Bite-Size Blog Post #40 - The Cobb - Dorset
Happy New Year everyone! And to celebrate the start of 2025 here is a photograph of the start of a new day at The Cobb in Lyme Regis in Dorset. Read more about his photo in this blog post.
A Return to The Cobb in Lyme Regis
I've been photographing The Cobb in Lyme Regis for nearly a decade now. It's a location I keep returning to, but why? As a landscape photographer I'm drawn to the natural beauty of wilderness and the coast. However, The Cobb is a human-made structure and mostly made of stone. It therefore doesn't fit into the category of natural beauty but yet it remains a compelling subject to photograph.
The Cobb has three aspects to it that make it worth photographing. Firstly, is its shape. Rather than being a straight structure that juts out into the sea, it's distinctive S-shape snakes out into the sea. When photographed from certain positions with a wide-angle lens, that S-shape can provide a very strong foreground subject.
Next is the east to west direction the structure runs. This makes it an ideal subject to photograph during winter when the sunrises from the southeast. Light from the morning sun will bath the structure in glorious orange light, further highlighting the shape of The Cobb.
The last thing that makes it worth photographing is its coastal location and how the sea interacts with it. On calm days the water gently surrounds The Cobb making for wonderful longer exposures. Perhaps my favourite time is when the waves crash up against The Cobb. Freezing a wave as it hits the structure with a short exposure or capturing the trails of water flowing off The Cobb with a longer exposure can make for some really exciting photographs. On those windy days there is a very real risk of getting wet or your camera gear is damaged, or even worse. It can be a dangerous place, so caution is always advised.
However, the morning I captured these photographs, everything was calm, and I experienced a lovely sunrise.
Cobb Sunrise #1, Lyme Regis, Dorset - Nikon Z8, Nikkor Z 14-30mm f/4 S at 14mm, f/22, 30 seconds at ISO 64, Kase Filters CPL.
Every visit to The Cobb gives me a slightly different photograph. That's why I'll probably still be photographing it in another 10 years. You just never know what you’ll come away with.
The Unpublished Collection 4
While I’m Away…
It’s rare that I get to completely immerse myself in my landscape photography. Even more rare that I’ll be doing this for two weeks! Heaven! Well, at least I hope it will be heaven, and given that I’m photographing the Outer Hebrides I’m sure it will be.
But while I’m away I thought I’d take some time to publish some photographs that have never seen the light of day. It’s not that these are poor photographs, it’s just that I never got around to publishing them anywhere. Sometimes I just go out and take photographs with no intention of writing a blog post or producing an associated video.
However, no photograph should just be left to die a slow death on a hard drive so every now and again I like to gather up those unpublished photographs and bring them into the light. The eight photographs below cover a 12 month period and three different counties. Enjoy!
Keep Calm and Embrace the Grey
Big sunrises, amazing light, and epic skies. These are just some of the elements that have helped shape some of my best landscape photographs. But what do you do when you don't have those things? What if the conditions are grey, overcast and still?
It’s All About the Light
Over the years some of my best photos have been shaped by the light. I’m always seeking the type of light that will lift my compositions from looking a little dull and flat into something with texture, dimension and contrast. Don’t get me wrong, I’m not saying that you can’t get good images in flatter light, but the images that I like creating often require good light to make them a little more special.
Winter in the UK can be a challenging time for photography. The weather can be rather unsettled and grey flat days tend to be the norm rather than the exception. With so much overcast weather I decided it was once again time to #EmbraceTheGrey and I knew just the place to go.
Right Subject for the Conditions
Back in December 2018, I had visited The Cobb and the image that I captured changed the way I viewed that location. Rather than a location I would only visit when the waves were big and the sky glorious, I really wanted to capture a photograph when it was all still, flat and overcast. I almost got what I was looking for on that visit but I actually wanted it to be even more overcast! I wanted it to be even greyer!
For some time now I’ve been hoping to get those very conditions so I could make the photograph that I had in my mind’s eye. When a recent weather forecast predicted the conditions I was looking for, I thought it was finally time to head back to The Cobb.
In my latest video below I will share with you the experience of going back to The Cobb to try and capture the image I had envisioned all those months ago. I’ll also show you how I post-processed it and how I printed it.
I do hope you enjoyed the video. Though I’ll always be chasing that glorious light, hopefully, this video has shown you that having a subject or location that you can embrace the grey with is not only useful but can also lead to some very pleasing images.
Do you have a favourite location where you #EmbraceTheGrey? Let me know in the comments below.
