Bite-Size Blog Post #54 - First Dawn of the Year at Dawlish Warren
In this bite sized blog I share with you the story behind my first photograph of 2026.
Starting the Year with an Old Friend
Setting an alarm call for 06:30 on the 1st of January isn’t something I would normally do. It’s not as if I normally stay up the night before celebrating the start of a new year, it’s just that it’s nice to stay in bed sometimes and the 1st of January always seem like the perfect day to do so.
On this occasion though, I’d already had few long mornings in bed over the festive period, and I was itching to get out with the camera and get 2026 off to a flying start! However, I wanted to share the morning sunrise with someone so heading off on a 90 minute walk to a remote tor for sunrise wasn’t an option.
A much more socially acceptable choice would be a lovely walk along a beach somewhere. But where to go? For me there was only one place. Dawlish Warren! It’s only a short drive from home, it’s good for watching sunrise, and it’s a pleasant beach to walk along. And given the number of times I have photographed the beach, I know it can yield good results.
Arriving at Dawlish Warren I could see that lots of other people also thought that a walk along the beach would be a good idea. It wasn’t overly busy, but even for sunrise it was busier than usual. There were even swimmers in the water.
What I tend to do in these situations is head up past groyne number 10 as dogs aren’t allowed past that point. It’s not only quieter, but at low tide you can still get interesting photographs like this one.
It’s not my favourite photograph of Dawlish Warren but it reminds me of what a lovely morning I had watching the sunrise on the 1st of January and if that’s not a good reason for taking a photograph, I don’t know what is.
Happy new year everyone!
Photographing The Daymark - Devon's Coastal Beacon, Landmark and Icon
In this video I head to the south Devon coast on a beautiful summers evening to photograph one of the South West Coast Path's best known landmarks, The Daymark.
Back to the Coast (Nearly)
I’ve been exploring and photographing Dartmoor extensively over the last few years and I loved every minute of it. Well, nearly every minute of it! However, there is so much more to discover in the south west of the UK. The South West Coast Path is perhaps the most obvious choice, and with over 630 miles of coastline to explore, I’d have no shortage of places to go.
So, it’s time for me to branch out and learn more about the South West Coast Path. I have of course photographed some of paths great locations like Trevose Head in Cornwall, but I’ve never spent a significant amount of time exploring what I expect to be a treasure trove of photography locations.
I’m not giving up on Dartmoor, far from it, but I do want to expand my horizons.
To start my South West Coast Path journey, I’m going to revisit a few of the locations I already know, starting with The Daymark, a location I haven’t photographed for some time. So why not join me in my latest video as I explore and photograph The Daymark. And yes, I know it’s not directly on the coast path, but it’s close enough!
Landscape Photographs of The Daymark - South West Coast Path
Daymark Tower #1, Devon, South West Coast Path - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 23mm, f/13, 1/10 sec at ISO 64.
Daymark Tower #2, Devon, South West Coast Path - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 54mm, f/13, 1/60 sec at ISO 400.
Daymark Tower #3, Devon, South West Coast Path - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 24mm, f/13, 1/5 sec at ISO 400, single image crop at 6:17.
Capturing the Coastal Beauty of Dawlish Warren - A 5 Minute Photo Adventure
There are few better ways to start the day than by watching the sunrise at the beach. So, join me in my latest 5 Minute Photo Adventure as I photograph first light at Dawlish Warren beach in Devon.
The Serenity of Seascape Photography
I am very fortunate to live in Devon as it gives me easy access to the (roughly) 365 square miles of Dartmoor National Park. It’s a photography location with almost limitless opportunities to craft beautiful compositions and to create inspiring photographs.
While I spend much of my photography life wandering Dartmoor and capturing photographs there, I all too often ignore the coast along the southern edge of Devon. This is done on purpose, nor done because I dislike it, I just don’t visit it as much as I should.
During a recent spell of clear blue skies lasting days, if not well over a week, I decided I was long overdue a trip to my local beach at Dawlish Warren. While some clouds in the sky is almost always my preferred state, the beach can sometimes work when there isn’t a cloud to be seen.
So, join me in this 5 Minute Photo Adventure to see how I approached capturing some seascape photos on a clear, and very pleasant morning down at Dawlish Warren.
Dawlish Warren - Seascape Photographs from the South West Coast Path
Here are the photographs you saw me capture in the video.
Dawlish Warren, Devon - Nikon Z8, Nikkor Z 24-120mm f/4 S at 29mm, f/11, 4 secs at ISO 64, Kase Filters CPL.
Dawlish Warren, Devon - Nikon Z8, Nikkor Z 24-120mm f/4 S at 30mm, f/11, 90 secs at ISO 64, Kase Filters CPL.
Bite-Size Blog Post #37 - Dawlish
In this blog post I head to Dawlish to photograph something a little different but I'm not sure of the results.
And now for something completely different…
Over the last couple of years, I've spent a lot of time photographing Dartmoor. It feels like the only thing I've been photographing! Looking back at the list of blog posts I've published recently it's probably a fair assessment. Apart from the odd deviation, it’s all been Dartmoor, Dartmoor, Dartmoor!
Despite my need for a change of scenery I decided the best place for me to photograph with my next block of available free time would be Dartmoor! After such a good run photographing the heather on Dartmoor, I wanted to push my luck and go for one more shoot. However, while driving to Dartmoor I could clearly see the that the conditions weren't the same as what the weather forecast had predicated. The sky was looking very overcast. Glancing over to the coast however, there were patches of blue sky. A change of plan was needed!
It was already too late to go anywhere too far away like Dorset or Cornwall, so after pulling over to check my map, I settled on Dawlish. I had spotted a large stone groyne last time I was there, and I remember thinking it might make for a good long exposure photograph. I knew the tide was high, but as with any sunset shot there's always a risk that you get there to find the groyne populated with people or anglers.
