Evolving Landscapes - On My Bookshelf S01E06
In this episode of On My Bookshelf, I take a look at Evolving Landscapes by Light & Land. Is this a landscape photography book that needs to be on your bookshelf?
I expect most of you will have heard of Charlie Waite. He is one of the highest profile landscape photographers in the UK and also the founder of the hugely popular competition Landscape Photographer of the Year. He is also founded the photography travel and workshop company Light & Land. Over the years, Light & Land have built a reputation for having some of the best landscape photographers as workshop tutors and leaders.
When I heard that Light & Land were releasing Evolving Landscapes and it would feature photographs from some those tutors I thought it would make an excellent addition to my bookshelf. However, the question is, is it a book that should be on your bookshelf. Let's find out.
If you want to pick up a copy of Evolving Landscapes you can do so directly from Light & Land by following this link: https://www.lightandland.co.uk/store/view/evolving-landscapes-book/books
You will also have heard me mention The Togcast podcast. Be sure to check out that show here: http://www.thetogcast.com/
I hope you enjoyed this episode of On My Bookshelf. What was the last photography book you purchased? Are there any books you are planning on buying? Let me know in the comments below.
GREAT Landscape Photography Locations on Harris and Lewis
Looking for a new bucket list location for your landscape photography? In the blog this week, I share with you some of the amazing locations I discovered while photographing two of the Outer Hebrides most famous locations, Harris and Lewis.
Harris and Lewis - Photography Bucket List Locations
I can’t remember when the Isle of Harris and the Isle of Lewis made it onto my bucket list of landscape photography locations. I’m not entirely sure what inspired me to want to go there. Maybe it was a Thomas Heaton video from Harris or seeing some holiday photographs from my sister.
Maybe it wasn’t just one thing, but rather it came through a gradual consumption of media and photographs from this most stunning Scottish location. No matter how it made it on to my list, I had decided that early on in 2018 that I was committed to making the long journey back into my homeland and onwards to the Outer Hebrides.
Immersing Myself in Photography
Time is precious and the amount of time I can normally commit to just doing landscape photography is limited. Things would be different on this trip though. Where my longest landscape photography adventures had normally been limited to a long weekend, this trip would see me commit 9 days. Nine whole days of landscape photography!
Actually, it was going to be nearer to 5 days. From Devon, it’s a two-day drive there and a two day drive back. It is over 650 miles one way, and you also need to get a ferry for part of the journey. That aside, 5 days is way more than I normally get to allocate to my passion. Besides, the journey wouldn’t be so long as I had a mate coming long with me. Plenty of time to catch up and chat.
I also set myself some clear priorities. This trip was going to be all about my photography. The weather gods hadn’t been kind to me in 2018 and I felt I wasn’t taking the images I knew I could. This trip was going to change that and I was going immerse myself in landscape photography.
With the decision to immerse myself in stills photography, I also made the decision not to make creating content for my YouTube channel a priority. The stills photography would be the top priority. My goal for the trip was to capture great landscape images. However, I do love creating content for my YouTube channel so I wasn’t going to go all the way to Harris and Lewis and not film anything.
The Journey Up
Our plan was to get as far as Glencoe on the first day. With a bit of luck, we’d get there before sunset and grab some shots. Fortunately for us, we did and you can see the results in the blog post Glencoe - One Location, 3 Compositions.
Our luck the next day soon ran out though. Not only was the weather not suitable for any sort of landscape photography, but the winds had picked up to gale force and it looked like the ferry crossing would be cancelled. Well, it appeared as if the captain of the boat wasn’t going to let a thing like the wind stop him from sailing, so we eventually left Uig at 9 pm. There wasn’t going to be a sunset shoot on Harris that day, but we were at least going to be making the crossing that evening.
Now the Story Really Starts
It was dark when we arrived in Tarbert, and it was dark when the alarm went off the next day for the first of our sunrise shoots. Having seen nothing of Harris so far we set off in the dark and headed to Luskentyre beach. This is the point where I move the storytelling from the blog to the vlog.
Photographs, Locations and Information
You will have noticed in the video that I didn’t talk about some of the locations we visited. I only showed the photographs. As I said earlier though, I really wanted this trip to be about immersing myself in my photography and not having to worry about talking to the camera.
So you have a more complete picture (excuse the pun) of my trip to Harris and Lewis, the next few sections of this blog post will feature all the images you saw in the video, along with the camera settings, and where they were taken. I hope you will find this information useful and the photographs inspiring.
If you are looking for a bit more inspiration, and more details on some of the locations I visited, be sure to check out Dougie Cunningham's excellent book Photographing Scotland.
Luskentyre Beach #1
No visit to Harris would be complete without going to Luskentyre. I found the photography here so inspiring that I photographed it almost every day.
North Harris from Luskentyre Beach, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 3 seconds at ISO 200, Lee Filters Circular Polariser and ND Grad.
Pull of the Tide at Luskentyre Beach, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 2 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Dunes of Luskentyre Beach #2, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 20 mm, f/13, 1/5th second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Northton Saltings
This interesting location is easy to access as it is right beside the road. Take some wellies though!
Stormy Saltings, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 16 mm, f/13, 15 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
The S in Saltings, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 35 mm, f/13, 15 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Northon Saltings from Above, Isle of Harris - DJI Mavic Pro, 1/100th second at ISO 126, 26 mm at f/2.2.
Traigh Mheilein
Not the easiest beach to get to, but worth the walk.
Traigh Mheilein, Isle of Harris - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 32 mm, f/13, 62 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Stac a' Phris
A spectacular coastline made even more impressive with the Stac a' Phris sea arch.
Turbulent Water at Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/11, 1 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 20 mm, f/11, 2 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Sunset at Stac a' Phris, Isle of Lewis - Nikon D850, Nikkor 16-35 mm f/4 at 21 mm, f/11, 5 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Luskentyre Beach #2
The 2nd visit proved even more amazing than the first!
Sunrise at Luskentyre Dunes, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 1 second at ISO 100, Lee Filters Circular ND Grad.