And finally, here is that image you saw me capture, print and frame.
Embracing the Grey at The Cobb, Lyme Regis, Dorset - Nikon Z7, Nikkor 14-30mm f/4 at 16mm, f/13, 182 seconds at ISO 64, Kase Filters CPL and 6 Stop ND
Printing Notes
In case you didn’t catch everything in the video, here is what I used to print the image:
Printer - Canon Pixma Pro-10s (http://amzn.to/2Anrcj7)
Software - Edited in Lightroom and printed using Canon Print Studio Pro
Paper - Fotospeed’s Legacy Gloss 325 with custom ICC profile (https://www.fotospeed.com/Legacy-325/groupproduct/3103/) - one of my favourite papers!
Frame - Picture Frames Express (https://www.pictureframesexpress.co.uk/)
A New Vision of The Cobb
In the blog this week I tell you about my most recent visit to Lyme Regis in Dorset to capture landscape images of The Cobb, and how an overcast morning changed the way I view this iconic location.
Weather Obsession
I have to admit it, I'm obsessed with the weather. More specifically, the weather forecast. But what landscape photographer isn't slightly obsessed by the weather. I'm constantly checking the forecast and looking for the best place to visit with the limited about of time that I have for my landscape photography.
After a few days of frankly terrible weather, it was going to take some pretty awful conditions to stop me heading out with the camera. After much head scratching over the weather forecast I thought the best place to go would be The Cobb at Lyme Regis in Dorset.
It was a bit of a risk to go there given the predicted cloud cover. Either side of sunrise it was forecasting 100% cloud cover, but around sunrise itself, the cloud cover could drop to around 50%. Combined with the direction of the rising sun, I was hoping to capture an image similar to this one I'd taken a while back.
The Cobb vs The Sea, Lyme Regis, Dorset - Nikon D750, Nikkor 16-35 mm f/4 at 22 mm, f/13, 0.6 secs at ISO 100, Lee Filters ND Grad.
Choose Life, Choose The Cobb
Before I carry on, I've just remembered that I created one of my 5 Minute Photo Adventure videos from The Cobb, so if you want to see what it looks like, then check out the video below. You can also read the blog article for that video here.
Anyway, back to the story of my most recent visit. When I arrived in Lyme Regis, the weather was as forecast and cloud coverage looked to be 100%. As I walked from the car and approached The Cobb I could see that I wasn't the only photographer that high hopes for capturing a good image that morning.
As I setup my camera and took my first few shots, I suddenly changed my mind on the type of shot that I wanted. Rather than trying to repeat the type of shot I showed you earlier, I decided the image below was the style of image I wanted to capture that morning.
A New Vision of The Cobb, Lyme Regis, Dorset - Nikon D850, Nikkor 16-35 mm f/4 at 24 mm, f/13, 30 secs at ISO 64.
The calm waters, overcast sky, the colour of the water and long exposure all add up to a very different, but still pleasing image. Normally I like to capture the drama of the sea at The Cobb, but that morning called for something different.
As soon as I saw the image on the back on the screen on my D850 I realised that I had been missing out on some creative compositions at this location. I would definitely have to visit when the conditions were like this again.
After a short while, a break in the cloud started appearing in the distance, and the mood of the scene changed. Normally I'm happy when the cloud starts breaking up, but in this instance, I wanted the cloud cover to stay at 100%! With the gap in the cloud, the serenity and calmness of the scene was broken.
It was an interesting morning for me. My previous visits to The Cobb had gradually embedded into my mind the type of image I should capture there. This visit broke all that and I left with a renewed sense of excitement about returning to The Cobb on the next grey and overcast day!
Have you had a similar experience? Have you had your perception of a favourite location changed by weather? Let me know in the comments below.
Photographing The Cobb in Dorset: A 5 Minute Photo Adventure
In the blog this week I head to Lyme Regis in Dorset to photograph The Cobb. You can also watch one of my 5 Minute Photo Adventure videos so you can see how I captured the images featured in this blog.
Finally...A Break in the Weather
After what feels like an age, the weather forecasts finally started to show some better weather. January had been a challenging month for my photography. It was the normal combination of lack of time and poor weather, that resulted in not a lot of photography. For anyone who has read my blog for long enough, you'll know that January has historically always been a challenge for me.
It's not just the photography I've been missing, but also going out there and creating new videos for my YouTube channel.