I needn't have worried as to my surprise it was free of people, so I quickly got to work and captured this photograph.
Dawlish Groyne, South West Coast Path, Devon - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 24mm, f/13, 15 secs at ISO 64, Kase Filters CPL and ND Grad.
Looking at the photograph now, I'm not convinced it works though. I like the tones, the cloud cover and the simplicity of the image. However, I think my main issue is that while the horizon is completely level, the groyne doesn’t appear level in the frame. There’s one simple reason for this and that's because it's not actually level. Well, not at that point on the groyne anyway. It does level of a bit further down, but that would require me to shot it at a lower tide. (Which would also allow the red marker post at the end to be larger in frame).
I think the groyne being unlevel unbalances the composition in a composition where I feel balance is everything. It's also possible that this view simply doesn't work as a photograph. Just because it's a simple composition, and a long exposure, doesn’t make it good. Time will tell. I'll look at it again in a few months and I'll either think it does work, or I wish I hadn't bothered. Well, that’s not true. I'm glad I tried something different. It's important that I did and perhaps I need to do so more often.
A Colourful Return to Dawlish Warren
After almost a yearlong gap, I return to Dawlish Warren where I’m treated to a unexpectedly colourful sunrise.
From Grey Skies to Colourful Skies
Winter on Dartmoor is often my favourite time of year for photography. Sunrise isn’t too early, and you can shoot sunset and still be home in time for dinner. The colour of the Dartmoor landscape is also particularly photogenic.
This winter has been tough though. Lots of overcast damp days. I can work around most weather conditions, but there are some conditions that make photographing Dartmoor really challenging. It’s not that I haven’t had some good days on Dartmoor this winter, but they have been few and far between.
Sometimes you need to take a different approach. Or in my case, a different location. Having spent what seemed like hours, if not days staring at forecasts over the winter, I concluded that I was perhaps focusing too much on Dartmoor. I’m surrounded by amazing coastlines so why aren’t I out there photographing it! The weather can be a bit more forgiving on the coastline as you can benefit from even the smallest of gaps on the horizon for the sunrise or to make the most of a darker, moodier sky.
To get myself back into coastal photography I decided to head back to an old favourite, Dawlish Warren beach. A location I have photographed many, many times. It’s also close to home and given I haven’t photographed it in over a year it seemed the perfect choice.
Looking at the weather forecast for that morning it didn’t look great but when I analysed the cloud coverage, I could see there might be the possibility of gap between the horizon and the lower clouds. If all went well the rising sun would break the horizon and bath the scene in light before it disappeared behind the cloud.
It’s not often that a specific analysis like that transpires into reality but in this case it did exactly that.
Dawlish Warren #2, Devon - Nikon Z8, Nikkor Z 24-120mm f/4 S at 120mm, f/11, 30 sec at ISO 64, Kase CPL and ND.
Dawlish Warren #4, Devon - Nikon Z8, Nikkor Z 24-120mm f/4 S at 120mm, f/8, 90 sec at ISO 64, Kase CPL and ND.
As you can see, the light was beautiful. It was also very brief. It can’t of lasted much more than 10 mins. But what a 10 minutes it was! With the soft pastel colours of the scene, I went for simple compositions which work well when combined with a long exposure.
There is something special about the coast, something which I think I’d forgotten and returning to Dawlish Warren has reignited my spark to photograph to it. Of course, not every visit to the coast will result in good photographs, but that’s not a reason not to explore and photograph the hundreds of miles of coastline I have access to.
I’m also going to print and hang one of these photographs. What better way to celebrate a morning photographing the coast than by creating a print.
Do you photograph your local coastline? What does it mean to you? Let me know in the comments below.
A Slightly Random Collection of Photos from Devon
It’s a shame to have captured a photograph and not to publish it, so I’ve gathered up a few orphan photographs to share with you on this blog post.
Here and There
I try to get out with my camera as much as possible. More often than not I go out with purpose. What I mean by that is that I’m hoping to capture a specific image or create a video. Sometimes though I just go out because I want to. I just go for a wander, with my camera, to see what I can see.
Normally these wonderings do end up forming the basis of a blog post as there is a story to tell about that photography adventure. Now and again, I come away with nothing much more than a photograph. Without a story to share on a blog post or video to produce, these photographs are processed but are then left in Lightroom.
This to me seems a real shame. If I’ve gone to the effort of capturing a photograph, and then processed it, why not share it with the world. In this blog post, I’m going to share with you a few of those orphaned images that I’ve found in my Lightroom catalogue recently.
Higher Tor
I captured this image of Higher Tor after originally photographing the location for a project that I’m working on. Despite Higher Tor just being a short distance away from Belstone Tor (a location I photograph a lot), I’d never made the effort to photograph until recently.
Higher Tor, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 17mm, f/11, 0.6 sec at ISO 64.
Bowerman’s Nose
Bowerman’s Nose needs no introduction being one of Dartmoor’s most unique tors. When I captured this photograph, I was out for a dog walk. I had my Nikon Z fc and kit lens, but the light was too good not to try and capture an image.
Bowerman’s Nose, Dartmoor - Nikon Z fc, Nikkor 16-50mm f/3.5-6.3 VR at 16mm, f/8, 1/80 sec at ISO 100.
Dawlish Warren
I have photographed Dawlish Warren more times than I can remember, but it can still throw something unique at you. On this occasion it was fog. Something in all my years visiting Dawlish Warren beach I’d never seen before. I completely changed the feeling of the place, and I was able to capture some unique images of the beach.
Dawlish Warren, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 18mm, f/8, 3 sec at ISO 64.
Dawlish Warren, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 19mm, f/8, 1/100 sec at ISO 250.
I hope you enjoyed this slightly random collection of photographs. I must have another look through my Lightroom catalogue to see if there are any other hidden gems in there.