Sky Fire at Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 0.6 seconds at ISO 100, Lee Filters Circular ND Grad, single image crop at 6:17.
Mangurstadh Stacks
Another dramatic coastal location on the Isle of Lewis.
Mangurstadh Stacks, Isle of Lewis - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 52 mm, f/11, 119 seconds at ISO 64, Lee Filters Circular Polariser, IRND and ND Grad.
Tràigh Scarasta
There are so many beaches to photograph on Harris, but if you like patterns in your sand this one is well worth a visit.
Tràigh Scarasta, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 69 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Tràigh Scarasta (ICM), Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 24 mm, f/22, 1/4 second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Tràigh Sheileboist
I know it’s another beach, but even in the wildest of conditions it’s possible to get an image at one of the many golden beaches on Harris.
Tràigh Sheileboist, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 26 mm, f/13, 30 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad. Single image crop at 6:17
Luskentyre Beach #3
Last of the Luskentyre images…promise! (It was such an amazing location!)
Tranquility at Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 19 mm, f/13, 3 seconds at ISO 64, Lee Filters Circular Polariser, ND and ND Grad.
Sand, Wind and Time, Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 25 mm, f/13, 25 seconds at ISO 64, Lee Filters Circular Polariser, ND and ND Grad.
The Pastel Shades of Luskentyre, Luskentyre, Isle of Harris - Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, f/13, 144 seconds at ISO 400, Lee Filters Circular Polariser, ND and ND Grad.
Luskentyre Beach Panorama, Isle of Harris - DJI Mavic Pro, 1/50th second at ISO 161, 26 mm at f/2.2, 9 image stitch cropped at 6:17.
A Tearful Goodbye
After 5 whole days of photography, it was sadly time to go home. We were really rather lucky with the conditions we got. The Outer Hebrides aren’t exactly known for settled weather but we managed to make it out every day with the camera. Some days were definitely more challenging than others, but even in wild conditions this magical place had something to offer.
As for the trip home ,that was similar to the trip up. The ferry was delayed due to bad weather so no chance of a sunset shoot back on the mainland, and the conditions the following morning were flat grey and overcast. As we headed down the M6 past the Lake District I didn’t even feel bad for passing it by as I had memory cards full of amazing images and video.
I do hope this blog post and video has given you a sense of not only what my adventure was like, but also what it is like to photograph Harris and Lewis. It truly is one of the most amazing landscapes I’ve ever photographed. From its dramatic coastal locations, grand mountains and open moorland, it never failed to surprise me. There was a real sense of awe. I grew up in the highlands of Scotland and now live in Devon so I know a good landscape, but Harris and Lewis were something special.
Are you planning a trip to the Outer Hebrides? Which photograph or locations was your favourite? What locations are on your bucket list? Let me know in the comments.
Drones, Landscape Photography, and Holidays
Is the drone the perfect camera for the landscape photographer on holiday? I think so and in the blog this week I tell you why.
Relax, I’m on Holiday
When I go on holiday with my family, I really try and forget about landscape photography for a bit. But, the trouble with being a landscape photographer is that your brain is wired a particular way. For example, it is literally impossible for me to watch a nice sunset without a part of me wishing I was photographing it.
Fortunately for me, my desire to get up really in the morning diminishes when I'm on holiday, and a cheeky glass of wine in the afternoon means that I can't just jump into the car and head out to take pictures. But this does mean that I do actually enjoy my holiday, relax and have fun with my family.
Talking about balancing photography and family, there is a very good article on Nature TTL’s website called The Delicate Balance of Photography and Family Life, which is well worth a read.
Always Have One Eye on the Weather
Another odd by-product of being a landscape photographer is that I like to check the weather forecast. A lot. And in detail. Even though I was on holiday, and I had no plans to take any landscape photographs, I couldn’t help but to check the weather forecast on my favourite website yr.no. As I drank a glass one evening I checked the weather forecast for the next day and noticed something interesting.
The weather that caught my interest was the possibility of mist or fog. How did I know that there was a chance of mist? After reading the excellent book From Dawn to Dusk - Mastering the Light in Landscape Photography I had learned that mist can occur when the outside air temperature is close to the dew point, and wind speed is very low. These were the very conditions that were forecast for the next day.
However, even with such interesting conditions forecast, I didn't really have the motivation to get up, go out and find something to shoot early the next morning. I was in full holiday mode.
Misty Mornings
When I woke up the next morning and looked out the window, all I could see was mist. This was all very exciting but it was all a bit late to go anywhere. I was just about to get the coffee on the go when I had a bright idea. What did the landscape look like from above? Well, that's an easy question to answer when you have a drone.
With the coffee brewing away I sent the drone up into the air, just a few feet from my door. Though forward visibility wasn't great, vertical visibility was a lot better and I could clearly see the drone just above me. After a short ascent, I could see mist covering the landscape. It looked amazing! I just knew there was a photograph to be had from my elevated viewpoint. There was just a little too much mist at this point to make an interesting photography, so I brought the drone down and had a coffee.
A short while later I sent the drone back up and captured this image:
Trees in the Dawn Mist - DJI Mavic Pro, 1/1000th sec at f/2.2, ISO 100, 6 image stich cropped at 6:17.
The Perfect Camera for the Landscape Photographer on Holiday
I don't capture a lot of still images with the drone but that's twice now that I've used it to capture a landscape image on holiday (you can see the first one here). I've now come to two conclusions. Firstly, the drone really is a great addition to my landscape photography kit bag. There is no practical way I could have captured that image without the drone. That little bit of elevation the drone gave me opened up a whole new view on the landscape allowing me to capture an image which showed how the mist was covering the landscape.
The other conclusion I came to was that I think the drone may be the perfect camera for the landscape photographer on holiday. Why? Well, it allows you to take photographs without even leaving the comfort of your holiday home! I don't need to sneak off early in the morning or stay sober past 4 pm. Even the kids find it interesting. As long as I'm in a location where it's possible to fly and there is a composition to be made, I can scratch that landscape photography itch.