Off to The Cobb
One of the locations that I've always wanted to make a video from is The Cobb in Lyme Regis. It's one of my favourite locations to shoot coastal images. I did actually try and make a video there last year, but I failed to prepare my gear properly. You can read all about that trip here.
So when the weather, and importantly the tide looked good for a dawn shoot at The Cobb I was super excited to finally make one of my 5 Minute Photo Adventure videos there. Here is the result:
I do hope you enjoyed that video and it has inspired you to photograph The Cobb. It's such a great location to photograph if you like shooting seascapes. Just remember to get there early in the morning (it can get busy with photographers), and watch out for those crashing waves!
Have you photographed The Cobb before? What is your favourite coastal location? Let me know in the comments below.
The Photographs
Here are the photographs you saw in the video, plus a couple of extras.
Nikon D850, Nikkor 16-35mm f/4 @ 19mm, f/13, 2.5 seconds at ISO 64, Lee Filters Circular Polariser and ND Grad.
Nikon D850, Nikkor 16-35mm f/4 @ 22mm, f/11, 1/8th second at ISO 64, Lee Filters Circular Polariser and ND Grad.
Nikon D850, Nikkor 24-70mm f/2.8 VR @ 65mm, f/8, 60 seconds at ISO 64, Lee Filters Circular Polariser.
And finally...
Just a word of caution when visiting The Cobb...
First Shoot of 2018: Colmer's Hill
In the blog this week I head out to Colmer's Hill in Dorset for my first shoot of 2018. With fog forecast, would I get the shot from that location that I'd always wanted?
Getting Back into Gear
Landscape photography in January can always be a bit of a hit or a miss but after a two-week break from photography, I was itching to get out again. I had been editing my Winter Solstice Adventure video over the festive period and despite the obvious ups and downs of that day, it had inspired me to get back out with the camera as soon as possible.
During winter my ability to get out with the camera is limited and for the first weekend of January, I only had the possibility of getting out on Saturday morning. Typically though, the weather across the south-west was dubious. To get any decent conditions I would have to travel further than I had time for, and depending on where you looked, the local forecast was everything from blue skies to fog on Dartmoor.
Though I couldn't get a concrete forecast for the Bridport area, there was a chance that fog would be there first thing in the morning so I decided to take a risk and head out to Colmer's Hill. I'd always wanted to capture the peak of Colmer's Hill poking out from mist covered landscape. Maybe this would be the morning!
At Colmer's Hill
An early morning shot from my normal dawn spot. The light wasn't great.
I've photographed Colmer's Hill a number of times now. You can read about some of my previous visits, here, here, and here. With a vision of photographing the hill in fog or mist, I headed straight for the viewpoint at the bottom of Quarry Hill. This lower elevation viewpoint places the top of the hill just above the horizon making it ideal for the type of shot I wanted.
Once there, there wasn't much in the way of low lying fog, but there was still enough interest in the sky to potentially make a good image. It soon became apparent though that light from the rising sun would be slightly later than the documented sunrise time due to a large bank of cloud. So as I was waiting, getting colder, I looked to my left and noticed the hill Eype Down.
Same Location, Different View
A slightly different viewpoint, but still terrible light!
I had originally become aware of this viewpoint when reading Mark Bauer's excellent book Photographing Dorset. So rather than stay where I was and get a shot similar to some of my previous efforts, I decided to grab my bag and tripod, and head to the viewpoint in Mark's book.
It was interesting to see Colmer's Hill from a slightly different angle. Unfortunately, the conditions hadn't improved much, and direct sunlight hadn't made an appearance, but at least I had checked out another viewpoint of one of my favourite locations in Dorset.
Practising Perfect Panoramas
If you watched my recent video, Developing a Passion for Printing, you'll have seen me print a panoramic image of Glencoe. In the video, I also promised myself that I would attempt to take more panoramic images. Though I had learned more about the technique while on a workshop in Glencoe, I was still a long way from being proficient at creating them. So as the conditions weren't ideal for the photograph I was hoping to make, I decided to practice my panoramic technique.
Nikon D850, Nikkor 70-200 mm f/2.8 at 110mm, ISO 64, 1/80th second at f/8. The light was better when I took this image, but my composition options were limited by a line of trees just below the edge of the frame.
Don't Leave Too Early!
After getting a couple of shots from my new viewpoint and practicing my panoramic technique I decided to give up and head home. It was nearly 9 am and I didn't think I was going to get any decent light at this stage. Just as I packed my tripod up and started to head down the hill, I started to see some nice light on the side of Colmer's Hill.