A Decade Photographing Dawlish Warren
Ten years ago, to the day I took my first photograph of Dawlish Warren beach. In this blog post, I look back at the photographs I have taken at Dawlish Warren and discuss why I keep going back.
That First Photograph of Dawlish Warren
I can’t remember exactly how I was inspired to visit the beach at Dawlish Warren for the first time. It could have been a black and white image of the beach huts that I saw in one of my LPOTY books or I simply saw an image of the beach somewhere, realised how close it was to home, and decided I’d like to photograph it
Whatever way I was inspired, I made my first trip to photograph Dawlish Warren ten years ago to the day, the 29th August 2011. This is the image I took.
1st Dawlish Warren Sunrise (2011), Devon, South West Coast Path - Nikon D80, Nikkor 18-200mm f/3.5-5.6 at 18mm, f/18, 13 seconds at ISO 100.
While I do hope my compositional skills and camera technique have improved since taking this image, the photograph does represent the start of a love affair I have with photographing Dawlish Warren. It’s difficult for me to remember what it is I saw that morning that made me keep coming back over the next 10 years. Perhaps it was the stunning sunrise, or the simple joy or being on the coast. If it had been a grey and overcast morning, would I have written the location off? Who knows and to be honest it doesn’t really matter. It was a special morning, and I did keep going back.
My 10 Favourite Photographs of Dawlish Warren
Over the next ten 10 years I continued to return to Dawlish Warren to photograph the beach at sunrise. Not all visits have been fruitful but some of them have been spectacular.
It’s not just epic sunrises that keep me going back. There are other reasons. Firstly, it’s close to home. With a 20-minute drive, it’s one of the closest photography locations I have access to. It’s also a constantly changing environment. Every visit is unique. Being a tidal location, the tide is constantly rising and falling, resetting, and changing the beach. The final reason is that the coast is one of the best places to witness sunrise. With no hills or mountains to block the sun, as soon as it starts to rise you can get the benefit of the light. That is assuming it’s not overcast. Not that it being overcast is a problem as I’ve captured some perfectly good images on cloudy days.
Below are ten of my favourite Dawlish Warren photographs that I’ve captured over the decade. These have been captured during my many adventures there which have been well documented both here on the blog and my YouTube channel. If you want to know more about all those adventures, then why not sign up to get my free landscape photography locations map. There you’ll find links to all my published adventures (of which there are at least 18).
My Most Recent Collection of Dawlish Warren Photographs
A decade on from that first visit to Dawlish Warren I continue to return to this wonderful location. Here is a collection of photographs from Dawlish Warren that I took on a recent visit. It’s not often that I’ll publish six images from one shoot, but it was one of those mornings where the conditions were just right for creating photographs.
I hope you have enjoyed this look at Dawlish Warren. Let me know in the comments if you’ve photographed Dawlish Warren or if you have a similar location that you photographed over the years.
Is My Photography Impacting the Environment?
Access to Daymark Tower has been closed off because of the environmental impact from visitors. In my latest video, I look at the reasons why, consider the impact my photography has on the environment, and capture some landscape photographs of this iconic Devon location along the South West Coast Path.
Daymark Tower - Closed to Visitors
It was a few months ago that people started to mention to me that one of my favourite locations along the South West Coast Path, Daymark Tower, was closed to the public. As I got more information it appeared that the short path that leads from the track to the tower had been locked shut by the farmer due to the damage that was being done to his crops by visitors. This didn’t exactly come as a surprise to me.
As I know the location well, I knew that it was still possible to get good shots of the tower from the track side of the fence. Experience has also taught me that the crops start to look their best (photographically speaking) around June and July, so I thought it was time to visit the tower to take some photographs and look at the access restrictions myself.
Here’s how I got on and what I saw.
While it’s easy for me to criticise other people, making this video has made me think about the impact my photography has on the environment. Issues such are carbon emissions are easy to identify, but what I need to start thinking about is the damage my feet (including those on my tripod) are doing to the ground around me. Over the years I’m sure I’ve been careless so the best thing I can do is to learn from those mistakes and improve my behaviours.
I hope by reading this and by watching the video that a few of you will also consider how you impact your local environment when you are taking photographs. Let me know your thoughts in the comments below.
Daymark Tower Photographs
Bite-Size Blog Post #17 - Killerton Close-Ups
Have you ever been inspired to capture an image because of a location smells and sounds? In the blog this week I share with you the images I captured from the Killerton estate after my senses were awoken by the arrival of spring.
The Smells and Sounds of the Woods
Owning a dog has had an unexpected impact on my photography. I’ve always enjoyed walking and being outdoors, but since Monty arrived in my life, I have found myself doing a lot more exploring. With more reasons to go out walking, I’ve had to broaden my horizons a little and as a result, I have discovered new locations for my landscape photography.
Bluebell, Killerton Estate, Devon - Nikon Z7, Laowa 100mm f/2.8 2x Ultra Macro, 1/100th sec at ISO 400.
I’m not much of a woodland or flower photographer but it wouldn’t be a stretch to say that I was inspired by what I saw and heard when walking Monty on the Killerton estate this spring. Killerton is just a couple of miles from home, and I’ve visited many times with the family. It wasn’t until I started doing long walks around the estate with Monty that I realised how big it was.
Wild Garlic #1, Killerton Estate, Devon - Nikon Z7, Laowa 15mm f/2 Zero-D, 1/100th sec at ISO 250.
A few weeks ago, I was doing one of those long walks and I came across an area that was carpeted in bluebells and wild garlic. Not only was it a striking sight, but the smells and the sounds excited my senses. The gentle sound of the wind in the trees, the bird song and the strong smell of the wild garlic was invigorating and peaceful at the same time.
Wild Garlic #2, Killerton Estate, Devon - Nikon Z7, Laowa 15mm f/2 Zero-D, 1/160th sec at ISO 320.
