Remember to Look Around
It's all to easy to concentrate on the scene in front of you, but as I discovered there can be a lot going on just behind you.
Photographing An Old Friend
I don't know about you but I have a few places on my location map that are easy to get to and provide a variety of angles to shoot from. So when the weather forecast for last Tuesday was a bit 50/50 for a good sunset I thought I'd go somewhere I know so that if it fails to be spectacular I won't have spent a significant amount of effort getting there.
How I saw the scene last year.
Heading down to my target location of Emsworthy Rocks just down from Haytor I was still confident that I was going to get a good shot. I decided to shoot the rocks and tree from a position that I hadn't used before. My plan was to have my back to the setting sun so that the tree and rocks would be bathed in golden light. There wasn't going to be much going on in the sky so I positioned the main elements higher up in the frame leaving some of the ground rock formations in the foreground.
Playing the Waiting Game
I went through all my normal checks for exposure and sharpness and then waited with the remote release for that magic moment where the colour would bath my subject in glorious golden light.
This is the scene I came to shoot but the light and sky just weren't what I wanted.
Well some time passed and I had shot a few frames but the scene just lacked a bit of punch. In my focus on the scene in front of me I'd failed to look to see what else was going on. It's all too easy to go out with a singular focus on what you want to achieve but this can sometimes mean you'll miss something a bit more special. I was convinced that my target scene would come good. However I casually turned 90 degrees to my right and was presented with a much more interesting scene. The light on the rocks was much more pleasing and the sky had a bit more interest about it.
Change of Plans
On the same spot as the last image but 90 degrees to the right.
I pondered if I should go to the hassle of changing my composition and moving my tripod (which had taken bit of setup to balance on the rock I was perched on). I knew I would regret it if I didn't at least try so I repositioned the tripod, got a Lee Filters ND 0.9 medium grad out and shot a few frames of this new scene.
I did go back to shooting a few frames of my original composition but I already knew that I'd grabbed the best shot I was going to get that night. So what did I learn from this particular adventure? Don't get too focused on one scene or shooting a particular direction. The landscape, particularly the wilds of Dartmoor, are wide open spaces and the light can look very different simply by looking a different direction from the same point. I was committed to getting the image in my head but I almost missed a much better one.
Have you had a similar experience? Have you looked round to find a much better shot or do you remain focused on what is in front of you? Let me know in the comments.
The Pain and Joy of Photography Competitions
Do you enter photography competitions? Do they bring pain or joy? Let's discuss!
Measuring Success
There are many ways to try and measure the success of your photography. You can post your images on social media sites such as Flickr, Instagram or even Facebook and see how likes you get. If you are a full time photographer you can measure your success by how well your business is doing.
I measure the progression of my photography skills in two ways. Firstly I have my images regularly critiqued by a professional photographer (see my post on Tuition and Mentoring). This provides invaluable and detailed feedback on my images that I can use to further develop my skills. The other way I measure progression is through my success (or failure) in photography competitions. For me having my work recognised in competition provides some sort of validation for my photography. Some people may consider this shallow or vain, but for me photography competitions have often been a great source of inspiration and being placed in one of the more prestigious competitions would be a great source of pride and joy.
Entering Competitions
One of my entries in LPOTY 2015.
It's only recently that I've actually started entering images into competitions. Though I've always I wanted to enter I probably lacked some of the commitment to achieve this in the past (see my bog post on Practising the Craft of Photography). Over the last couple of years I've put a significant amount of effort into being placed in Landscape Photographer of the Year (LPOTY). I fully appreciate that going from entering no competitions at all to being successful in LPOTY is a bit of a jump but for me LPOTY is the pinnacle in landscape photography competitions. So I'm aiming high that's for sure but seeing an image printed the LPOTY book would be for me at least, a dream come true.
The good thing about having such a lofty goal is that it has driven me to get out more with my camera and improve my photography. In 2015 I entered a number of images into LPOTY but failed to have any shortlisted. At the time I was gutted not to have progressed anywhere. I had put a significant amount of effort and passion into those images, and the rejection was painful.
Rejection and Motivation
This image was shortlisted in OPOTY 2016 but it unfortunately didn't make it any further. It was however published in Outdoor Photography magazine (issue 206).