It was spectacular light, not by a long shot, but better than I had seen all morning. I quickly ran back up the hill and set my camera up again. Fortunately, I hadn't need to use filters all that morning so it didn't take too long to get back to a shooting configuration.
Nikon D850, Nikkor 70-200 mm f/2.8 at 1145mm, ISO 64, 1/50th second at f/8. Better light for this shot, but still nothing to get excited about.
While those images were only marginally better, it did remind not to leave a location until you are really, really sure you're not going to miss anything!
So how has your photography been in 2018 so far? Have you ever left a location a little to early and regretted it? Let me know in the comments below.
A Day Out in Dorset
In this blog post, I tell you about the day I spent photographing some of Dorset's finest coastal locations.
Dorset
Though Dorset is the county next door to where I live, I really don't spend enough time there photographing it. I do love to shoot The Cobb in Lyme Regis, and I have been known to photograph Colmer's Hill on the odd occasion, but I really should spend more time in Dorset exploring further afield.
So when my friends over at Dawn 2 Dusk Photography announced that they were running a special long exposure one day workshop in Dorset, I signed up immediately. It sounded so good that I even convinced my father-in-law to dust off his camera and join me.
I've written about the advantages of attending workshops before when I attended another Dawn 2 Dusk workshop in Glencoe earlier this year. This one would be no different. There would be some excellent tuition on hand, it would be well organised, there's always a great bunch of photographers to get to know, and we would, of course, visit some of Dorset's most iconic coastal locations.
West Lulworth
As the workshop wouldn't start until 9 am in Swanage, I thought I would try and make the most of the day by fitting in a nearby dawn shoot. As sunrise was relatively late on I couldn't be too far away from Swanage, so I decided to go West Lulworth and try my hand at shooting Lulworth Cove.
I will need to explore the cove in more detail if I'm to get the shot I'm looking for.
Upon arriving at West Lulworth it soon became apparent that shooting the cove in its entirety wasn't going to be as easy as I thought it might be. From my shooting location along the western edge of the cove, even with a 16mm lens, I wasn't able to find a spot from where I could get everything in that I wanted. Obviously, this would be a location that I would need to revisit when I had more time to explore.
I did find a nice composition down at the shoreline of the cove though. While I like the composition of the photo below, I think it lacks good light and a bit of colour from the rising sun. The sky was very clear that morning except the point where the sun was rising where there was a blanket of cloud. By the time the sun was rising above the cloud I really had to make a move to Swanage or I'd be late for the start of the workshop!
Nikon D850, Nikkor 16-35mm f/4 at 22mm, f/11, 25 secs at ISO 64, Lee Filters circular polariser.
Swanage
After the workshop briefing at 9 am, some witty banter, and some much-needed coffee, the workshop group headed out to photograph both the new pier and old pier at Swanage. Unfortunately, I was unable to make the most out of these locations. Though I got some excellent advice on how to shoot the old pier, I found the clear blue skies not to my taste and I didn't really get any images that I was happy with.
However, getting great images from every location isn't my goal, nor is it ever realistic. I did, however, leave happy knowing that I'd learnt something about composition (there's always something to learn about composition) and that I'd enjoyed meeting some new people.
We then moved down onto the beach where we had the opportunity to shoot some groynes, and banjo jetty (which I have shot before). On the advice of one of the instructors, I headed further down the beach to photograph one of the groyne markers beside a small river that fed into the sea. This was a good shout as I managed to get my first good image of the day. It would have been unlikely that I would have found this spot myself so this was another bonus of being on the workshop.
Nikon D850, Nikkor 16-35mm f/4 at 17mm, f/11, 390 secs at ISO 64, Lee Filters Super Stopper.
Kimmeridge
We then all moved onto Kimmeridge where we had a quick picnic lunch and a bit more chat. I had visited Kimmeridge before on a workshop but it was the middle of the day with clear skies so I was really hoping that this visit would be different. There was some cloud in the distant sky and with sunset only a couple of hours away, I was hoping my luck would be in.
As it turned out we didn't get much in the way of action in the sky, but we did get some really nice spots of light on the rocky shore. I've always thought the rocky shore at Kimmeridge was interesting, but the addition of some interesting lighting really got me thinking about the possibilities at this location.
These are two of my favourite shots of the afternoon. I really like the composition, the textures and patterns on the rock, and just a hint of light from the setting sun. These could have been amazing shots if there had been some more interest in the sky. But let's face it, us landscape photographers are rarely completely happy with the conditions!