I knew I had to come back with my camera to try and capture some images. It would be the perfect opportunity to dust off my macro lens and put my new wide-angle prime lens to good use. Unfortunately, Monty would have to stay at home. He really doesn’t have the temperament or bodily control to not ruin a perfectly composed shot of a flower.
Wild Garlic #3, Killerton Estate, Devon - Nikon Z7, Laowa 15mm f/2 Zero-D, 1/25th sec at ISO 50.
While this type of photography might not be my strong point, I’m still very happy with the results and I’ve already placed a reminder in my calendar to return next spring.
Bite-Size Blog Post #16 - Thurlestone
After some encourage from a friend, I finally make a long overdue trip to Thurlestone to capture some long exposure seascapes.
Thurlestone - Finally!
I’ve had the coastline around Thurlestone on my list of places to photograph for a long time. While Thurlestone isn’t particularly far away, like most places in the South Hams it’s a bit of a pain to get to. I’m happy to drive twice as far to some locations in Cornwall, but those narrow, twisty roads in the South Hams always makes the journey seem a little more of an effort.
So, when a friend and fellow photographer asked if I wanted to join him one evening for a spot of seascape photography at Thurlestone, I jumped at the chance! To hell with the twisty roads. Chat and photography would make it all worthwhile.
Thurlestone Sunset #1, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200 f/4-6.3 at 36mm, f/8, 30 secs at ISO 64, Kase Filters CPL and ND.
When we arrived at the beach, I could instantly see the appeal of this location and I could understand why my friend frequented it. Due to the lack of cloud cover and the direction of the light, I had to wait till the sun was nearly set before I started capturing images I was happy with.
Thurlestone Sunset #2, South West Coast Path, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 16mm, f/11, 3 secs at ISO 64, Kase Filters CPL.
I’m not normally that keen on clear skies but the light was producing some lovely tones and pastel shades of colour in the sky. The main element in the compositions is of course the rocky outcrops which offered me plenty of different ways to shoot the scene.
Thurlestone Sunset #3, South West Coast Path, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 18mm, f/8, 15 secs at ISO 64, Kase Filters CPL and ND.
As is often the case when you visit a location for the first time you spend a lot of time changing composition, changing lenses, swapping out filters and moving to different parts of the beach. It was an exciting evening, but I also remember not being that excited by my photographs when I viewed them on the camera. It wasn’t until I got home, and I processed some of the images I took later in the evening that I realised I had some photographs I was happy with.
Thurlestone Sunset #4, South West Coast Path, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 15mm, f/8, 25 secs at ISO 64, Kase Filters CPL and ND.
Now that I’ve been to Thurlestone, I will most definitely be making a return.!
Bite-Size Blog Post #14 - Lost in the Woods
In this bite-size blog I head to a local forest to capture some woodland images.
Lost in More Ways Than One
I follow the work of a number of photographers who either specialise in or produce woodland photography. It’s a genre of photography that amazes me. I can appreciate the art form and the skill required to not only technically capture the image, but to also find the composition.
I know that mastering woodland photocomposition is a skill because I try it myself every now and again and fail miserably. The photographs that feature in this bit-size blog are example of how I struggle with the art of woodland photography.
Haldon Forest #1, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 33mm, f/4.8, 1/400th sec at ISO 2500.
Until lockdown kicked in at the start of January, I had been visiting Haldon Forest to walk my dog, Monty. Through my exploration of this extensive woodland, I came across several views that I thought might make for a good photograph.
When I returned with the camera though I was presented with the harsh reality of how hard it is to turn a nice woodland view into a compelling photograph. If I consider this problem, it’s no different from turning up to a big wide-open vista on Dartmoor and not knowing how to create a photograph from it. It’s just that I have a little more skill and practice with capturing that type of photograph.
Haldon Forest #2, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 170mm, f/6.3, 0.6 sec at ISO 64.
I’m not foolish enough to think that I can just swan up to a woodland and start capturing amazing images. Like any form or genre of photography, it requires an investment in time to become proficient and I certainly haven’t spent anywhere near enough time practicing my woodland photography.
Haldon Forest #3, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 130mm, f/6.3, 1/5th sec at ISO 64.
While the “practice” images in this blog post will not win me any awards they do remind me of the fun I had capturing them. There are many things I love about photography but perhaps the most rewarding thing is just being outdoors and experiencing nature. I just hope I can get back to nature soon.
Start Point - A 5 Minute Photo Adventure from the South West Coast Path
Grab yourself a cup of coffee because it's time for another 5 Minute Photo Adventure! In this episode, I head to one of my favourite South West Coast Path locations, Start Point Lighthouse in south Devon.
The Challenge of Getting There
There’s only one problem with going to photograph Start Point on the south Devon coast and that’s the effort required to get there. It’s not so much the 50-mile driving distance (37 miles as the crow flies), but more with the time it takes to get there. The journey time for me takes around 90 minutes and while I’m no stranger to making such journeys for the benefit of my landscape photography, it’s the roads that make the journey more challenging.
Once I leave the A38 and start driving towards Kingsbridge the quality and width of the roads start to reduce. Nothing to bad (for Devon standards) but after Kingsbridge things get dull. Lots of small villages with low-speed limits and that last five miles just seems to take an age. It’s not so bad when you are shooting sunrise as there is a lot less traffic, but during the day when you can get caught behind a tractor or a broken-down cement truck and it all becomes very boring.
However, all those complaints about the roads all disappear when you park your car and step out to one of the finest views along the South West Coast Path. Once I’m there, breathing in that glorious sea air I couldn’t care less about how long it took me to get there.
Risk vs Reward
With the apparent extra effort it seems to take to get to Start Point, I don’t go there as much as I might like to. Unlike some other coastal locations where I’ll just take a punt, I’m always looking for favourable conditions before I commit to the drive. Even with a good forecast, there is no guarantee of interesting conditions. There is always an element of risk vs reward. This is especially true when the conditions are a bit stormy or unsettled. In terms of capturing photographs, heading out in these types of conditions is risky, but the rewards can be amazing.