However, I use that pain as a way to motivate myself even more! I decided to submit some of my images in the Outdoor Photographer of Year competition (OPOTY) in 2015. One of my images was shortlisted for the competition but that was as far as it went. The image did go onto win the monthly competition in Outdoor Photography magazine which was a huge confidence booster. I love Outdoor Photography magazine so seeing my image in print there was really pleasing.
So for the 12 months following the end of LPOTY 2015 I worked hard at my photography. I was out shooting more than ever and I undertook more 1-2-1 tuition days with my mentor (see blog post on Tuition and Mentoring). By the time LPOTY 2016 had come around I had already had a few images in Outdoor Photography magazine published and I had won a local photography competition.
One of my entries in LPOTY 2016.
When I entered my images for LPOTY 2016 I was more confident and was excited about the possibility of being shortlisted. The excitement was unfortunately short-lived as I soon got that email that had caused me so much pain last year. But I'm not letting it get me down. After all, who knows what the judges are really looking for? It's not to say that I necessarily had a bad image it might be that it didn't appeal to that particular judge at that particular time. Art competitions are fickle things so some of my entries from previous years will be submitted again. They might just strike a chord with someone else.
I invest a lot of time into these photography competitions and while rejection is painful, that just makes me try even harder the following year. I'm already hard at work for my OPOTY 2016 portfolio and of course my LPOTY 2017 portfolio. If I do ever get placed in one of these prestigious competitions it will be joyful day. Of course with such a singular goal what would I aim for after that? I'll just have a cross that bridge when I come to it but for now I will live with the pain and joy that competitions bring.
So how do you feel about photography competitions? Are they a painful or joyful experience? Are they a measure of success or just fickle things where luck is a factor? Let me know your thoughts.
The Benefits of Tuition and Mentoring
Tuition and mentoring has had a massive impact on my photography. Read more about this part of my photographic journey in this blog post.
In the beginning...
One of my early landscape images taken in Glen Coe in 2008.
I bought my first DSLR in 2006 when I purchased a Nikon D80. Previous to that I had a Minolta DiMAGE A1 so this was a big step up for me. It was at this point that I started to want to learn more about the craft of photography. So as many people do I went to my the nearest newsagent and picked up a photography magazine. And so started a journey of several years of reading a lot about photography.
The problem was I wasn't actually taking that many pictures. Sure I was inspired by what I was reading and saw, but despite having considerably more free time back then I didn't practice the craft of photography as much. (Read my blog post on Practicing the Craft of Photography). I also wasn't that focused on a specific genre of photography. Most photography magazines have a broad range of articles from portraits to macro so I would often spend time trying these things out. Don't get me wrong, I did go out with my camera, but looking back I don't think I was trying hard enough to really learn about photography.
Changing My Approach
This changed back in 2013, when I decided to go full frame and buy a Nikon D600. I promised myself that if I was going to invest all this money in a camera (and lenses!) I was for sure going to learn how to improve my photography. By this stage though I was fairly sure that my heart lay with landscape photography.
Some early lessons about composition with David Nightingale.
I decided that the best way to make progress was to actually go out and shoot more, and to engage the services of a professional for some 1-2-1 tuition. At the time I was following the work of Blackpool based photographer David Nightingale and so I booked a whole weekend of tuition and got to work on improving my photography. The weekend went well and it was a bit of an eye opener for me. Firstly, I actually didn't know as much about my camera as I thought. While I knew some of my composition skills were lacking, I thought I knew my camera well but this wasn't really the case! It all goes back to practicing the art of photography, something I hadn't been very good at!
Up till this point I had wondered if it were actually possible to teach someone about composition and how to make a beautiful photograph. As many of my previous photographs had been average at best, I was beginning to think that you couldn't really learn an art, you had to have a natural talent for it to start with. While many people do find creating art easy, for me I had to learn about it. Fortunately David reassured me that I could learn the art of photography. So for that reason alone that weekend was a success.