Nikon D850, Nikkor 16-35mm f/4 at 26mm, f/11, 90 secs at ISO 64, Lee Filters circular polariser and Big Stopper.
Nikon D850, Nikkor 16-35mm f/4 at 21mm, f/13, 30 secs at ISO 64, Lee Filters circular polariser and Little Stopper.
Afterwards, we walked back along the beach to another really interesting spot. In this image you'll see how the rocky ledge creates a nice leading line through the image. It was late on when I took this image so there was very little in the way of light. However, I think with a good sky those pools of water could provide some really interesting reflections.
Overall both myself and my father-in-law had a great time. Though I struggled to create images that I was satisfied within the morning, the two images I created at Kimmeridge more than made up for it. I also picked up some useful compositional tips and, as always, I really enjoyed the social element of the workshop.
Anytime anyone asks me about workshops I always recommend Dawn 2 Dusk Photography, and attending their Dorset long exposure one day workshop is yet another reason why that recommendation remains.
So what are your favourite Dorset locations? Have you been on any workshops recently? Let me know in the comments below.
Getting to Know Colmer's Hill
In this blog post I tell about my 3rd visit to Colmer's Hill and how despite the experience of the previous 2 visits I still have a lot to learn about this fantastic Dorset location.
Third Time Lucky?
On paper Colmer's Hill is a relatively straightforward location to shoot. Its conical shape makes it stand out from the rest of the landscape luring the photographer into some obvious but pleasing compositions. However, as I've just learnt the most obvious composition isn't always the best.
My most recent visit to Colmer's Hill is my third this year. The previous two visits had largely been unsuccessful but I was putting both those visits down as exploratory shoots while I looked for the optimal position. On my third visit, I decided that I would opt to shoot the hill from a less elevated viewpoint so that the top of the hill would be above the horizon. On my previous visits, I had adopted a position on top of the hill opposite Colmer's Hill. This drops the top of the hill below the horizon which, based on the images I've seen, work best when mist surrounds the hill leaving just the peak visible, similar to this image I took on my first visit in January of 2017.
The weather forecast for my most recent visit wasn't for any mist but it did show signs that the high-level cloud could be well illuminated by the rising sun. These predicted conditions together with the plan but of shooting from a lower elevation I thought would provide me with the best chance of getting a good photo. With my plan decided I set the alarm for 04:30!
On my arrival at Quarr Lane at 05:45 the conditions were already looking promising so I quickly headed to my chosen spot. Sure enough, the top of Colmer's Hill was placed nicely above the horizon and I was sure I know had the best spot. So I started to set up my camera and waited for the cloud and light show to start. And start it did. Just not where I wanted it to be. Sure there was sufficient cloud above the top of the hill but the real action was happening just 45 degrees to my right.
Not Quite the Right Spot
The most glorious show of pink clouds was happening just above the spot where the rising sun was. As a personal preference, I don't shoot straight into the sun so I had positioned myself so that it would be excluded from the frame. It seemed like a good plan at the time, after all, the good colour in the sky is not often limited to a single spot. However if I had selected a more northerly position, so the sun was rising directly behind the hill, I would have been able to include the dramatic clouds in my composition.
However, landscape photography is a combination of luck, planning and experience. I had done my planning and luck I can't really control but having little more experience at the location may have allowed me to assess the conditions more effectively and possibly change the spot I was shooting from. It would have been a bit of a walk and might have needed a brisk run but it probably would have been worth it.
However the morning wasn't wasted as I still got out with the camera, enjoyed a lovely sunrise and managed to get this pleasing image.
Nikon D750, Nikkor 70-200mm f/2.8 @ 70mm, f/11, 1/13 sec, ISO 100, Lee Filters ND 0.9 soft grad.
Understanding Your Location
So what did I learn from this trip out with the camera? Well, despite the experience of my previous two visits, and planning for the third, I found that I still had plenty to learn about shooting Colmer's Hill. As I described in my previous blog article, Perseverance - Photographing Bowerman's Nose, it can take many, many trips to a location before you really get to know it and get an image that is worthy of the location. In some cases, you might never really know a location and it will continue to throw you a surprise or two. To be honest, that's probably a good thing though.
Even though I've been there three times I will certainly be going back again. Each time I go though I will understand the location a bit better and I will be able to make the necessary adjustments to increase the likely hood of success.
My Top 3 Tips for Colmer's Hill
So if you fancy a trip to Colmer's Hill, and why wouldn't you, here are my three top tips:
Take a long lens. You'll want something in the range of 24-70mm, but if you have it take a 70-200mm (or something can reach past 100mm).
