On Location Review of the Kingjoy C83 Carbon Fibre Tripod
All tripods are the same right? Not exactly. While they all have three legs, some are better than others. When it comes to landscape photography you need something that is lightweight, stable and easy to use. In this video I review the Kingjoy SolidRock C83 Carbon Fibre Tripod out to Dartmoor to see if it can fit my needs as an outdoor photographer!
The New King of Tripods?
It’s very easy to assume that all tripods are the same. They all have three legs, and they support your camera. However, if you are a landscape photographer a tripod is an essential item and your tripod needs to be lightweight, stable, and easy to use.
I’ve had the same two tripods for years and it’s only recently that I’ve been looking about for something new. Why two tripods I hear you ask? One for stills photography, and the other for video. And yes, I need to do both at the same time otherwise I couldn’t make my YouTube videos. The reason I’m looking for something new is that as my cameras and lenses change, so do my requirements for tripods.
For my current setup of cameras and lenses I needed something robust, stable, and well built, but not at Gitzo level prices. I had heard some good reports about Kingjoy tripods but it’s not a brand I immediately think of when considering a new tripod. But when they reached out to me and asked if I wanted a loan of their C83 carbon fibre tripod I said yes. I’ve got nothing to lose and I might find myself pleasantly surprised.
With my loan C83 in hand, I head off to Dartmoor for some landscape photography to see if this is a tripod that I would buy.
If you’d like to buy a Kingjoy SolidRock C83 Carbon Fibre Tripod, you do so direct from Kingjoy UK here - https://kingjoyuk.com/products/kingjoy-solidrock-c83-carbon-fibre-tripod?sca_ref=2948686.NWDrPIWIBg
*** Use the code kjbaird5 and you'll get a 5% discount ***
Landscape Photographs of Beardown Tors
Beardown Tors Sunset #5, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 16mm, f/13, 1/25 sec at ISO 64, Kase Filters CPL.
Beardown Tors Sunset #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 21mm, f/13, 1/8 sec at ISO 64, Kase Filters CPL.
Beardown Tors Sunset #2, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 17mm, f/13, 1/6 sec at ISO 64, Kase Filters CPL.
Beardown Tors Sunset #3, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 30mm, f/13, 0.6 sec at ISO 64, Kase Filters CPL, 4:5 crop..
Beardown Tors Sunset #4, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 15mm, f/13, 1.6 sec at ISO 64, Kase Filters CPL.
Photography and Wild Camping on Dartmoor with the Lowepro PhotoSport Backpack PRO AW III
Is there a backpack designed for photographers & videographers that can also be used on multi-day hikes, adventures, and wild camping? Lowepro thinks they have one with the PhotoSport Backpack PRO AW III. In this video review, I put it to the real-world test by taking it on a landscape photography and wild camping adventure on Dartmoor.
A Bag for My Wild Camping Photography Adventures
As you may have read recently on my blog, I have taken the bold step into the world of wild camping. Not only does this change the way I can approach my photography, but it also means I need to carry a lot more gear. My dedicated camera bag doesn’t have the capacity to carry sleeping bags, tents, and overnight provisions.
In a stroke of luck, as I was having a look around the internet for possible bag options, Lowepro got in touch and asked if I wanted to test out one of their PhotoSport Backpack Pro AW III bags! If I hadn’t taken up wild camping I would have said no, but as I had a real need for a bag like this, I knew I could put it to good use and produce a video review based on real-world experience.
In the video below, you can join me as I take landscape photographs of Dartmoor, share with you the joy of wild camping and hear all my thoughts on the Lowepro bag.
If you want to purchase this bag you can do so here:
Watch this before you buy so you can see how the bag fits - https://youtu.be/fm228Mn78CY
Landscape Photographs from Dartmoor
Belstone Tor, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 20mm, f/11, 1/60 sec at ISO 64.
Oke Tor, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 17mm, f/11, 1/60 sec at ISO 64.
Steeperton Tor #1, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 30mm, f/11, 1/50 sec at ISO 64.
Steeperton Tor #2, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 24mm, f/11, 1/15 sec at ISO 64.
Viltrox Ultra-Wide 13mm f/1.4 Auto-Focus for Nikon Z Review
There's only one way to review a lens like the new Viltrox 13mm f/1.4 Auto-Focus lens for Nikon Z mount crop (DX / APS-C) cameras and that is to take it out in the real world. In this video, I will be using this lens with my Nikon Z fc to capture landscape photographs from Dartmoor National Park. I've also filmed this video using the lens, so I'll also share my thoughts on how it performs with the Nikon Z fc for video capture.
Filling a Gap in My Lens Collection
I’m lucky enough to own all the lenses that I need for my Nikon Z7 for landscape photography (like the excellent Nikkor Z 24-120mm f/4 S). Anything else that I need to do something specific I will just rent. The lens line up for Nikon’s Z crop sensor family of cameras is a different matter though.
I love my Nikon Z fc, but the range of Nikon Z DX lenses is sparse, to say the least. Fortunately, companies like Viltrox have stepped up and are producing some excellent budget prime lenses for the Nikon Z mount. A firm favourite of mine is the Viltrox 23mm f/1.4 for the Nikon Z fc. I have used this lens extensively, both for creating my videos and for capturing family photographs.
However, I’ve always wanted a wide-angle version of the Viltrox 23mm. So still fast aperture, but a little wider so that video creation on location is a little easier. It would also make for a great lens for those times when I only take the Z fc out to capture landscape photographs.
When Viltrox told me about the 13mm f/1.4 AF lens for Nikon Z fc (and Z50), and they asked if I wanted to review it, I jumped at the chance. And now I’m ready to share my video review with you.
I hope you found this video useful and if you want to see the photos from the video again, you’ll find them just below.