I know some photographers do manage to indulge their passion for landscape photography while on holiday, but I find it rather tricky, and would actually prefer not to spend large amounts of my holiday time out taking photos. This is why the drone is so useful. It's fun, accessible, doesn't require me to go out for hours, and I can do it from wherever I'm staying.
Do you separate yourself from photography while on holiday? Do you take landscape photographs with a drone? Let me know in the comments below.
Bonus Video
I also captured a 360-degree video of the misty landscape. Enjoy!
3 GREAT Landscape Photography Locations in Cornwall
What are the best locations in Cornwall for landscape photography? In this blog article, I'm going to show you 3 GREAT landscape photography locations in Cornwall that I think will inspire you to photograph Cornwall.
Landscape Photography in Cornwall
When it comes to landscape photography in Cornwall, where do you start? With so many amazing and inspiring locations to pick from it can be a challenge selecting locations to visit. So a few months ago I decided to put together a video of 3 locations that I think you should visit. It's not a top 3 or best 3, but just 3 great locations that I think will inspire your landscape photography.
After driving hundreds of miles, dealing with challenging weather, and hours of editing I'm delighted to be able to share with you my video, 3 GREAT Landscape Photography Locations in Cornwall.
A Bonus 4th Location
Gurnard's Head was probably one of the most challenging locations I visited while creating this video. It was so windy that it made shooting video and taking images very difficult. However, I thought it was a great location and worth sharing as your bonus 4th location.
More Information on Those Locations
If you want a bit more information on these amazing locations or the images from the video, then I've already published blog posts on the featured locations:
Sandymouth Beach - this blog post was written before I shot the video, but it still has location information in it plus a couple of photographs to inspire you to visit.
All Those Landscape Photographs
For your viewing pleasure here are all the photographs from all 4 locations:
Even More Landscape Photography Locations in Cornwall
If those 4 great Cornish locations weren't enough for you, I've also compiled a playlist of all my other videos that I've made from locations in Cornwall. Enjoy!
What Next?
Though the creation of this video was quite the effort I would like to do more videos like this. I'm already planning one for Dartmoor, but are there any other others in the south-west you would like me to do a similar video on? Or where there any locations in Cornwall that you think I should visit? Let me know in the comments below.
Wild Camping in Wales
Can you combine landscape photography with wild camping? That's the question I wanted to answer when I asked fellow photographer and experienced wild camper Gareth Danks to take me on my first wild camp. Read the blog to find out how I got on!
What's Wild Camping
Until recently I hadn't heard of wild camping. Obviously, I'd heard of camping but I'll be honest with you, it never really appealed to me. I like a nice warm bed and a full cooked breakfast if I have to stay away from home!
Gareth Danks - photographer, wild camper and all round great guy.
One of the great things about having my YouTube channel is the number of different people I have connected with. One such person is Gareth Danks and he is super keen on wild camping. Through watching his videos I saw that wild camping is more than just pitching your tent on a windy campsite.
As I watched through his videos I started to see the appeal of wild camping. Changes in camera and tent technology now meant you were able to take all the gear required to take photographs and get a good nights sleep. While I'm no stranger to an early morning, there are some locations that just aren't practical to reach before sunrise. However, by camping on location, you could be in the right place the night before.
Wonderful Wales
When Gareth finally talked me into wild camping all we had to do was agree on a location. Pen y Fan has always been a location I'd wanted to photograph and given that Gareth had both experience of camping and photographing there, it seemed like a great place for my first wild camp. We put a plan together, picked a date, and hoped for good weather.
If you want to see how I got on in my wild camping adventure then check out the video I made below:
And here is Gareth’s video:
More Wild Camping?
So would I go wild camping again? Absolutely I would! OK, the weather wasn't great for photography, but I had such a good time camping. I was really impressed by modern camping equipment. It was surprisingly easy to put up the tent (under guidance from Gareth of course), it was comfortable, warm, and it was even possible to make a great cup of coffee. OK, it's not as a good as a nice B&B, but it has the benefit of being much more flexible.
I don't think I'm ready for a wild camp in the winter, but I sure I'll be giving it another go next spring.
So have you been wild camping before? Do you remember the first time you did it? Would you like to give it a try? Let me know in the comments below.
The Photographs
Here are the photographs from the video:
Creeping Clouds over Cribyn - Pen y Fan, Brecon Beacons, Wales: Nikon D850, Nikkor 24-70 mm f/2.8 VR at 34 mm, 1/80th sec at ISO 64, f/8.
Cefn Cwm Llwch Mountain Path - Pen y Fan, Brecon Beacons, Wales: Nikon D850, Nikkor 24-70 mm f/2.8 VR at 34 mm, 1/80th sec at ISO 64, f/8.
There You Are Cribyn - Pen y Fan, Brecon Beacons, Wales: Nikon D850, Nikkor 24-70 mm f/2.8 VR at 34 mm, 1/80th sec at ISO 64, f/8.
How I Manage My Images in Lightroom - From Import and Export
In the blog this week I share with you Adobe Lightroom workflow. I show you how I manage my images from import to export and everything in between.
My Lightroom Workflow
I've been using Adobe Lightroom since version 3 and over the years I've been fine-tuning my image workflow around its capabilities. While its image processing speed had left me screaming up until a recent update, I've always liked its ability to organise and manage my photographs.
In the video below I share with you my Lightroom workflow. I show you how I import my images, select images for processing, apply keywords, rate images and finally get them ready for export. There are lots of different ways to do Digital Asset Management (DAM) in Lightroom, so my way is probably neither the right way, nor the wrong way, but hopefully, you'll be able to take something away from this video and use it in your workflow.
Do you have any Lightroom tips for image organisation? How does your workflow differ? Let me know in the comments below.
My Other Workflow Videos
How I Backup my Landscape Photographs
Every landscape photography I take is unique to me and so I want to minimise the risk of data loss at every step. In the blog this week I show you how I protect my data from the moment I press the shutter button up until the point I'm ready to format my memory cards again.