Back in December, I decided that I wanted to return to Start Point and capture some photographs looking at the peninsula from the west. I had checked out this viewpoint a couple of times, but the forecast was predicting some unsettled weather and the opportunity to capture this location with setting sun and some big clouds were too tempting to ignore.
Knowing very well that I could spend 3 hours in the car to end up with not a lot to show for it at the end, I packed my camera bag and set off regardless. Here is how I got on.
I hope you enjoyed my 5 Minute Photo Adventure to Start Point. While the conditions weren’t as dramatic as I might have hoped, I still came away with some images that made the trip worthwhile.
Do you have any locations that seem to be “harder” than others to get to? Let me know in the comments below.
Start Point Photographs
As always here are the photographs you saw me capture in the video. Enjoy!
Sunset at Start Point #1, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 44mm, f/11, 1.6 secs at ISO 64, Kase Filters K9 CPL and ND.
Sunset at Start Point #2, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 39mm, f/11, 2 secs at ISO 64, Kase Filters K9 CPL and ND.
Sunset at Start Point #3, South West Coast Path, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 44mm, f/11, 13 secs at ISO 64, Kase Filters K9 CPL.
Why I'll Never Bore of Dawlish Warren
In this blog post, I share my latest photographs from Dawlish Warren and tell you why I don't think I'll ever get bored of photographing this wonderful south Devon coastal location.
How Many Times?
Searching through this blog I can count more than 15 posts that feature photographs from Dawlish Warren. To be honest this is more than I even thought there were and given that I’d been photographing Dawlish Warren even before I started the blog 4 years ago, I hate to think how many times I’ve been to this beach on the south Devon coast.
I say hate, but there is obviously something special about Dawlish Warren that makes me keep coming back.
Dawlish Warren Sunrise #2, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 19mm, f/11, 1.3 seconds at ISO 64, Kase Filters K9 CPL and ND Grad.
Every Visit in Unique
The one factor that keeps me coming back is that every visit is unique. Unlike many locations, the seasons don’t have a direct impact on what you photograph there. Apart from what time sunrise is, it doesn’t matter if it’s spring, summer, autumn, or winter at Dawlish Warren. The two factors that make it so variable are the weather and the tides.
The tide levels and times might be predictable, but every high tide resets the beach. Each time the tide comes in and then goes out the sand and the layout of the beach is subtly different. Sand patterns, stones, and debris all come and go. Even how the wet the groynes are results it a vastly different look for incoming tides compared to outgoing tides.
The weather delivers the most variety though. Wind and air pressure can impact the effect of the tides and the strength of the waves. This can change your whole approach to your photography for that visit. Making a choice between a shorter exposure time to capture movement or going for a longer exposure to smooth out the water is a creative decision but how the water is behaving can limit or extend your creative options (depending on how you look at it).
To add into the mix, you’ve got ever-changing cloud coverage. Even on overcast days, there are shots to be had but it is perhaps when the sun just rises above the horizon that excites me the most. It’s a special moment when the reds and oranges of the morning light catch the water and the sides of the groynes.
All these variables mean that I’ve never looked through the viewfinder and thought this looks familiar.
Dawlish Warren Sunrise #4, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 16m, f/16, 1 seconds at ISO 64, Kase Filters K9 CPL and ND Grad.
More to Discover
With 15 groynes there is a lot to photograph. I’ve probably only photographed a third of them and given that each groyne can be photographed from two sides, I’ve barely scratched the surface.
But there is more to Dawlish Warren than the groynes. Immediately behind you are the dunes is the nature reserve. The nature reserve is well known for its birds, but I’m far from a wildlife photographer. The dunes, however, are well worth a visit. I’ve only recently started photographing them, but with long grasses, fences, big views, and sweeping dunes they are well worth photographing.
At the top of the beach are the colourful beach huts. Having only photographed these once I must spend a bit more time with them. I’m sure there are some interesting compositions to be made there.
Dawlish Warren Sunrise #1, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 23mm, f/13, 1.6 seconds at ISO 125, Kase Filters K9 CPL and ND Grad.
Different Styles
Finally, I’ve discovered that Dawlish Warren beach is a good location for trying something a little different. When I captured the images in this blog post I was with my friend and fellow photographer Neil Burnell and he was capturing images using ICM and multiple exposure techniques. These aren’t techniques that have previously excited me but seeing the results Neil was getting certainly changed my mind.
I gave both techniques a try, and while I found ICM tricky, the effect of multiple exposures has inspired me to give this technique further work. The beach, with its constantly changing view, seems the ideal location to use this technique. While I did capture some multiple exposure photographs on this visit, I don’t think they are worth sharing here. It is a technique I will continue with next time I’m at Dawlish Warren and this will open even more creative opportunities as this varied and much-loved location.
For all these reasons, this is why I will never bore of photographing Dawlish Warren.
Dawlish Warren Sunrise #6, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 28mm, f/10, 0.4 seconds at ISO 64, Kase Filters K9 CPL and ND Grad.
Not Every Photograph Needs to be a Masterpiece
As a landscape photographer I'd like every shoot to result in a portfolio class image, but this is an unrealistic expectation. Sometimes you just need to take joy in the experience of capturing an image and learning from it.
Embrace the Grey Once Again!
I’ve made several videos on the theme on embracing the grey and because I live in an area where overcast days aren’t exactly unheard of it might not surprise you that I’ve decided to do another one. For me, the key to a successful shoot in grey and overcast conditions is to find the right subject (as I discussed in this video).
There’s been a location near to home that I’ve been wanting to photograph for a while and that’s the Philip Lucette Light near Teignmouth. I found out about this interesting location from an image I saw from Neil Burnell and a video from Lynne Luxon-Jones. It looked like an interesting subject to photograph and I thought it would make for a great #EmbracetheGrey subject.