Landscape Photographs with the Viltrox 13mm f/1.4 AF
Trevose Head, Cornwall
Trevose Head Lighthouse at Sunset #1, Cornwall - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1.6 sec at ISO 320.
Trevose Head Lighthouse at Sunset #2, Cornwall - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 5 sec at ISO 100.
Belstone Tor and Common, Dartmoor
Belstone Sunset #1, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/25 sec at ISO 100.
Belstone Sunset #2, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/8 sec at ISO 100.
Belstone Sunset #3, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/16, 1/10 sec at ISO 100, 16:9 crop.
Irishman’s Wall Sunset #1, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/8 sec at ISO 100, 16:9 crop.
Irishman’s Wall Sunset #2, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/8 sec at ISO 100, 16:9 crop.
Belstone Sunrise #1, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/3 sec at ISO 100.
Belstone Sunrise #2, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 0.6 sec at ISO 100, 4:5 crop.
Belstone Sunrise #3, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/4 sec at ISO 100.
Bowerman’s Nose, Dartmoor
Bowerman’s Nose Sunrise #1, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/3 sec at ISO 100.
Bowerman’s Nose Sunrise #2, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/5 sec at ISO 100.
Bowerman’s Nose Sunrise #3, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/13, 1/6 sec at ISO 100.
Bowerman’s Nose Sunrise #1, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/10 sec at ISO 100.
Bowerman’s Nose #1, Dartmoor - Nikon Z fc, Viltrox 13mm f/1.4 AF, f/11, 1/100 sec at ISO 100.
Will DxO PureRAW 2 IMPROVE My Images?
Over the years I've barely changed my landscape photography post processing workflow, but DxO PureRAW promises to change all that! It claims that its demosaicing, denoising, lens correction and deep learning technologies will improve sharpness, and reduce distortion, chromatic aberrations, and vignetting. Those are some bold claims, so I decided to try it out for myself. The results surprised me!
My Post Processing Workflow
I haven’t felt the need to change my post processing workflow for a long time. I’ve adapted it and leveraged new tools and capabilities from Lightroom as they’ve been released, but at a fundamental level, it hasn’t changed in at least 4 years. It can be summarised as a “light touch” approach using a combination of global and local adjustments in Lightroom. I very rarely use Photoshop for image editing, and I’ve never felt the need to add additional products to my workflow.
I’ve always been happy with my digital output but when I saw an advert or YouTube mention for a product called DxO PureRAW 2 something clicked, and I decided now was the time to try something different. I was also editing an image that I was going to print and hang on my wall, so it seemed the ideal time to try something new to see if I could squeeze even more out of my raw files.
I decided not to look at any video tutorials or marketing blurbs before trying this software for the first time. I wanted my first impressions to not only be free of bias but also genuine.
In the video below you will see me use DxO PureRAW 2 for the first time and hear my first impressions, both in terms of how the output looks digitally and in printed form. I’ll also tell you if I decided to use my own money to buy this product. (If you want to buy or try DxO PureRAW 2 then click here).
If you enjoyed this video, you might also enjoy the video I made where you can see me capture, print and frame the image I used in the video above.
I hope you enjoy both of these videos. Let me know in the comments below if you print your photographs and how you process your raw files.
Landscape Photography with the Viltrox 23mm and 24mm Lenses for Nikon Z Mount (Review)
In this two for one blog post, I share with you my video reviews of the Viltrox 23mm f/1.4 and 24mm f/1.8 lenses for Nikon Z mount by heading out on location to capture some landscape photographs.
From No Choice to Lots of Choices
I’ve loved my Nikon Z7 from the moment I got it but the one minor gripe I did have at the time of purchase was the lack of native Z mount lenses. Two years on and the landscape of Z mount lenses is quite different. Nikon has flushed out their lens line up and several 3rd party lens manufacturers have started producing Z mount lenses. I’m almost spoilt for choice now!
For the most part, I prefer the convenience of zoom lenses for my landscape photography. For me, they are a good balance between flexibility in focal length and aperture. Many of my landscape photographs are captured between f/8 and f/13 so I didn’t have a need for fast aperture lenses. Since purchasing the Nikon Z fc though, I now need a fast prime for my video work and capturing family photographs.
While I could have purchased some of Nikon’s excellent prime lenses for Z mount, I wanted something that was a bit more budget friendly. How much you choose to spend on a lens will be based on several factors, but I decided to look at the Viltrox lenses as I felt they represented a good balance between price, quality and how often I was going to use them.
In the videos below I explain why I have the 23mm f/1.4 for Nikon DX (crop) lens and the 24mm f/1.8 for Nikon full frame, what I think of these lenses, and I’ll do the most important thing with any bit of gear and that is head out on location to capture some landscape photographs!
Viltrox 23mm f/1.4 for Nikon Z Mount DX (Crop)
Viltrox 23mm f/1.4 Sample Image Gallery
Viltrox 24mm f/1.8 for Nikon Z Mount Full Frame
Viltrox 24mm f/1.8 Sample Image Gallery
Add Precision to Your Landscape Photography Compositions
In this blog post and video, I tell you the reasons why I love using a geared head when composing my landscape photographs. I also share my thoughts on my latest tripod head, the SunwayFoto GH-PRO II geared head. Is this the best geared head available?
My Preference for Geared Heads
My first “proper” tripod was a Manfrotto and it came with a ball head. This was back in 2008 so I can’t exactly remember what I thought about it, but I do know that I had soon replaced it with a Manfrotto “joystick” grip ball head.
When I started taking my landscape photography more seriously, I also decided to have 1-2-1 sessions with a professional. He was using a geared head and I soon became convinced that I needed one as well. So, in 2014 I purchased my first geared head and I’ve never looked back.