Every Landscape Photograph Is Unique
Every landscape photograph you take is unique and can't be recreated. Each time you press that shutter button it is a unique point in time. The light, the weather, and the conditions will likely never be exactly the same again. So how much care do you take to protect your images from virus outbreaks, deletion, corruption or hardware failure?
To me, every photograph or video I create is important and needs to be protected. Some of the content is priceless, such as photographs of my children, or it might represent an investment of time and money, such as one of my landscape photographs. No matter the content though, to me it has value.
My Backup Workflow
For some people backup is something they think about rather than do. Something to do at some point Maybe. For me, though it's become such an integral part of my workflow now that it's just something I do automatically each time I upload new content to my computer.
So if you've been looking to start putting together a proper backup routine for your workflow or you are simply looking for some tips to improve your existing backup routine, I've created this video which lays out, step by step, how I backup and protect my images.
Backup Products
If you are interested these are some of the products I used in the video as part of my backup workflow:
So do you have a robust and complete backup workflow? Do you backup on occasion? What tools and products do you use? Let me know in the comments below.
My Other Workflow Videos
PS - Some of the links used are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
My Photography is Not a Priority
In the blog this week I tell you why photography is not a priority for me!
Burnt Out?
I love creating videos for my YouTube channel. I was already passionate about landscape photography and creating videos about my time out with the camera was a natural extension of my desire to share my photography.
However, there is no doubt it is a lot of hard work. Sometimes my ideas are a bit grand and a little over adventurous. These ideas sometimes pay off, but I normally have to put in a lot of extra effort. It was after one of those "go the extra mile" videos that I decided I need a little rest.
Landscape Photography Not a Priority
I wasn't burnt out. I just needed a rest. I had spent the previous day driving all over the country taking photographs, but I still had the following day free. I wanted to use that spare day to create another full-on landscape photography video, but I decided that I would benefit more from not making photography a priority.
So I headed out for a walk up Conic Hill near Loch Lomond on a beautiful summers day. I still took my camera, but it wasn't my goal to even get it out of the bag. Relaxing from the photography got me thinking and I decided to share my results in this video:
So just a short video. A bit of a brain dump and a chance to try my hand at some cinematic style video. I hope you liked it. Did the message resonate with you? Let me know in the comments below.
Loch Lomond Panorama
As I said in the video, I did take one image and here it is:
Loch Lomond from Conic Hill - Super Wide Panorama on a Super Sunny Day: Nikon D850, Nikkor 24-70 mm f/2.8 at 52mm, 1/160th sec @ ISO 64, f/11, 12 image panoramic stitch.
Photographing Britain's National Parks
In the blog this week I’m very happy to share with you the story of my latest adventure. Check out the images and video I captured as I travel to three different national parks, across three countries and all in one day!
Grand Ideas
One of the primary goals of my YouTube channel is to share my landscape photography adventures. By sharing my adventures I can hopefully provide a little inspiration to my fellow landscape photographers or even encourage people to get out there and see the great outdoors.
Sometimes my adventures are unplanned, but every now and again I come up with a plan for a grand adventure! The problem is that these grand plans aren't exactly simple to execute. Time is the normally the limiting factor for me.
However, when I read about National Parks Week, I thought it was the perfect excuse to execute one of those grand adventures. My idea was simple. I would visit 3 national parks, in 3 different countries and do it all in one day. Would it even be possible? Let's find out.
As you saw in the video, it is indeed possible. I wouldn't exactly recommend it though. It was a lot of driving and a very long day. But I sure did enjoy it! The locations I visited were stunning, and that was only 3 of the 15 national parks in Britain.
If you haven't visited a national park before, or it's been a while, I really recommend that you check out the National Parks website as there is sure to be one near you. I'm really lucky as I have Dartmoor on my doorstep. The national parks are a valuable resource, so if you have some time it's also worth considering spending some time on your local national park as a volunteer. You can see how I got on one year volunteering on Dartmoor here.
I really hope you enjoyed this video. If you are looking for a bit more detail on the locations I visited and the photographs you saw, you'll find them below.
So are heading out for National Parks Week? What is your favourite national park? Let me know in the comments below.
Wales - Snowdonia National Park
For more information about Snowdonia National Park, click here.
Snowdonia National Park - near Plas y Brenin, Wales: Nikon D850, Nikkor 16-35 mm f/4 at 25 mm, 1/20th sec at ISO 64, f/13, Lee Filters Circular Polariser.
England - Lake District National Park
For more information about The Lake District National Park click here.
Haweswater Reservoir - Lake District, England: Nikon D850, Nikkor 16-35 mm f/4 at 17 mm, 1/20th sec at ISO 64, f/13, Lee Filters Circular Polariser.
Scotland - Loch Lomond and The Trossachs National Park
For more information about the Loch Lomond and The Trossachs National Park, click here.
A Pastel Sunset at Ben A'an - Loch Lomond and The Trossachs National Park: Nikon D850, Nikkor 24-70 mm f/2.8 at 70 mm, 1/5th sec at ISO 64, f/13, Lee Filters 2 Stop ND Grad.
Looking North from Ben A'an on a Beautiful Summers Evening - Loch Lomond and The Trossachs National Park: Nikon D850, Nikkor 24-70 mm f/2.8 at 48 mm, 1/3rd sec at ISO 64, f/8, Lee Filters 2 Stop ND Grad.
A Summer Sunset At Ben A'an and Loch Katrine - Loch Lomond and The Trossachs National Park:: Nikon D850, Nikkor 16-35 mm f/4 at 18 mm, 0.5 sec at ISO 64, f/18, Lee Filters 2 Stop ND Grad.
Creating Coastal, Long Exposure, Panoramic Images with the Nikon D850
Have you ever taken a coastal, long exposure, panoramic image before? Well, that's just what I did in my latest video. Sometimes you need to see a scene a little differently to get inspired in a big way.
Getting Inspired
Over the years I've visited Froward Point on the south Devon coast a few times. Despite many attempts I've never really captured an image from that location that I'd really been happy with. In fact, I'd just about given up on it as a location.