In the video below you can follow me along as I photograph this location for the very first time. I also show you how I edit the image to give me a specific look and feel, and I of course make a print of the image. I also discuss in the video the importance of just going out to take pictures, and not to worry about every shot being a masterpiece. After all, we should love the art of taking a picture first and foremost.
Enjoy!
Philip Lucette Light #2, Shaldon, Devon - Nikon Z7, Nikkor 24-200mm f/4-6.3 at 48mm, f/8, 214 seconds at ISO 64, Kase Filters CPL and 10 Stop ND
Bite-Size Blog Post #6 - Dartmouth Sea Stacks
In this bite-sized blog post, I head to the coast near Dartmouth in Devon to check out a sea stack.
Long Exposure Seascapes
Unusually this summer I’ve spent a lot more time photographing Dartmoor than the coast. The summer month not only brings better conditions, but the extended hours of daylight allow me to travel further afield to places like Cornwall. I just love photographing the Cornish coast as you can see from all these blog posts.
I think lockdown knocked me out of my normal yearly routine and so I’ve spent more time closer to home which in turn means I’ve been spending more time up on Dartmoor. However, the coast is never far from my thoughts, so I decided that a visit to my local coastline was long overdue.
There is a sea stack near Dartmouth that I’ve been eager to revisit for some time now. I believe it needs a specific set of conditions to make the most of it. A high tide is one of them and while on this visit the tide was high, the weather was calm and the skies blue.
I knew I wasn’t going to come away with any photographs that I was going to get excited about so this trip was very much another reconnaissance mission to check out compositions. Despite this being my 2nd or 3rd visit, I still struggled to find a composition I am happy with. Maybe the calm conditions weren’t helping, or I simply need to work harder at getting the composition right.
So, while these photographs aren’t anything amazing, I’m happy to share them with you. After all, not every trip out with the camera results in a portfolio image. Some trips out with the camera are all about preparation for the next trip.
A Detour to Daymark
A sudden change of plan finds me visiting one of my favourite locations but with dreary grey conditions, was it worth the diversion?
A Last-Minute Change of Plan
If you are a long-time reader of my blog, you’ll know that I can be a little indecisive at times. I spend a lot of time procrastinating on where to go next. A few weeks ago, I found myself being a little more assertive and made some definite plans to explore a new location along the south Devon coast. That decision went right out of the window as I reached the end of M5 and started heading up Haldon Hill.
As I was driving along the final few miles of the M5 I suddenly remembered that I hadn’t photographed Daymark Tower this year. As I’d been in lockdown for much of spring many of my seasonal favourites had passed me by this year. I prefer to photograph Daymark Tower just before the crops are due to be harvested and as I was driving along it suddenly dawned on me that I might not be too late to catch the crops.
I could have carried on to my original destination, but I thought this could be my first and last chance to shoot Daymark with the crops so I made a left turn instead of a right turn. I hadn’t checked the weather for Daymark Tower, but I didn’t think it would be any worse than the forecast at my original destination, so I had nothing to lose.
A Macro Lens for Landscapes?
After parking the car and walking along the path to the tower I was pleased to see the crops hadn’t been cut and this wasn’t going to be a wasted trip. The weather was looking a bit overcast and the chances of getting any nice evening light were slim. However, I thought this would be a wonderful opportunity to try and be a little bit more creative.
My go-to composition at Daymark is a wide-angle shot of the tower from the path near the gate. This works well when you have good light from behind but as that wasn’t an option, I decided that some longer lens shots would be in order. My only problem was that the 70mm end of my 24-70mm wasn’t long enough, and I’m still waiting for delivery of my 24-200mm lens. I did, however, have the foresight to pack my Laowa 100mm macro lens. Just because it’s a macro lens doesn’t mean it can’t shoot landscapes!
Daymark Tower #1, Devon - Nikon Z7, Laowa 100mm f/2.8 2x Macro at f2/.8, 1/50th of a second at ISO 64.
Without the evening light to provide contrast to the foreground, and a surprising lack of tractor lines in the crops I decided that the only subject worth focusing on was the tower. I decided, therefore, to open the aperture on the lens to f/2.8 and focus just on the tower, effectively throwing most of the foreground out of focus. This had the effect of simplifying the scene and though I prefer my compositions of Daymark that have the light on them, these shots work well considering the conditions. What do you think? Let me know in the comments.
Daymark Tower #2, Devon - Nikon Z7, Laowa 100mm f/2.8 2x Macro at f2/.8, 1/50th of a second at ISO 64.
Just a short blog post from me this week. I’m having a little time off from everything to spend it with the family. Don’t worry though, I’ve got another blog post ready to go for next week where I tell you about how some stormy weather produced some unexpectedly pleasing images.
Exploring More of Start Point
I'm no stranger to Start Point but I thought it was about time to explore the area to see if I could find some new compositions.
Discovering More
I'm spoilt for choice when it comes to locations on the south Devon coast to watch and photograph the sunrise. One of my favourites is Start Point and I've captured numerous photographs from this distinctive coastal location. While the photographs I've captured feature a variety of different weather conditions, most of them all have one thing in common. They've all be taken from roughly the same spot.
The view that I normally capture at Start Point. Read the blog post for this image here.
The spot I like is high up on the peninsula looking down towards the lighthouse and out to sea. This is a great view, but I've always believed that there are other compositions to be found. I did make one brief trip further south-west along the coast one evening and I really liked the side-on view of the peninsula and the lighthouse. I've been meaning to go back for some time.
I would go to Start Point more often but it is a bit of a trek to get there. As the crow flies it's not far but by car, it's about an 80-minute drive from home and not always on the greatest of roads. As part of my personal commitment to do more exploring in 2020, I decided that I would make the effort to not only explore the views further down the coast but to also check out Mattiscombe Sands (which is only a short walk from Start Point).