Here we are in 2021, and I’m now on my third geared head, the SunwayFoto GH-PRO II. It’s not that my previous 2 geared heads have failed in any way, but each successive geared head has been smaller, lighter and had better features.
I’d heard good things about the SunwayFoto geared head, so I was eager to get one and put it to good use. The question is, how good is it? Let’s find out in my video review below. Oh, and don’t worry, I’ll be capturing some landscape photographs as well (which you can see below).
Dartmoor Landscape Photographs
Belstone Tor at Sunset #1, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at
Belstone Tor at Sunset #2, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at
Belstone Tor at Sunset #3, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at
Belstone Tor at Sunset #4, Dartmoor National Park, Devon - Nikon Z7, Nikkor 14-30mm f/4 at
Nikon Z fc - Landscape Photography and Video Review
Is the Nikon Zfc all style and no substance? Is it just a camera for hipsters or for those with penchant for retro styled products? Would you really use this camera for landscape photography and for video or vlogging? In this blog post I tell you why I purchased the Nikon Z fc and why I LOVE it so much.
I’ve Finally Gone All Nikon
Ever since I purchased my first DSLR, the Nikon D80, I’ve stuck with Nikon cameras for my landscape photography. I’ve tested a couple of other cameras like the Panasonic S1R and even the mighty Fujifilm GFX100S, but I’ve never found a compelling reason to move away from Nikon. The Nikon Z7 remains the best camera I have used for landscape photography, and you can read why here.
The camera I use for my video work is a different story. I’ve changed the camera I use for YouTube content creation many times over the years! However, I’ve never used a Nikon as my primary camera for video work. Even though the quality of the video has been superior to my other cameras, they were never easy to use when you are a one-man camera crew and in front of the camera. A lack of a flippy out screen and reliable AF (and more recently face and eye AF) have always relegated Nikon cameras to landscape photography only.
With the release of the Nikon Z fc all that changed. With a flippy out screen and the AF system from the Nikon Z 6/7 II cameras, it appeared that the last of the blockers I had for using Nikon cameras for video had finally gone. I would also have the bonus of being able to use my ever-expanding collection of Nikon Z mount lenses.
Those changes were enough for me to pre-order the Nikon Z fc as soon as it was announced. The more I looked at the specifications of this camera though, I started to see how it could be used for more than just video. I could easily end up using this camera as an additional body for landscape photography, and thanks to features such as animal AF, I could lift the quality of my family photography and video.
So, on paper, this camera was ticking a lot of boxes for me. But now that I have it, how does it stack up? Let’s find out in the video below.
Nikon Z fc Landscape Photographs
Here are the photographs you saw in my video. I’m really impressed by the quality of the still images captured with the Nikon Z fc.
Wheal Coates with the Nikon Z fc
Wheal Coates, South West Coast Path, Cornwall - Nikon Z fc with Nikkor Z 16-50mm f/3.5-6.3 VR
Wheal Coates, South West Coast Path, Cornwall - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Bowerman’s Nose with the Nikon Z fc
Bowerman’s Nose, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Bowerman’s Nose, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Dawlish Warren with the Nikon Z fc
Dawlish Warren, South West Coast Path, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Dawlish Warren, South West Coast Path, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Dawlish Warren, South West Coast Path, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Holne Bridge with the Nikon Z fc
Holne Bridge, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Holne Bridge, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
And finally…Monty!
Monty at Haytor, Dartmoor, Devon - Nikon Z fc with Nikkor Z 14-30mm f/4 S
Sony ZV-1 - The Best Vlogging Camera for Photographers?
Is the Sony ZV-1 the perfect vlogging camera for your photography channel? In my latest video I will tell you the best features of the ZV-1 and show you how it could help you make amazing photography videos.
An Update to My Review
I’ve now published an update to my Sony ZV-1 review. Please read this blog post for my latest thoughts on this camera.
Why I Bought the Sony ZV-1
YouTube is awash with Sony ZV-1 reviews. In fact, even before the camera become commercially available to the public there were plenty of videos describing its capabilities. I know this because I watched a great many of them! I did this because I was very interested in getting this camera.
When I first started vlogging for my YouTube channel I used a Sony RX100 M5. That was until I got bored of having to use an external audio recorder. The RX100 (at the time) didn’t have a mic port so I was forced to choose a different camera. Switching to the Panasonic G80 was fantastic. It was newer, had more features, and more importantly had a microphone port. However, I really missed that compact body of the RX100. You really could fit it in your pocket.
When Sony released the Sony RX-100 M7 with a microphone port I must admit I was tempted but I couldn’t justify the steep price tag just to downsize. Then along comes the ZV-1. Not just a cheaper RX100 but a video-focused camera as well. Looking at all the preview videos on YouTube I knew it wasn’t going to be the perfect vlogging camera, but it met most of my requirements. I knew enough to pre-order the camera.
Now that I have ZV-1 in my hands, and I’ve spent time with it, I’m happy to share with you all the things I love about this camera (and some of the things I don’t). I don’t often do “gear reviews” and when I do, I try to keep it to bits of equipment that I personally own and think my readers/viewers would be interested in. Even less frequently will I talk about the video gear that I use but with an increasing number of you considering starting your own channel or you might already have one, I thought this review might be useful.
While my video review will still go over many of the same features as other video reviews, I will be looking at this camera with the viewpoint of how good it is for those of you who might be considering one to document your own photography adventures. My main photography genre is outdoor/landscape but I’m sure my requirements aren’t unique and will apply to other genres of photography like street photography.
I hope you enjoyed the video and it proves useful. No worries if this blog post doesn’t float your boat as I’ll be back next week with my normal service of landscape photography adventures and photographs.