Making Progress
A year later I had kept to my promise of going out more with my camera. I was still bound by my work and family commitments but I was at least using my spare time to go out and shoot. In 2014 I went on a Dawn 2 Dusk Photography workshop on Dartmoor where not only did I have a lot of fun with some like minded photographers but I also learnt a considerable amount about landscape photography. On the workshop I also met Ross Hoddinott, one of the tutors. I had been looking for a local tutor to help with my learning journey and Ross seemed the ideal person.
Learning about timing and waiting for the light on a 1-2-1 with Ross.
A few months later I met Ross for a 1-2-1 session and in that one day I probably learnt more about composition that I had done since I purchased my first DSLR 2006. Not only did I become inspired from that session but I also became more confident with my photography. Since that first 1-2-1 session with Ross I have regularly met with Ross for further 1-2-1s and portfolio reviews and this has had a significant impact on my photography. Each session I learn something new. Sometimes it's a really small change in how I might compose an image, but it often has a big impact.
So this brings me to the point of this blog post. If you are struggling with your photography or you've reached a plateau then I can strongly recommend that you find a tutor or mentor to help with your photography. Find someone close to home or who's work you respect. Most photographers offer some kind of tuition on a 1-2-1 basis now. Or if that seems a little much as a first step try a photography workshop such as those offered by Dawn 2 Dusk Photography.
We spend so much money on gear (something I'm definitely guilty off) but the one thing that has had the biggest impact on my photography is the time I've spent with a professional photographer. No matter what stage you are at with your photography journey I believe a little mentoring and tuition can be very beneficial. Of course I still read photography magazines, Outdoor Photography being my personal favourite, but when it comes to developing as a photographer 1-2-1s for me are invaluable.
Do you have a photography mentor or favourite tutor? What do you think of 1-2-1 days with professional photographers? Let me know your thoughts.
Practising The Craft of Photography
In this blog post I discuss the value of practicing photography, no matter the weather forecast.
Starting Out
When you first start out in photography it's very easy to think that you should be capturing an award winning photograph every time you go out with a camera. After all, you read lots of magazines and books on the subject and they are full of wonderful and inspiring images. So it must follow that these published photographers must always take a great image every time they go out with the camera.
This is a perception that I had for a long time and it often had a negative impact on my photography as I felt I should be capturing a quality image each and every time I went out. One day though I was watching a documentary about Colin Prior the renowned landscape photographer. In the film we saw some of the challenges he went through the get an image that would realise his vision. It did in fact take him several days camped up on a mountain range to finally get that image.
Learning A Lesson
From this I learnt that even the most seasoned of landscape photographers don't just go out there and take 5 star images on every shoot. There is also a lot of failure and patience. This was a valuable lesson and from this I decided to reevaluate how I approached a landscape shoot. I am lucky, or unlucky depending on how you look at it, in that I don't need to earn my living from photography. There is therefore little pressure for me to return home from a shoot with an image that I can sell. This means that I can almost put the photography bit to the side and just enjoy being outdoors. Returning with an wonderful image almost becomes a bonus or a by-product of my adventures.
Practise, Practise, Practise
This all leads me on to the real topic of this blog post and the concept of practising photography. Without the pressure (implied or real) of having to get an amazing image, I use my time outdoors to not only enjoy the landscape but to practise my craft. As with any skill it takes practice and repetition. If I only took my camera out when the conditions were absolutely perfect would I be able to capture an image when I really needed to? Would I remember how and where to focus? Would I remember to check my ISO settings?
The forecast conditions were never going to produce an award winning image, but having time with the camera was invaluable
When the moment comes, and it can be rare, I want to be prepared and know what I'm doing. So I practise. I go out, even when the conditions might not be perfect. I enjoy being outside and I enjoy setting up the camera, looking at compositions and taking pictures, even if the end result is an average image. At least I've practised my craft and I will be better prepared for that magic moment, which can come anytime, and sometimes when you least expect it.
John Free made an excellent video on practising street photography and I strongly suggest you watch it (as the lessons still apply to landscape photography).
And after that, well, get out with your camera and practise. Don't worry that's not an award winning image but be satisfied that you got outside and you still remember how to use your camera.
Do you practise your photography? Do you still come home from an unsuccessful shoot feeling satisfied? Let me know in the comments below.
Till next time….