At this time of year, the sunrise time isn't too late in the morning but also not too early that you need to get up at 3 am. With the weather conditions looking OK I decided that it was time to head back to Start Point. I contacted with my friend and super talented photographer Andy Campbell who was more than happy to join me on my latest adventure.
Old Location, New Views
Arriving at Start Point on the 21st of February, I was tempted to head straight to my favourite viewpoint and bag a safety shot but I managed to pull myself away and move further down the coast. I soon found a viewpoint I liked and started taking some photographs. The view gave me a side-on look at the peninsula and lighthouse and it looked dramatic. Unfortunately, I don’t have any photographs to share with you from that viewpoint as the light was pretty dull and none of the resulting images processed particularly well. It is a viewpoint I will be back to though so expect to see an image from there soon!
I then took a walk a little further down the coast again and though it is a similar view to the previous one I just described, this view has the addition of some jaggy foreground rocks which I like. I am happy to share a couple of those photographs but for me, that viewpoint will come alive as a sunset location when the light hits that peninsula and the rocks. I will be coming back to photograph that spot again as well.
Start Point Sunrise #1, Devon - Nikon Z7, Nikkor 24-70mm f/4 S at 36mm, f/13, 0.6 secs at ISO 64, Kase Filters K9 CPL and ND Grad.
With my recce mission of Start Point complete, me and Andy took a walk along to Mattiscombe Sands. The sunrise had been long gone by then so we weren't going to be taking any photos but from what we could see there is a lot of potential at that location given the right tide. Another location marked for a future visit!
Start Point Sunrise #2, Devon - Nikon Z7, Nikkor 24-70mm f/4 S at 28mm, f/13, 0.8 secs at ISO 64, Kase Filters K9 CPL and ND Grad.
Though my visit to Start Point was a short one it was a successful one. I wasn't expecting to get great images that morning, but I did want to check out some new viewpoints of Start Point and Mattiscombe Sands for future visits. So, in that sense, it was time well spent. Plus, I got to catch up with my friend Andi. Even when the conditions aren't great, if you've got a friend along with you it can still be a lot of fun.
I'll be heading back to Start Point again as soon as I can so stay tuned to my blog for more photos, blog posts and even a video!
Are there any locations you are planning to photograph this year that you haven't before? Let me know what is on your hit list in the comments below.
Remembering Why I Love Photography - Dawlish Warren
Grab yourself a cup of coffee because it's time for another 5 Minute Photo Adventure! In this episode, I head to Dawlish Warren where I reminded that it's always worth hanging on for just another 5 minutes. Even after all these years, landscape photography can still surprise and delight me.
Just Another 5 Minutes
Over the years I have produced fifteen 5 Minute Photo Adventure videos, but I’ve never made one from Dawlish Warren. This is a bit odd as it is the location, I photograph the most every year. You’ll find many blog posts on this website that feature Dawlish Warren, and it has been the location for many videos. However, I don’t think it’s ever been the primary feature of a video and it’s never featured in its own 5 Minute Photo Adventure.
A few weeks ago (14th March to be precise), I had a little spare time and after checking the weather forecast, I thought that a dawn shoot from Dawlish Warren might yield some nice results. This would also be the perfect opportunity to feature Dawlish Warren in a 5 Minute Photo Adventure.
I’m not going to write too much here about my time at Dawlish Warren because I’ll only be repeating what is in the video. The one thing I will say is that it pays to be patient. The conditions at the point of sunrise weren’t great and I wasn’t expecting to get any nice light. While I was enjoying my time on the beach, I was ready to call it a day on the photography.
Experience has taught me though that it is sometimes worth holding on a little longer past sunrise/sunset and that’s exactly what I did. Once the sun broke over the lower cloud I got some glorious light and I captured some of my favourite ever images from Dawlish Warren. Sure, a little more cloud in the higher reaches of the sky would have made the photos even better, but I cannot fault the experience of being there and having the opportunity to capture those images.
I really hope you enjoy my latest 5 Minute Photo Adventure from Dawlish Warren and if you scroll down a little further you’ll be able to see the images from the video in a bit more detail. Let me know which image is your favourite in the comments below.
The Photographs
Dawlish Warren Sunrise #1, Devon - Nikon Z7, Nikkor 14-30m f/4 at 15mm, f/13, 5 secs at ISO 64, Kase K9 CPL.
Dawlish Warren Sunrise #2, Devon - Nikon Z7, Nikkor 14-30m f/4 at 19mm, f/13, 10 secs at ISO 64, Kase K9 CPL.
Dawlish Warren Sunrise #3, Devon - Nikon Z7, Nikkor 14-30m f/4 at 25mm, f/13, 8 secs at ISO 64, Kase K9 CPL.
Dawlish Warren Sunrise #1, Devon - Nikon Z7, Nikkor 14-30m f/4 at 20mm, f/13, 0.4 secs at ISO 64, Kase K9 CPL.
Do Spectacular Conditions Make Landscape Photography Easier?
On a recent trip to photograph the sunrise at Start Point, I discover than amazing conditions doesn’t always mean that the photography is going to be easy.
Into the Sun at Start Point
One of the reasons yr.no is my favourite weather forecast website is the fact that it splits cloud coverage into low, medium and high levels. I’m always on the lookout for a bit of high-level cloud combined with little medium and low-level cloud. It’s generally the high-level cloud that catches the light from the rising or setting sun giving us those lovely pink skies that we sometimes crave.
Start Point in all its glory.
It was those very conditions that were predicted for Start Point on the South Devon coast one morning recently. I was not only looking to do a little coastal photography, but I was also keen to return to Start Point, so with a positive forecast for the morning I was (for once) sure that it would be the place to be.