Mid Year Image Review - The Hits
Last week I shared with you some of my images that didn’t make the cut in my mid year review. To balance things out, this week I’m going to share with you some of my more successful images!
The Mid Year Review
At the end of each year I like to take a look back the images I’ve captured and the select my favourites. This is always a useful exercise as it allows me to reflect and judge how my photography has developed over the year. A year is a long time though so I also like to have a quick review of images midway through the year. This is a useful exercise as it shows me that perhaps it’s not been such a bad year and it reminds me of some of the great adventures I’ve had. It also inspires me to plan more adventures for the remainder of the year!
Let’s take a look at 3 of my favourite images of the year so far. (If you want to see some of the images that didn’t make the cut and why, then check out my blog post from last week).
Snowdonia
My first big adventure of the year was a cracker. I was lucky enough to meet up with Nick Livesey in Snowdonia to discuss his book Photographing the Snowdonia Mountains. We spent the day wandering his local area, taking photographs and having a good old chat. You can see my photos and the video I made of my time with Nick here.
The image below was the first image I took that day and remains a firm favourite from the trip. It’s not a perfect image. I like the composition, with the warm sky and the distant mountains but with only a partial covering of snow in the foreground I feel it looks a little messy. I suspect the image has made it onto this blog post due to my attachment with the adventure rather than it is an amazing image. Still, I said I would share my favourite images, not necessarily my best!
Snowdon from Clogwyn Mawr, Capel Curig, Snowdonia National Park - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 36 mm, f/11, 1/2 sec at ISO 64, polariser and ND grad.
Dartmoor
Given that Dartmoor is on my doorstep if would be unusual if this blog post hadn’t featured a photograph from there. You can read about how I captured the image below by reading this blog post here.
This image has definitely grown on me. I remember thinking it was OK at the time, but now that I look at it again several months later I rather like it. I like the row of tors on the left as they curve round to the distant tor and then on the right you have all the scattered boulders which also seem to curve in. Add in an interesting sky and I think I have a fairly decent image. It will be interesting to see how it fairs at the end of the year when compared with everything else.
Belstone Tor and Belstone Common at Dawn, Dartmoor, Devon - Nikon D850, Nikkor 16-35 mm f/4 @ 26 mm, f/13, 3 secs @ ISO 64.
Macro
And now for something completely different. Though the vast majority of my photography is landscape based, I have been wanting to try macro photography for some time. This year I finally got around to it and you read about how I captured the image below here.
The image isn’t perfect but I do love it. The tips of the wings are just falling out of focus, and my eye for composition in this genre needs developing, but I do love everything else about it. The Zeiss lens that I used as produced some wonderful bokeh and the D850 has rendered some beautiful detail in the butterfly. It’s an image that has solidified my desire to get a macro lens and I expect that the shots I take next spring will feature a lot of macro work.
Common Blue #1, Devon - Nikon D850, Zeiss 100mm f/2 at f/3.5, 1/400th second at ISO 1600
I hope you enjoyed these images. Remember to have a look at the links to the blog posts that go with these images to see more photographs and possibly even a video or two!
Do you review your images just once a year or a number of times over the year? Let me know in the comments below.
Mid Year Image Review - The Misses
Some images are destined to only ever sit on a hard drive. In this blog post I take a look at some of those images in my library and discuss why they never saw the light of today until now.
Confidence Boost
It’s about that time of year when I take a look back at the images I’ve captured over the last six months. Though I like to do a complete review at the end of a year to find my favourites, I also like to have a quick look at the midpoint of the year. This can be a useful thing to do particularly if you think the first half of the year hasn’t been a productive one. As I find with my annual reviews, I often find things were a little better than I remembered and I can take a little confidence boost from the images I see.
The Misses
As I ploughed through my images from the last six months I noticed that for some trips out with the camera I hadn’t even shared one image from that collection. This wasn’t an oversight on my part though. It’s just that I felt the images weren’t really good enough to share. It’s maybe the composition wasn’t quite right, or the light was flat, or the image just lacked “something”.
While it’s all very nice sharing my best images, I thought I would take this opportunity to share a few of those images that never made it passed the import stage. Why? Well it’s just as important to review the images you don’t like as it is to review the images you do like. By also looking at the images you don’t like you can learn why and then take that knowledge out with you on the next shoot.
By me sharing some of “misses” you can hopefully see that life isn’t full of 5-star images and that there are lessons to be learnt from every frame we take.
Colmer’s Hill
Colmer’s Hill, Dorset - Nikon D850, Nikkor 70-200mm f/2.8 at 82mm, f/8, 1/60th second at ISO 64.
First up we have this panoramic image of Colmer’s Hill in Dorset that I took back in February. This is a pleasing enough image in retrospect but I think the thing that catches my eye most about this photograph is the colour in the sky. But that’s about it really. There isn’t enough low lying mist to make the foreground interesting and to separate the hill from the surrounding landscape. I could have maybe lived with the lack of mist if there had been some light on Colmer’s Hill itself, but without that either, the image just lacks a bit of contrast and punch.
It’s one of those cases of being at a location to watch the sunrise was far more exciting than the resulting photograph.
Dawlish Warren
Dawlish Warren, Devon - Nikon D850, Nikkor 16-35mm f/4 at 16mm, f/11, 0.4 seconds at ISO 64.
Dawlish Warren is definitely one of my favourite locations to photograph. I’ve blogged about it many times. When I was scanning through my catalogue I wasn’t surprised to find some unpublished images from that location. In retrospect though, I feel that I may have been a bit harsh with my initial critique of this image. Don’t get me wrong, I’m not saying it’s an amazing image (I have better from there), but overall it’s a decent enough image.