Explore. You can shoot Colmer's Hill from a number of spots, covering a range of elevations and distance. You might need to go a few times to understand which spots work best and when.
Check Weather and Direction of Light. Colmer's Hill is both a sunrise and sunset location, and it works in a variety of weathers. Choose your spot(s) based on the conditions, but be prepared to change them.
If you'd like to see more of Colmer's Hill why not check out my 5 Minute Photo Adventure video that I shot while I was there. You can see how I created the images above and give you an idea of what it's like to shoot there.
So have you shot Colmer's Hill before? Do you have a favourite spot to shoot it from? Do you have a favourite location that you've visited many times but you still feel you are getting to know it? Let me know in the comments below.
Exploring Colmer's Hill
In this blog post, I talk about my 2nd visit to Colmer's Hill and how I learnt to look for the wider perspective. I also look at the importance moving around to find different compositions of the same subject.
A Change of Plan
One of my photographic goals this year is to explore more of Dorset. I'm very lucky to live in Devon as not only do I have a lot to shoot in my local county, but I also have Cornwall and Dorset as neighbours. For no particular reason, I seem to have spent more time shooting in Cornwall than Dorset. So after reading Mark Bauer's new book Photographing Dorset, I was very much inspired to photograph more of Dorset in 2017.
My original plan for the shoot was to head to Old Harry Rocks near Swanage. However, the weather forecast wasn't concrete for the conditions I wanted. As it is a 2 hr drive there and a 2 hr drive back I didn't feel it was worth the risk on this occasion so I opted for something a bit more local. I had visited Colmer's Hill late last year and with it's close proximity to home I thought that would be a better option.
A Hint of Colour
I arrived at my location in plenty of time for sunrise. Arriving a good hour before official sunrise allows plenty of time to get set up and maybe even have a quick cup of coffee. From my vantage point, I could clearly see Colmer's Hill and the surrounding landscape which had some low lying mist on it and just a splash of colour in the sky. However, the only cloud in the sky was a thick blanket of low cloud far down the coast, exactly where the sun would rise. So unless conditions changed I would have a cloudless sky for my composition and the first light of the day blocked by some coastal cloud.
A New Perspective
The location I was shooting Colmer's Hill from typically requires a long lens to shoot with so the hill can be isolated. So the first few shots I took were with Nikkor 70-200mm f/2.8. Shooting at around 150mm provided me with the composition I was looking for, but the light was very flat and hazy so the shots weren't very inspiring.
As I often do when I'm waiting though I decided to take a few shots with my phone for my Instagram feed. Taking an image from my phone immediately made me realise that I was missing a very different composition. The phone gave me a much wider perspective of the scene and I realised that rather than just including Colmer's Hill I should be including the wider landscape.
A wider perspective. Nikon D750, Nikkor 24-70mm f/2.8 at 42mm, f/11, 1/15 sec, ISO 100.
By opting for a wider composition I could include the distant hills which were surrounded by mist. The sun had risen above the distant cloud by this time so there was just a little colour on the side of the hills and in the sky.
The tight composition I was so focused on getting had prevented me from looking around to see if there was a better composition to be had. If I hadn't decided to take an image with my phone I might well have missed out on a better image.
Same Location, Different View
While it is important to sometimes change lens to give a better composition, it is also important not to stay put in one spot. With some locations that can't be helped, but you can get a number of different views of Colmer's Hill by simply walking about.
A slightly different view of Colmer's Hill.
Based on the advice from Mark's book I took a little walk northwards to find some undulating ground which again, given the right light, would make for some interesting foreground for a wide angle composition.
Though the sun was quite high by the time I set my shot up at this location I could see how it might work on another day. I would just some higher cloud and possibly a few less sheep!
I'll Be Back
It's not been the greatest of starts to the year for my photography. It's starting to feel like it's been a long time since I managed to capture a great image. However, I do need to remember that I can really only go out shooting when I have time, not when the conditions are optimal, so I can't expect great results every trip out with the camera.
As always, I will look for the positives from each trip out with the camera. Firstly I learnt not to get too focused on one composition using one lens. Getting the mobile phone out really helped me to see a different view! I've also learnt more about a location that I will probably visit a lot in 2017. It's good to have multiple spots from one location so you can move about a bit to suit the conditions.
Have you had a good start to your photography this year? Have you got some new locations you want to visit this year? Let me know in the comments below.