However, after being inspired by the work of another local photographer, I thought Froward Point might be worth another visit. This time though, I would leave most of my gear behind, travel light, and wander along the coast path a bit more. Rather than go back to the same spot I always end up going to, I would see what other viewpoints there might be.
Sure enough, as I walked along the coast path I got to see a view of rocks near Froward Point in a totally new way! My creative brain got all excited by the new compositions that I could make photographs from. For me, the scene instantly said that this coastal image would be a long exposure, and would be best suited to the panoramic format. I even thought it would work best on a grey and overcast day.
With a clear vision of what I wanted to photograph, I just needed to return at the right time when I had the weather conditions were right and the tide was high. Here is what happened when I did finally return:
As you'll have seen this video was a bit longer than normal, but I wanted to take you through my thought process, how I set up the camera, and how I eventually captured then printed the final image.
So have you ever captured a coastal, long exposure, panoramic image before? What photography techniques have you combined before? Let me know in the comments below.
The Photographs
A Coastal Long Exposure Panorama - Froward Point, Devon: Nikon D850, Nikkor 70-200 mm f/2.8 at 70 mm, 20 secs at f/11, ISO 64, Lee Filters Circular Polariser. 5 Image stitch.
On an Island - Froward Point, Devon: Nikon D850, Nikkor 24-70 mm f/2.8 at 58 mm, 105 secs at f/6.3, ISO 64, Lee Filters Circular Polariser. 5 Image stitch.
Islands in the Blue - Froward Point, Devon: Nikon D850, Nikkor 24-70 mm f/2.8 at 29 mm, 40 secs at f/11, ISO 64, Lee Filters Circular Polariser.
Friends, Fun and Landscape Photography
In the blog this week I share with you my latest video where I head out with a couple of landscape photography friends to capture sunrise photographs of Start Point lighthouse on the south Devon coast. Those 3am alarm calls don't seem so bad when you are having fun with friends!
A Solitary Pastime
For me, some of the things I love about landscape photography are the early starts and the solitude. This may sound like an odd thing to say but those unsociable hours mean that my photography generally doesn't interfere with my other commitments. Though I'm a very sociable person, there aren't many better things than watching the start of a new day with nothing but the sound of the breeze and the birds singing.
Don't get me wrong, if you see me one morning out taking photographs, come over and say hello. Many a trip out with the camera has been enhanced with a good old chat.
Photography Friends
One of the unexpected benefits of publishing videos on my YouTube channel is that I've made a few friends along the way. People that not only share my passion for landscape photography but people I can have a bit of a laugh with.
When two of my photography friends Gareth Danks and Chris Sale decided to visit me on my home turf I was delighted. I knew that even if the photography turned out to be challenging, the spirit of friendship and general attitude towards fun would make the whole experience more enjoyable.
You can see how we got on in my latest video:
We did a lot more larking about than was showed in the video, but hopefully, I've shown some of the collective spirit we had that morning. I'm not sure I would have driven all the way to Start Point at that time in the morning if it had been for Chris and Gareth!
If you have time, you should really check out their videos from our little adventure as well:
Is landscape photography something you prefer to do on your own? Do you have any friends that also share your passion? Let me know in the comment below.
Those Photographs
Here are the photographs that you saw in the video.
Sunset at The Daymark - Devon: Nikon D850, Nikkor 16-35 mm f/4 @ 20mm, 1/5th sec @ ISO 64, f/13, Lee Filters Circular Polariser.
Dawn Light on Start Point Lighthouse - Devon: Nikon D850, Nikkor 16-35 mm f/4 @ 19 mm, 10 secs @ ISO 64, f/13, Lee Filters 6 Stop IRND.
OnePlus 6 Landscape Photography: A Mobile Phone Photography Challenge with Chris Sale
Can you capture a good landscape image using a mobile phone? Well, that's the challenge fellow photographer Chris Sale set me. In the blog, I share with you the video I captured when I headed out to Dartmoor National Park with my new OnePlus 6 mobile phone to capture some landscape photographs.
Landscape Photography Challenges
I like to challenge my landscape photography skills. This could be by doing something new, trying a different bit of kit, or even trying an old bit of kit (see my video Shoot, Print, Surprise). So when my friend and fellow photographer Chris Sale contacted me and suggested a new challenge for us both I immediately asked him to tell me more!
Our previous photography challenge had been a great success. Last time Chris challenged me to ditch my wide angle lens and head out with my 70-200 mm. You can see how I got on here. For this challenge though, Chris asked me to leave my DSLR at home and head out with a mobile phone! This perhaps sounded like a step too far, but I was up for the challenge. Obviously, I sent the challenge back and told Chris he had to do the same.
OnePlus 6
The challenge came at an interesting time as I was actually in the market for a new phone. My heavily used and loved Google Nexus 6p was on its last legs and it couldn't seem to survive much longer than a couple of hours without needing a charge.
I'm not going to bore you with all the reasons why I bought the OnePlus 6, but it was the phone that suited my needs to best. Funnily enough though, camera specs weren't top of my list of things I was looking for in a new phone. I have my Sony RX100M4 as my portable camera so I only ever expected to use the OnePlus 6 to capture the odd photo here and there.
So without knowing too much about the camera capabilities of the OnePlus 6, I head out to Dartmoor National Park to start my challenge. You can see how I got on in the video below:
As I mentioned earlier in the blog, Chris also undertook the same challenge. To see how he got on, check out his video:
Mobile Phone Photography
So can you capture good landscape images with a mobile phone? Sure you can! You can capture landscape images with just about any camera. I'm not saying the camera is irrelevant, but without good light and composition it doesn’t matter what camera you have with you, you might still end up with a dull photo.
So would will I be giving up my Nikon D850 anytime soon? Of course not. While it is perfectly possible to capture good landscape images with a mobile phone, the controls, versatility and image quality of a larger camera will (likely) always be better. As you'll have seen in the video, the dynamic range of the OnePlus 6, is not match for my Nikon D850. But given the price difference, that is hardly surprising is it!