I think the problem with this image for me is that the morning I shot it I was after something very specific so when I didn’t get it I probably just dismissed this image as not what I was after. I rather like the movement in the water and there is a bit of drama in the sky. The composition needs some work though. I’m not convinced that the central placement of the groyne marker works and while the I like the sky, I would have preferred there to be some cloud in the top right to stop the eye wandering off. Overall though it’s a better image than I first gave it credit for.
Wembury
Wembury, Devon - Nikon D850, Nikkor 16-35mm f/4 at 24mm, f/13, 240 seconds at ISO 100.
This image was taken on my first visit to Wembury so getting a really good image without having explored the area first can be a bit of a challenge. As I look at this image I’m trying to put my finger on what I don’t like about it. I like the triangular shape of the rocks going from the left, out to sea and then out to the island but I would have preferred there to have been more horizontal separation between the rock in the sea and the island in the distance. However, moving about those slippy rocks is challenging and it might have been the best position I could find.
I do however like the pastel colours in the sky and the wispy look of the water from the long exposure, but I’m also not sure that the contrast between the lightness of the sea and sky is too much against the darkness of the rocks. I am definitely a little undecided by this image. However, what I do know is that I want to visit this location again.
In Summary
It certainly has been an interesting exercise writing this blog as it has got me to think a bit more about the images that I had previously rejected. In retrospect, they weren’t too bad at all. Not portfolio pieces or competition entries, but definitely images I would have been happy sharing on my blog. It just goes to show that sometimes you need to leave your images for a while before making any final decisions on them.
How long do you leave an image for before deciding on how good it is? Do you go back on a regular basis and review your images? Let me know in the comments below.
PS - Some Videos You Might Like
On the topic of image review, I thought you might like these videos which you might not have seen yet:
Photographing The Snowdonia Mountains | A fotoVUE Guidebook by Nick Livesey - On My Bookshelf S02E02
In the blog this week, join me and Nick Livesey as we spend the day photographing Snowdonia National Park, talking about his book Photographing the Snowdonia Mountains, and generally having a bit of a laugh. What better way to review a guidebook like this by heading out into the wilderness with the author himself!
Discovering The Work of Nick Livesey
Every now and again I find the work of a photographer and wonder why it's taken me so no long to discover them. They could be working professionals with many years of experience, but for some reason, I only just find out about them. Maybe it's more difficult these days with the noise from social media. With so many images out there on social media, it can be easy to miss something important as you whiz through Instagram during your morning coffee.
Every now and again though a photograph or video really catches my eye. This is how I discovered Nick Livesey. Though I can't exactly remember how I found his video, My Mountain Healing, it really struck a chord with me. If you haven't seen it, give it a watch below:
It's a short video, but it was genuine and funny, and you could see that Nick had a real eye for photographing the mountains. After watching the video a couple of times I decided I wanted to know more about Nick and his work. After a little bit of internet research, I discovered that not only did he have a solid body of work, but he was also well known in the climbing and hill walking community, and that his character and whit are almost as well-known as his photographs!
Though I did wonder how I hadn't heard of Nick before one thing was for sure and that was he seemed like the kind of person I would like to go out shooting with.
Photographing the Snowdonia Mountains
As regular readers of my blog will know, I have a series of videos called On My Bookshelf in which I share my thoughts on some of the photography books that I've purchased. For a while now I've been wanting to do an episode of On My Bookshelf on a Fotovue guidebook. These photography location guidebooks have a been a great source of information to me and I've built up a bit of a collection of them.
When I heard that Nick was publishing his very own Fotovue book, Photographing the Snowdonia Mountains, not only was I going to pick up a copy, but I also hoped that this would be the Fotovue book that would feature in On My Bookshelf.
Most of the episodes of On My Bookshelf are filmed at home in front of my bookshelf, but for a Fotovue location guidebook, this didn't seem appropriate. What better way to review a book like this than by heading out to one of the locations in the book. Then I had another thought. What if I can get the author himself to show me in person some of those locations?
Well, guess what? That's exactly what Nick agreed to do! So I'm very proud to share with you this very special episode of On My Bookshelf, filmed on location in Snowdonia National Park, and with Nick Livesey. Enjoy!
I don’t know if you could tell in the video, but that was one of the best days I’ve had out with the camera! I’ve always enjoyed the hills, but heading out with Nick was a real pleasure. It was absolutely fantastic spending the day in those hills and mountains. The conditions were often windy and snowy, and always very cold, but I loved it.
Nick has a genuine passion for his local area. I don’t think I’ve ever seen a person so absolutely content to be outdoors, walking the hills. The look of wonder on his face as if it was the very first time he’d walked up a mountain. Being able to spend the day with Nick and to share in his passion was a real privilege.
On Your Bookshelf
If you did enjoy this video, then please do consider picking up a copy of Nick's excellent Photographing the Snowdonia Mountains. Even if you don't think you'd ever visit Snowdonia, the book is packed full of inspiring photographs and lots of useful information about photographing in the outdoors. You can pick up a copy of the book directly from Nick's website:
https://nicklivesey.co.uk/product/photographing-snowdonia-mountains/
Are you planning on getting a copy, or do you already have one? Do you have any of the other Fotovue titles? Do you have a favourite location in Snowdonia? Let me know in the comments below.
My Snowdonia Photographs
No blog post of mine would be complete without a landscape photograph! Here are some of my favourite images that I captured while out with Nick.
Snowdon from Clogwyn Mawr, Capel Curig, Snowdonia National Park - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 36 mm, f/11, 1/2 sec at ISO 64, polariser and ND grad.
Yr Aran, Craig Wen and Moel Hebog from Bwlch Maesgwm, Snowdonia National Park - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 34 mm, f/11, 1/60th sec at ISO 64, polariser and ND grad.
