grab this shot with the phone.

Spectacular conditions immediately after the storm had passed. I had to be quick just to grab this shot with the phone.

As forecast, I could eventually start to see a break in the cloud to the west.  I waited to the rain had stopped and then I grabbed my stuff and went for it again.  As soon as I got outside I spotted a double rainbow out to sea.  It looked spectacular.  Photographers often say you get some of the most dramatic conditions for photography just after a storm and from what I could see this was certainly the case.

I knew these conditions wouldn't last too long so I instinctively grabbed my phone and grabbed a shot.  I then got to work getting my DSLR out and all the associated gear.  As I feared, by the time I actually got all setup the best of the action had gone.  Not to worry, I still had time to get back to my original viewpoint and shoot the lighthouse and dark sky, but I would have to run.  Which isn't that easy with the amount of gear I had and the muddy ground but if I didn't get there in time I would only regret it.

Drama Everywhere

I got to my view point and frantically got to work getting my shot ready.  There was still plenty of drama going on.  The sky was still dark and brooding, and the rugged cliffs along Start Point were getting pounded by the sea.  Over to my right (to the west) the clouds were breaking and the low sun was producing some lovely colours.  That particular bit of action was still just out of frame, so while I had a long exposure running I grabbed a quick panorama with my mobile phone.  

I managed to grab this quick panoramic using my Nexus 6p phone. It's not perfect but it shows the scene as it was.

I managed to grab this quick panoramic using my Nexus 6p phone. It's not perfect but it shows the scene as it was.

I kept shooting, varying my compositions slightly but the break in the cloud was just too far over to make for an interesting composition.  In hindsight, I probably should have shot a panorama with the DSLR, but there was a lot going on and I didn't have much daylight left.  However, I was still very happy with the moody shots I was getting like this one.

Nikon D750, Nikkor 24-70mm f/2.8 @ 40mm, f/11, 129 seconds, ISO 100, Lee Filters Circular Polariser, Lee Filters Little Stopper.

I Must Be Mad

I have to admit that when the rain really started to chuck it down and I went back to the car to wait it out, I did question my sanity.  It was looking like it was going to be one of those days where not only do I not get a decent image, but I don't even get the camera out of the bag.  However, having read so many times about how some of the best images were captured right after a storm I decided to hold out.  And I'm so glad I did.  

Perhaps the only thing I should have done would be to have left the car when I had started to see the sky clear, and not when the rain had stopped.  This would have given me a bit more time to get back to my location and start shooting immediately after the storm had passed.  However, given that I still wouldn't have been able to get a break in cloud or light from the setting sun into my scene I was pretty happy with the results.

Nikon D750, Nikkor 24-70mm f/2.8 @ 27mm, f/9, 60 seconds, ISO 100, Lee Filters Circular Polariser, Lee Filters Little Stopper.

Have you ever stayed out in horrible weather only to be treated for your perseverance?  Do you sometimes think that landscape photographers are a little mad?  Let me know in the comments.

 

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My Favourite / Top 5 / Best Landscape Photography Locations in Devon

In this special blog post and video I take you on a mini tour of my 5 favourite landscape photography locations in Devon.  

A Personal Selection

As a landscape photographer living in Devon I am spoilt for choice when it comes to shooting locations.  I have access to Dartmoor National Park, large areas of the South West Coast Path, and everything in between.  I shouldn't really ever run out of places to shoot.

Even though I have all this variety I can't help but have a few favourite locations.  So in this video I'm going to take you on a mini tour of my five favourite locations to shoot landscapes in Devon.  I've chosen a mixture of coastal and inland locations as well as choosing to shoot at dawn and dusk.  Some shoots were more successful than others but I'm hoping the video will give you some ideas and inspire you to visit and photograph those locations yourself.

So why not check out the video below and let me take you on a tour of Devon...

If you need a little more information on the locations I have visited or just want to see the images in a bit more detail then please do read on!

Dawlish Warren

 

The groynes along the beach at Dawlish Warren offer some great lines for your composition. Long exposures often work well at this location as well, especially in poor light.

Don't forget to shoot the beach huts.

Venford Falls

 

Venford Falls as shot on the video. A polariser is very handy to control the reflections.

Spring is my favourite time to visit as all the moss is at its best.

Emsworthy

 

Both the rocks and the tree are great elements to include in your composition. This location is good to shoot at both dawn and dusk.

Turn 90 degrees and you'll find a few other compositions to shoot.

Froward Point

 

Shooting at sunset will typically provide the best light but what ever time you visit please be careful on the rocks!

If you've got good light shoot Daymark Tower as well.

Start Point

 

The classic Start Point composition. Shame about the weather!

Sometimes it pays to hang around a little longer. There is just a splash of colour in the sky in this image.

In Summary

Hopefully this video and blog post has given you a little inspiration to not only shoot these locations, but also the wider Devon.  It really is a fantastic part of the country with huge variety in locations and conditions.  

So what are you favourite locations either in Devon or further afield?  Did you find this video useful or inspiring?  Is there a location in Devon or the south west that you recommend I visit?  As always let me know if the comments, and remember to like and share this post!  See you next time.

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