My only slight concern was the position of the rising sun. At this time of year I would almost certainly be shooting straight into the sun. There’s nothing wrong with shooting into the sun, and plenty of people make an excellent job of it, but I’ve never really got to grips with it. A quick scan through my Lightroom catalogue of my previous images from Start Point reminded me that I could also shoot the lighthouse further down the coast towards the west. This would not only give me something a bit different from the normal shots that I take there, but it would also mean the sun would rise from the side instead of straight on.
Decisions, Decisions!
My regular viewpoint of Start Point, Feb 2019.
It’s at least a 75-minute drive to Start Point for me, and given that I like to be on location at least 1 hour before sunrise, I had to get up really early. As I got into the car and it was still 2 hours before sunrise, I could see a bit of high-level cloud in the sky. Those big long patches of cloud that catch the light. I was beginning to get really excited about the morning.
My alternative viewpoint further along the coast, Feb 2017.
When I arrived at Start Point things were still looking positive. A little too much blue sky, but there were some great patches of high-level cloud. I grabbed my bag and started walking. I did however have a bit of a dilemma on my hands. If I were to locate myself further down the coast to get the peninsula from the side, there wouldn’t be any of the high-level clouds in the shot. If I went to my regular position I would be shooting into the sun but I could include the high-level cloud in the shot (which was already pinking up nicely).
I decided to head down the coast and just check what the side shot would look like. When I got there I was correct with my assessment in that I just had a clear sky. The question was should I wait there to see if the cloud would move, and move in the right direction, or should I head back to my normal viewpoint. That high-level cloud really had some nice colour to it so I decided to head to my normal spot.
Sunrise
As I stood in my favourite spot I watched the sky and clouds change colour as sunrise approached and passed. While it wasn’t the most amazing sunrise I’d ever seen it was still really nice. Having experienced so many dull mornings recently this was a most welcome change and photography aside, I couldn’t think of a better way to experience the start of a new day.
Despite the very favourable conditions, I have to admit I struggled a little with my photography. I’m not sure if it was the thought that I should have been at the other spot (as the cloud had indeed moved into a good position) or that I was feeling a little uninspired, or even that I was finding it tricky shooting into the sun. Sometimes things just don’t click. Despite the good conditions I wasn’t finding the photography easy.
A Glorious Morning at Start Point, South Devon - Nikon Z7, Nikkor 14-30mm f/4 at 14mm, f/16, 15 secs at ISO 64, Kase Filters K9, CPL, ND Grad and 6 Stop ND.
Image Review
This was the best image of the morning, and despite it being better than I thought it would turn out, there is something that I don’t like about it. I’m not sure if it’s the composition, the tones or some combination of factors. Some times it's difficult to put your finger on these things so I’ve decided to do the best thing you can do when you want to learn from your own photography and that is to make a print.
Learn from your photography by making a print.
If I make a print of the image and leave it sitting around my desk I will spend more time looking at it. Hopefully by spending more time with the image, and in a printed form, I will learn what I don’t like about the image, what I need to change (in the composition or post-processing) or even that I do indeed like the image. For me, making the print is one of the best ways to improve your photography.
Whatever I ultimately end up feeling about this image, one thing I have learned is that spectacular conditions don’t always make landscape photography easier!
Kicking off 2020 Somewhere Familiar
In the blog this week I head to Dawlish Warren for my first shoot of 2020 and to get some much need practice!
Where Did the Time Go?
Prior to taking the photographs in this blog post the last time I went out with the camera was the 15th of December. I went to Hound Tor on Dartmoor, I took four frames and frankly it was a bit of a disaster. Not the way I wanted to finish 2019 but hey, that’s the way it goes sometimes.
A few days after that I went on a family holiday, then it was Christmas, then New Year, then I got a cold and the weather was pretty miserable for an extended period of time. The result of all this was that I didn’t take another landscape photograph until the 17th of January (when I took the photos in this post). Where did all the time go!
Keeping Sharp
You may not think a month is a long time between sessions with the camera and for some people it might well not be. For me though that month represents a reduction in the sharpness of my skills. You may well ask what sharpness has to do with landscape photography? It’s not as if I’m shooting fast-moving cars, sprinting athletes or birds in flight. What I mean by sharpness is my “photographic eye”. My ability to pick out and fine-tune compositions.
Dawlish Warren #1, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 16mm, f/11, 218 sec at ISO 64, Kase Filters CPL, ND Grad and 6 Stop ND.
Photography is a skill and one that needs to be practised. This is one of the reasons why I go out with my camera when the conditions aren’t exactly great. I’d rather practise my photography skills in poor conditions than find myself stumbling when I’m presented with some stunning conditions. In other words I like to keep my composition muscles fit and flexed!
Down to Dawlish
My choice to photograph Dawlish Warren as my first location of 2020 was driven by two factors. The first factor was time. I was really short of time that day and I didn’t want to potentially wait another week to get my first photo of 2020 just so I could go somewhere further away. The other factor was my familiarity with the location. As I was short of time going to a location that I was familiar with would allow me to spend more time taking photographs. However, as I wrote in a recent blog post “Does Familiarity Breed Complacency?”, being familiar with a location doesn’t necessarily make it easy to shoot.
Dawlish Warren #3, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 16mm, f/13, 1.3 sec at ISO 64, Kase Filters CPL, and ND Grad.
I knew before I got to Dawlish Warren that the weather was unlikely to give me brilliant conditions and I wouldn’t get photographs that were better than some of my previous efforts from there, but that’s not the point. The point is that I would be out with my camera and I’d be exercising those photography muscles making sure they are fit for when I do get one of those very special days.
Dawlish Warren #4, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 18mm, f/13, 1 sec at ISO 64, Kase Filters CPL, and ND Grad.
As I look at my images from that morning I already know that it’s not my best work. However, there are qualities that I do like and I can take these ideas with me on my next shoot where ever that might be. The most important thing is that I feel more prepared and confident for the next shoot.
Dawlish Warren #5, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 19mm, f/13, 1 sec at ISO 64, Kase Filters CPL, and ND Grad.