Snowdon and Moel Cynghorion from Moel Eilio, Snowdonia National Park - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 52 mm, f/11, 1/40th sec at ISO 64, polariser and ND grad.
Snowdonia National Park Panorama from Moel Eilio, Snowdonia National Park - Nikon D850, Nikkor 24-70 mm f/2.8 VR at 38 mm, f/11, 1/6th sec at ISO 64, polariser. 7 image panoramic stitch.
Colin Prior’s Scotland’s Finest Landscapes & Alex Nail’s Northwest – On My Bookshelf S02E01
Colin Prior or Alex Nail? In this special episode of On My Bookshelf, I look at Colin Prior's Scotland's Finest Landscapes and Alex Nail's Northwest. Which one, if any, should you buy?
Landscape Photography Books
I love a good photography book. Over the years they have inspired and influenced my photography in no small way. As I become a better photographer I actually find myself buying more photography books. This is particularly true during the winter months when I can't get out with the camera as much as I'd possibly like.
Last month, as the festive period approached, the discussion around what I'd like for Christmas came up in conversation. While options such as a new Nikon Z7 or a two week photography holiday to the Faroe Islands were quickly dismissed, a more sensible option of getting a good landscape photography book was decided.
Colin Prior or Alex Nail
There were two books high up on my list to get. These were Colin Prior's Scotland's Finest Landscapes, and Alex Nail's Northwest. Given that Colin's book was originally selling for £100, I decided that asking for Alex's book at £36 would be much more sensible.
With that all sorted I just needed to wait for Santa to deliver my copy of Northwest. During the run up to Christmas though I spotted a post on Facebook by Colin Prior who was doing a Black Friday sale and that his book Scotland's Finest Landscapes was on sale for £50. This is still a lot of money for a book, but I've wanted to own a copy of this book for some time now, so I decided to treat myself!
On My Bookshelf
As regular readers of this blog know I have series of videos on my YouTube channel called On My Bookshelf. After reading Colin and Alex's books over the festive period I thought I would share my thoughts on both books. However, rather than do separate videos for each book, I thought I would produce one episode of On My Bookshelf that looked at both books.
Both titles are on similar themes and areas of landscape photography, and neither title is inexpensive, so I thought it would be useful to look at them both in the same episode. So which one should be on your bookshelf? Let's find out.
I really hope you enjoyed this episode of On My Bookshelf. Both these books are some of the finest books on Scottish landscape photography I have and it was a joy being able to read both of them.
Do you own either of these titles? Will you now buy either of these books? Let me know in the comments below.
What's Your Photography Story?
In my first blog post of 2019 I share with you my 5 favourite images of 2018, and tell you how you can get involved in my latest community event, “What’s Your Photography Story?”.
Let’s All Look Back at Our Photography
At the end of every year, I always take a look back at the images I’ve taken that year and select my favourites. I do this for a number of reasons, but mostly to help me remember that my year as a landscape photographer was probably better than I remember! If your last shoot didn’t go well, it’s all too easy to focus on that one, regardless of what else you might have achieved that year.
As I was looking back through my images from 2018, I had the idea of looking at some photographers from much further back in time. In fact, I went all the way back to some of my earliest photographs. It was a really interesting experience as I could see how I have progressed as a photographer. Some of those images though represented significant moments in my journey as a landscape photographer.
Looking back and remembering the importance of some images got me thinking. Everyone else must also have photographs in their collection that represent significant moments in their life as a photographer. It was then I had the idea of collating some of those images and stories and then publishing them in a special community video.
In the video below, I’m going to kick things off with my photography story. I’ll take a look at how my photography has evolved over the years, and share some of my most important images. In the video I also ask you to share one of your most important images and the story behind it. If you would like your image and story to considered for the community video, then details on how to submit can be found later in this blog post.
Every Photographer and Photograph Has a Story
Hopefully, the video has reminded you of an image that you have taken that also has a good story, or marked an important milestone in your journey as a photographer. If so, and you would like the chance to have your story and image featured in a special community video, then you’ll find details on how to submit your image below.
I’m not necessarily looking to see your best image. I want to see images that have an interesting story attached to them. Maybe it was your first photograph, a photograph of a place that has special memories, the first photograph you had published. I may not be able to publish all submissions, so the more interesting your story and photo is, the more likely it will be included in the video!
How To Submit Your Story
What you need to prepare for submission:
Your Image - Images should be at least 3840px on the longest edge, please. I edit my video on a 4K timeline so the higher resolution your image is the better it will look. I can read most file types but if you can submit in JPG or TIFF that would be great. One image only, please.
Your Story - There is no word limit to your story, but please keep it short, concise and most importantly interesting. I would recommend keeping it as short as one or two paragraphs.
Additional Information - Please let me know your name so people know who you are when I read your story. When I display your image I can also display your website address or one of your social media handles. Please include details if you wish me to do this.
Submitting a Video - If you prefer to tell your story yourself, you can submit a video instead. Please keep video clips to a maximum of 30 to 60 seconds and the video file should be exported at a minimum resolution of 1080p. Remember to show your photograph in the video while you tell you story.
Submitting Your Images
Go to https://wetransfer.com/ - this is a free file transfer service and you don't need to register to use it.
Fill out the form as follows:
Add your files - this is where you attach your images (or video) for transfer.
Email to: yourstory@julianbaird.com
Your email: your email address ( Please use a valid email address though in case I need to contact you for further information.)
Message: Include the text for Your Story and the additional information I've requested above.
Hit the Transfer button
I really enjoyed the last community challenge, Let’s All Embrace The Grey, and the video I produced with all your photographs. Let’s hope we can all make something special again!
Closing date for all submissions is 31st January 2019. Thanks!