So do you ever take landscape images with your mobile phone? What mobile phone do you have? Did you buy it for its capabilities as a camera? Let me know in the comments below.
The Photograph
Mr Bowerman please meet OnePlus 6 - Bowerman's Nose, Dartmoor, Devon: OnePlus 6, ISO 100, 1/125th sec, f/1.7, DNG processed in Lightroom CC Classic.
PS - The product links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Focus Shift / Stacking with the Nikon D850: Capture and Processing
In the blog this week, I finally put the Nikon D850 Focus Shift feature to work by heading out to Dartmoor National park to capture a focus stacked landscape photograph of the waterfalls at Venford.
Using a New Feature of the D850
I love using my Nikon D850. It is without a doubt the best camera I've ever used. I even made a video on the 8 Things I Love About the D850. However, there was one feature that until recently I had never used. That feature was Focus Shift Shooting.
Focus Shift Shooting was a feature introduced with the D850 that allowed the camera to automatically take a series of photographs at different focus points throughout the scene. The idea is that you take those images, each with a different point of focus, and then "stacked" them in Photoshop, to create one super sharp image.
While the idea of focus stacking is hardly a new one, having a camera do the hard work for you is relatively new. Even the amount of work in post processing is much reduced now with Photoshop generally doing an excellent job of merging the photographs automatically.
Using Focus Shift in the Field
With the process of creating a focus stacked photograph becoming easier and easier I thought it was about time, I gave it a look. After all, even if I don't use focus stacking all the time, having another skill in your photographic toolbox can never be a bad thing.
So if you want to learn how I focus stack my images (and you don't necessarily need to own a D850 to do it), then check out my video below:
I hope you enjoyed that brief tutorial. Like I said, you don't have to own a D850 to create a focus stacked image. The D850 just automates the process of capturing the images. I was also a bit hesitant at first on trying out focus stacking. It all seemed a bit like hard work, but as it turns out it's not that difficult and the results are great. It's not needed for every photo, but you'll be glad you learnt the skill should you need it.
So, do you focus stack your images? Do you have a slightly different technique? Let me know in the comments below.
Those Focus Stacked Photographs
Venford Falls - Dartmoor, Devon: Nikon D850, Nikkor 16-35 mm f/4 at 24 mm, 2.5 secs at f/8, ISO 64, Lee Filters Circular Polariser.
Life on the Edge - Bedruthan Steps, Cornwall: Nikon D850, Nikkor 16-35 mm f/4 at 26 mm, 1/15th sec at f/5.6, ISO 64, Lee Filters Circular Polariser.
Can You Print Images Captured from a Drone?
In the blog this week I look at printing images that were captured using a drone. Is there sufficient resolution and quality to justify making a print?
Capturing a Panoramic Image with a Drone
I'm a big fan of drones. I think they are an amazing bit of technology. Though I've taken still photos with my drone before, it is the video features that I use the most. The aerial footage you can insert into a vlog really helps tell the story of the location.
A few weeks ago though I published a video called Creating Panoramic Images of Glen Etive with a Drone. In the video, I used the drone to capture a big panoramic image of the Loch Etive area where I was staying on holiday. It was an image that I couldn't have captured if it wasn't for the drone.
Can You Print an Image Captured from a Drone
When the video was published a few people asked the question about how the image looked in print. After all, the camera sensor in a drone like the DJI Mavic Pro is nowhere as advanced as the sensor in my D850. However, does that mean that the images from a drone aren't worth printing?
As I'd never printed an image captured on one of my drones before I thought it would be a good time to find out. So, can you print an image captured from a drone? Let's find out.
As you saw in the video, it was more of a question of is their sufficient quality from a drone image to justify making a print. I think the answer is definitely yes. As long as the image is well composed and has good light, there is more than enough detail in the DNG files captured on a DJI Mavic Pro to justify making a print.
In the video, you also saw me try out a paper that I haven't used before. It was the Fotospeed Smooth Cotton 300. I really like this paper and this was my first time making a large print on a matt paper. You can really feel the weight of the paper and the surface has a real feel of quality about it. I think I'll need to try a few more prints using some of the matt papers I have in my Fotospeed Matt Smooth Test Pack.
So do you own a drone? Do you take still images with it? Have you ever printed a drone image? Let me know in the comments below.
Loch Etive Panorama - Taynuilt, Argyll: DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 9 DNG files
Some of the links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
A Landscape Photographers Basic Guide to Calibration and Profiling
How do I calibrate my monitor? How do I profile my printer? How do I improve the quality of the photographs I print? You don't need to be a colour expert to improve the way your images look on screen and in print. In the blog this week I show you how.
The Science of Colour
A quick search of the internet on the topics of colour management, monitor calibration and printer profiling, and one would be excused in deciding it was all too much effort. However, like many things in photography you can decide to get your head into the science of it, or you can take a more measured approach and make some small changes to your workflow.
Calibration and Profiling
Even though I don't print high volumes of my landscape photographs, I've always strived to make my workflow is as colour accurate as possible. But why? Most people probably won't even view my images on a calibrated monitor. There are a couple of reasons, Firstly, just for my own personal satisfaction. I like to know what I'm looking at is an accurate representation of the colours in my photographs.
The other reason is that when I print one of my images on my Canon Pixma Pro-10s, I want to be confident that what I print matches what I see on screen.
Perhaps the best way to tell you about my workflow is to show you:
In the video, I mentioned a few links that you might want to look at. In case you missed them in the YouTube video description, here they are again:
For me, those extra little steps I take to calibrate and profile my monitor and to also profile my printer are worth a little extra effort in my workflow. I love the satisfaction of watching an image come to life on the screen as I post process it and then watching it turn into something physical when I print it. knowing that the colours remain accurate along each step is an extra bonus.
So does your workflow include calibration and profiling? If not, does this video encourage you to try and implement new workflow? Let me know in the comments below.