My 5 Favourite Images of 2018
And finally, in the video, I shared with you my 5 favourite images from 2018. It wasn’t easy to select just 5 but if you want to know how I did it I published a video last year for my 5 favourites of 2017. You can see that video here.
Happy 2019
All that remains for this blog post is for me to wish you a very happy 2019 and I hope you have a wonderful year of photography.
What photography adventures do you have planned for 2019? What are you looking forward to most? Do you have any goals for the year? Let me know in the comments below.
Evolving Landscapes - On My Bookshelf S01E06
In this episode of On My Bookshelf, I take a look at Evolving Landscapes by Light & Land. Is this a landscape photography book that needs to be on your bookshelf?
I expect most of you will have heard of Charlie Waite. He is one of the highest profile landscape photographers in the UK and also the founder of the hugely popular competition Landscape Photographer of the Year. He is also founded the photography travel and workshop company Light & Land. Over the years, Light & Land have built a reputation for having some of the best landscape photographers as workshop tutors and leaders.
When I heard that Light & Land were releasing Evolving Landscapes and it would feature photographs from some those tutors I thought it would make an excellent addition to my bookshelf. However, the question is, is it a book that should be on your bookshelf. Let's find out.
If you want to pick up a copy of Evolving Landscapes you can do so directly from Light & Land by following this link: https://www.lightandland.co.uk/store/view/evolving-landscapes-book/books
You will also have heard me mention The Togcast podcast. Be sure to check out that show here: http://www.thetogcast.com/
I hope you enjoyed this episode of On My Bookshelf. What was the last photography book you purchased? Are there any books you are planning on buying? Let me know in the comments below.
From Dawn to Dusk - Mastering the Light in Landscape Photography - On My Bookshelf S01E05
In this very special blog post I share with you the latest episode of On My Bookshelf. In the episode I interview Mark Bauer and Ross Hoddinott about their latest book on landscape photography, From Dawn to Dusk. I also tell you about a giveaway where you can win all three of their books.
On My Bookshelf
Over the last few months, I've been sharing with you the On My Bookshelf series of videos. Even though my photography life is predominately digital, I still believe the printed book is an important part of my development and enjoyment of photography. So in each episode of On My Bookshelf, I've told you about a book that I've enjoyed reading in the hope that it will also inspire you.
From Dawn to Dusk
When I first heard that two of my favourite landscape photographers were writing another book I knew straight away that I would need to get myself a copy. After all, their last book, The Art of Landscape Photography, had a big impact on my development as a photography and I read it many times.
As the publication date got closer I reached out to Ross Hoddinott and Mark Bauer and asked if they would like to appear on an episode of On My Bookshelf. I was delighted when they both agreed and they invited me along to see them sign and dispatch the first batch of orders of From Dawn to Dusk - Mastering the Light in Landscape Photography.
They also kindly agreed to an interview where I got the chance to ask them about their latest book, what's in it, who's it for, and how it differs from their previous 2 titles. You can see the full interview in the video below.
Book Giveaway!
After the interview, Mark and Ross offered me a signed copy of their latest book to give away to one lucky viewer. Not only that, they also gave me two signed copies of their previous two titles The Art of Landscape Photography and The Landscape Photography Workshop.
There are two ways in which to gain an entry to win all 3 books:
Watch this episode of On My Bookshelf: From Dawn to Dusk on YouTube and then leave a comment in the YouTube comments section for the video. Comments are welcome here, but to enter you need to leave a comment on the video itself.
Share the Facebook post for this video. You can find it here: <insert URL>
You a free to enter using one, either, or both of the above ways. If you do both though, you will be entered into the giveaway twice!
Entries for the giveaway close 12 pm (GMT) 28th May 2018.
If you can't wait to get a copy of From Dawn to Dusk - Mastering the Light in Landscape Photography you can still order a signed copy straight from the authors at http://www.dawn2duskphotography.co.uk/books/
Finally, I just want to say a big thanks to Mark and Ross for the interview! It was a real pleasure talking to you both and judging by the number of pre-orders you were signing and sending out it looks like From Dawn to Dusk - Mastering the Light in Landscape Photography is going to be a big success!
Some of the links used in this article are Amazon affiliate links. By buying through the links I may receive a commission for the sale. This has no effect on the price for you.
Lee Filters Little Stopper vs 6 Stop ProGlass IRND
In this blog post, I look at the differences between Lee Filters Little Stopper and their 6 stop ProGlass IRND. They are both 6 stop neutral density filters so what are the differences and which one should you buy?
Lee Filters
I'll be upfront with you. Ever since I bought my first filter set in 2007 (when I had a Nikon D80), I've only ever bought filters from Lee Filters. When I first started looking for a filter system, everything I read said that Lee Filters were the best. Pricey, but the best.
Over the years I've built up a reasonable size collection of filters from Lee. Up until now the only filter I have replaced was the original circular polariser for the new, slightly thinner landscape circular polariser. I've never had to replace a filter because of a fault and I still use the filters that I originally bought in 2007. So if you are looking for a comparison to filters from other manufacturers, I'm afraid this isn't it.
Goodbye Little Stopper and Big Stopper
With all that said I have just sold both my Little Stopper (6 stop ND) and Big Stopper (10 stop ND). These are filters I have used a LOT. So did I not need them anymore or did I buy ND filters from a different manufacturer? Of course not! All I have done is simply replace them with 6 stop and 10 stop ProGlass IRND filters from Lee Filters.
Apart from being more expensive than their Stopper equivalents how do these ProGlass IRND filters differ? Should you sell your Stopper filters and replace them? Do you need both Stopper and ProGlass IRND filters? In the video below I aim to answer all those questions!
Hello ProGlass IRND
As you'll have seen in the video my conclusions about whether these new ProGlass IRND filters are a must buy aren't clear-cut. It's difficult to give a general conclusion as everyone's needs and budgets are different. The fact that the ProGlass IRND filters don't actually replace the Stopper range also adds a little complexity to the decision.
So all I can really do is talk about my own decision to sell my Stopper filters and buy the ProGlass IRND filters. For me, it has very much been money well spent. I particularly like the lack of colour cast and vignetting. While both these can be corrected or enhanced in post-processing, I much prefer seeing a more neutral/accurate representation of the scene on the back of the camera at the time of capture. I also like the fact that calculated exposure times are far more accurate.
So have you bought any of the new ProGlass IRND filters? Would you consider replacing your Stopper filters? Do you use something other than Lee Filters? Let me know in the comments below.
Comparison Photographs
Here are the images from the video should you wish to take a closer look.
60 Second exposure with the Little Stopper. Unprocessed.
60 Second exposure with the 6 Stop IRND. Unprocessed.
60 Second exposure with the Little Stopper. Processed
60 Second exposure with the 6 Stop IRND Processed.
8 Things I Love About the Nikon D850
In my latest blog and video, I tell you what the 7 things are that I love most about the Nikon D850 and share with you some of my favourite photographs that I've taken with this amazing full frame DSLR over the last 6 months.
A 6 Month Review of the Nikon D850
It was 6 months ago to the day when I received my much anticipated Nikon D850. I was one of the lucky ones as demand for Nikon's latest DSLR was very high with most retailers selling out in advance of stock delivery.
Not one to keep the excitement buried though, I shared my initial impressions of the camera in the in the video: Nikon D850 Exposed - Unboxing, Capture, Process and Print. It wasn't long before the follow-up video On Location with the Nikon D850: Froward Point was also published.
Since then I've been putting the Nikon D850 to good use. With the exception of the photographs captured in the article Shoot, Print, Surprise!, the D850 has been with me on all my photographic adventures.
So now that I've had the camera 6 months I thought I'd create a quick video to tell you what my favourite features of this amazing DSLR are. Want to know what they are? Well, check out the video below.
As I said in the video, the Nikon D850 doesn't necessarily make me a better photographer (just read my article Shoot, Print, Surprise!), but it does make the process of capturing images a little easier. Now that I have it, I wouldn't be without it. Well, not until the next model is released anyway!
Which camera do you shoot with and what is your favourite feature? Let me know in the comments below.
My Favourite D850 Images... So Far...
Seascapes by Neil Burnell - Kozu Books - Landscape Editions Volume 11 - On My Bookshelf S01E04
In the latest episode of On My Bookshelf, I take a look a book called Seascapes, a collection of fine art long exposure images by Neil Burnell. Should this book have a place on your bookshelf?
Great Things Can Come In Small Packages
I've been following the work of Neil Burnell for some time now. Not only does he shoot my local area but the images he creates from these locations are simply stunning. I like to shoot long exposure images myself, but the fine art long exposure images that he creates are another level altogether.
So when I found out that Neil was doing a 2nd edition of his very popular Seascapes book, I ordered one immediately. When this small, but perfectly formed book arrived, I was instantly captivated by how good the images looked in print. I knew I had a book packed full of inspirational photographs.
But is this a book for you? Well, let's take a look.
I do hope you enjoyed this episode of On My Bookshelf and if you want to pick up a copy of this fantastic book then you can buy directly from Kozu Books by clicking here.
But be warned this is a limited edition book so you'll need to hurry! If you do miss out you can check out Neil's work and see all his social media links on his website.
Obama - An Intimate Portrait by Pete Souza - On My Bookshelf S01E03
In this episode of On My Bookshelf, I take a look at something a little different with Obama: An Intimate Portrait by Pete Souza.
Something a Little Different
In previous episodes of On My Bookshelf, I looked at 5 Great Landscape Photography Books and Masters of Landscape Photography. This time though I'm looking a photography book that has nothing to do with landscape photography. Obama: An Intimate Portrait by Pete Souza is a collection of photographs taken by the chief Whitehouse photographer of Barack Obama over his 8 years as US President.
So why as a landscape photographer would I be interested in such a book? Well as much as I love landscape photography I'm also a fan of photography and it's many different genres. While I'm not big on politics, US or otherwise, I got this book because of the amazing photographs inside it. They are powerful, thought-provoking, and sometimes humorous. More than that though it's a great example of the power of the photograph and of a photographer at the top of his game.
Let's take a look:
Though this book wasn't on landscape photography, I do hope you managed to look past the title (especially if you're not a fan of politics and/or Obama) and you saw that this book was really a collection of amazing portraits by a very talented photographer. I also think we can all learn to improve our own photography by looking at the work of others, even if their genre of photography is completely different.
Do you have any non-landscape photography books on your bookshelf? Who is your favourite non-landscape photographer? Let me know in the comments below.
My 5 Favourite Images of 2017 and How to Find Yours
In the blog this week I take a look at my 5 favourite images from 2017. I also tell you why you should find your 5 favourites and show you how.
The How and Why
At the end of each year, I like to look back at the photographs I have taken. This reminds me not only that I had some challenges with my photography, but also that I had some successes. By putting these successful photographs into an annual collection it helps focus my mind for the following year and gives me plenty of inspiration and encouragement.
In the video below I share with you the process of how I select my 5 favourite images so that you can do the same.
My 5 Favourite Images of 2017
As with my image review from last year, this review has given me a lot of inspiration to take through into 2018. I went out over 50 times with the camera in 2017 and drove over 6000 miles, and it was great to see all that effort wasn't wasted!
So which one of my 5 images was your favourite? Have you gone through a similar process as well? Let me know in the comments below.