That Image of Trevose Head
In case you wanted to see that image of Trevose Head that you saw in the video in a bit more detail, here it is below:
Trevose Head, Cornwall.
If you want a little more information on Trevose Head, then check out my blog post on this fantastic Cornish location.
PS - The product links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Grey Mare's Tail and Loch Skene: A 5 Minute Photo Adventure
In this blog post, I share with you the story, photographs and video of my time photographing Loch Skeen and Grey Mare's Tail. This is another location I discovered just off the M74.
If you've been reading my blog over the last few weeks you'll have seen that despite being on a family holiday I still managed to capture images from Dalveen Pass, Kilchurn Castle, and Glen Etive. I even managed to make the experiences into some 5 Minute Photo Adventure videos. This was far more photography that I could have hoped for or even planned for.
So when I finally finished my holiday in Scotland and started the journey back I expected that was the end of my photography activities for this holiday. However, as with the idea behind shooting Dalveen Pass, I thought I might be able to do something similar for the journey back.
Amazing scenery but…
So yet again I picked up my copy of Photographing Scotland and looked for a suitable location. Almost on the opposite side of the M74 from Dalveen Pass, I found the location called Grey Mare's Tail. It looked perfect. Only a few miles off my route it had a big waterfall and a beautiful loch. I had a plan. I would drop my family off at Glasgow Airport, drive down the M74 and then stop and grab some images.
I departed for Glasgow Airport early in the morning and I soon started driving along the banks of Loch Awe. To my surprise there the water was calm and there was a lot of low lying mist hanging over the water. I already knew before I got to Kilchurn Castle that the conditions for taking photographs there would almost be perfect. Glassy water, low lying mist and a ruined castle…what more could you want?
It broke my heart to drive past Kilchurn Castle that morning. I could have taken some amazing photographs but I had to get to the airport. There simply wasn't time to stop. The amazing conditions didn't stop there though. All along the route to Glasgow, there was mist and the low-level cloud hanging about over water. As I approached Loch Lomond I was sure there was a cloud inversion and if I'd had time to ascend Ben Lomond I would have been treated to an epic show!
Grey Mare's Tail
It was tough having to drive past all those amazing locations in those weather conditions but that's just the way it is sometimes. However, I dropped off the family at the airport and started my journey to Grey Mare's Tail. When I arrived and saw the waterfall and the surrounding hills I was not disappointed. It looked amazing. Here's what I got up to:
The conditions weren't ideal, and I was really short of time, but this is definitely a location I need to revisit. There is a lot of different spots along the path past the waterfalls and up along the loch side. I wish I could have spent all day there. However, now I know where it is and what to expect, it's definitely getting added to my custom Google locations map.
Have you visited Grey Mare's Tail before? Did you make the ascent all the way up to Loch Skene? Let me know in the comments below.
The Photographs
Here are some of the images I captured during my brief time at Grey Mare's Tail and Loch Skeen (Skene).
Nikon D850, Nikkor 24-70mm f/2.8 @ 52mm, f/11, 25 seconds at ISO 64, Lee Filters Circular Polariser and 10 stop ProGlass IRND.
Nikon D850, Nikkor 24-70mm f/2.8 @ 32mm, f/11, 13 seconds at ISO 64, Lee Filters Circular Polariser and 10 stop ProGlass IRND.
Nikon D850, Nikkor 24-70mm f/2.8 @ 34mm, f/13, 1/8th seconds at ISO 64, Lee Filters Circular Polariser.
PS - The product links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Dawn with Danks - A Mini Adventure with Gareth Danks
In the blog this week I share with you vlog I made when fellow photographer and YouTuber, Gareth Danks paid me a visit. We headed down to the south Devon coast for a bit a coastal photography and a chat.
Meeting Gareth Danks
I've been following Gareth Danks on YouTube for a while and we briefly met up at The Photography Show earlier this year. At the show, we discussed the idea of meeting up to do some photography but finding a date we could both do proved a little tricky.
As spring came around and the days got longer, the number of opportunities to get out with the camera also increased. So when Gareth announced he was going to be making a visit to Devon we thought it would be a great time to meet up. We agreed to shoot sunset on Thursday evening and then shoot sunrise the following day.
Our Adventures
The plan was set and the day soon came around. In the following videos, you can see exactly what we got up to.
The first and only video I made was of the Friday morning shoot at Dawlish Warren and Dawlish. You can see it here:
For an alternative take on the morning, check out Gareth's video from Friday morning:
And finally, if you want to see what we got up to on Thursday evening on Dartmoor, you can see Gareth's video here:
I hope you enjoyed all those videos. I think we both have a similar style when it comes to our vlogs so it was really easy to mix up the photography, shooting my video and appearing in his vlog. Though it was only a short meetup, it was a mini adventure to remember!
My Photographs
You will have seen my photographs from the Friday morning in the video, but as always I like to share them here on the blog as well.
Nikon D850, Nikkor 16-35 mm f/4 at 16mm, f/13, 240 secs at ISO 64, Lee Filters circular polariser and 10 stop ProGlass IRND.
Nikon D850, Nikkor 16-35 mm f/4 at 20mm, f/11, 80 secs at ISO 64, Lee Filters circular polariser, 2 stop hard edge grad and 10 stop ProGlass IRND.
I do hope you also watched Gareth's video. It's really interesting to see how another photographer shoots the same scene at the same time. It was beneficial for me as watching Gareth setup his compositions got me to think about my own compositions.
Do you meet up with other photographers? Do you find yourself learning from them or trying something new out? Let me know in the comments below.
From Dawn to Dusk - Mastering the Light in Landscape Photography - On My Bookshelf S01E05
In this very special blog post I share with you the latest episode of On My Bookshelf. In the episode I interview Mark Bauer and Ross Hoddinott about their latest book on landscape photography, From Dawn to Dusk. I also tell you about a giveaway where you can win all three of their books.
On My Bookshelf
Over the last few months, I've been sharing with you the On My Bookshelf series of videos. Even though my photography life is predominately digital, I still believe the printed book is an important part of my development and enjoyment of photography. So in each episode of On My Bookshelf, I've told you about a book that I've enjoyed reading in the hope that it will also inspire you.
From Dawn to Dusk
When I first heard that two of my favourite landscape photographers were writing another book I knew straight away that I would need to get myself a copy. After all, their last book, The Art of Landscape Photography, had a big impact on my development as a photography and I read it many times.
As the publication date got closer I reached out to Ross Hoddinott and Mark Bauer and asked if they would like to appear on an episode of On My Bookshelf. I was delighted when they both agreed and they invited me along to see them sign and dispatch the first batch of orders of From Dawn to Dusk - Mastering the Light in Landscape Photography.
They also kindly agreed to an interview where I got the chance to ask them about their latest book, what's in it, who's it for, and how it differs from their previous 2 titles. You can see the full interview in the video below.
Book Giveaway!
After the interview, Mark and Ross offered me a signed copy of their latest book to give away to one lucky viewer. Not only that, they also gave me two signed copies of their previous two titles The Art of Landscape Photography and The Landscape Photography Workshop.
There are two ways in which to gain an entry to win all 3 books:
Watch this episode of On My Bookshelf: From Dawn to Dusk on YouTube and then leave a comment in the YouTube comments section for the video. Comments are welcome here, but to enter you need to leave a comment on the video itself.
Share the Facebook post for this video. You can find it here: <insert URL>
You a free to enter using one, either, or both of the above ways. If you do both though, you will be entered into the giveaway twice!
Entries for the giveaway close 12 pm (GMT) 28th May 2018.
If you can't wait to get a copy of From Dawn to Dusk - Mastering the Light in Landscape Photography you can still order a signed copy straight from the authors at http://www.dawn2duskphotography.co.uk/books/
Finally, I just want to say a big thanks to Mark and Ross for the interview! It was a real pleasure talking to you both and judging by the number of pre-orders you were signing and sending out it looks like From Dawn to Dusk - Mastering the Light in Landscape Photography is going to be a big success!
Some of the links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Creating Panoramic Images of Glen Etive with a Drone: A 5 Minute Photo Adventure
In this blog post, I share with you the story, photographs and video of how I went about creating some aerial panoramic images with my DJI Mavic Pro drone.
Over the last couple of weeks, I have told you about my recent photography adventures to the Dalveen Pass, and to Kilchurn Castle. To be honest, given both these adventures were undertaken while on a family holiday I thought I was doing really well. After all, I was supposed to be spending time with my family.
Beinn Duirinnis
Landscape photograph aside one of the things I was most looking forward to doing while visiting Scotland was getting up into the hills. Or to be more precise the mountains! I love Devon. It's a beautiful county but I do miss walking the hills and mountains of the Scottish highlands.
When I suggested to my brother-in-law that maybe we should climb a Munro while I was visiting he couldn't have said yes fast enough. However, there was one slight problem. Despite it being April, there was still a lot of snow on the upper slopes of the higher mountains. Unfortunately, my skills as a hill walker don't include snow so we had to revisit our plan.
Almost directly opposite to where I was staying is a hill called Beinn Duirinnis. At only 550 m this was much more likely to be snow free. However, it would deliver magnificent views of north up Loch Etive towards Glen Etive. This was highlighted in Jager Scot's video and I thought a trip up this mountain might mean another chance for some landscape photography.
Unfortunately for me, Mother Nature hadn't finished delivering snow to Scotland, and an unexpected overnight dumping of snow meant that even Beinn Duirinnis became out of reach. Another plan was needed!
Landscape Photography from Your Back Garden
With almost every local mountain out with my skill set, I decided I would try something a little different. I had been playing with the drone a few days taking some panoramic images of the surrounding landscape. This got me thinking. Perhaps I could do some landscape photography without even leaving home and maybe produce a video to go with it!
With all the extra snow on the hills, I decided to send the drone up and see what I could capture. Here is how I got on:
As you saw, a drone can really open up some new creative options. It would have been impossible to capture those images without a drone. While I haven't used the drone that much for stills photography, this really did open my eyes again to the possibilities that this amazing bit of technology can offer.
Do you have an amazing view from your garden? Do you use a drone for stills photography? Let me know in the comments below.
Those Images
Here are those panoramic images you saw in the video. Enjoy!
This is the image I shot the evening I made the video. DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 11 DNG files.
I took this image a few days before I shot the video. I much prefer the light in this one. DJI Mavic Pro, 1/125th sec at f/2.2, ISO 100, 26mm (35mm equiv'), stitched from 9 DNG files.
#EmbraceTheGrey - Your Photos!
A couple of months ago I published a video asking the photography community to #EmbraceTheGrey I wanted everyone to get out there in all sorts of weathers and conditions and take some photographs. Well, that's exactly what you did! And you did it lots!
Let's All Embrace The Grey
By the end of January this year I'd had enough of the rubbish weather and the impact it was having on my photography. I then had a slight change of attitude and decided that I needed to embrace the grey a bit more.
So I went out and created a video asking the photography community as a whole to #EmbraceTheGrey. You can read that blog post and see the video here. The goal of the video was not only to encourage me to get out with the camera more but to inspire others to also get out there in less than favourable conditions.
In the video, I said I would create a showcase video of the images people tagged with #EmbraceTheGrey as a way of celebrating everyone's efforts.
#EmbraceTheGrey Showcase
So when winter officially finished I decided to see if anyone had tagged any images or videos with #EmbraceTheGrey. Well, I was blown away by the number of photos and videos that had been tagged! You really had taken the challenge on and done so in such a wide variety of scenarios. It wasn't just photographs though. Some of you even create #EmbraceTheGrey photography vlogs!
To celebrate this amazing effort by you all I have pulled together this showcase video of the photographs that I found with #EmbraceTheGrey. At the end of the video, there is also a playlist of all the videos that were tagged as well.
So, please enjoy this amazing video of everyone's creativity!
So did you enjoy this video? Did you spot your image? Let me know in the comments below.