Bite-Size Blog Post #62 - Return to Kilchurn Castle
A walk to Kilchurn Castle turns into an unexpected battle with a bog, leaving me soaked, muddy, but still determined to get the shot.
Man vs Bog
Anyone who has photographed Kilchurn Castle will know that the most direct route from the layby down to the loch involves crossing a very boggy stretch of ground. It is a walk that really calls for welly boots, and I have often had a quiet chuckle watching tourists attempt it in bright white trainers.
The waterline on my trousers is how deep my legs went into the bog!
Despite my confidence and sense that I knew exactly what I was doing, I had a nasty surprise on the way down this morning. I knew the ground could feel unsteady in places, but what happened caught me completely off guard. Both legs suddenly sank deep into the bog, past my knees and nearly up to my waist. I stood there for a moment, stuck fast, wondering what on earth to do next.
Channeling my inner Bear Grylls, I resisted the urge to panic and came up with a plan. First, I carefully removed my camera backpack and set it aside. Then I leaned forward, stretched my arms out to find firmer ground, and with a fair bit of effort managed to drag myself free. By the time I escaped I was covered in mud, soaked through, and my boots were full of water. It probably should have been the moment to call it a day, but I still had photographs to take.
Round Two
As I mentioned in last week’s blog, I am staying near Loch Awe for a short while and I’m hoping to make regular visits to Kilchurn Castle. This was my second visit, and although I had not planned on battling a bog, it was good to be back.
With some recent snowfall, I thought there might be a chance to give the scene a slightly wintry feel, even if the calendar says otherwise. It did add something, and I opted for a slightly different composition this time, placing the horizon through the middle of the frame to make the most of the reflections. Even so, I feel like the image is still missing a touch of drama. Then again, perhaps I had already used up my share of that for the day.
While my photograph from the previous visit remains my favourite, I have no doubt there will be a round three.
Kilchurn Castle, Loch Awe, Scotland - Nikon Z8, Nikkor Z 24-120mm f/4 S at 43mm, f/11, 1/8th at ISO 64.
Bite-Size Blog Post #61 - Birch Tor, Dartmoor National Park
A return to Birch Tor turned into a battle with the rain, hail and snow but it was strong winds that killed my video. But I was still left with a photograph that made it all worth the effort.
Just recently on this blog I wrote about photographing Birch Tor for the first time, and how despite all my years exploring Dartmoor I had somehow overlooked this gem of a location. Not only is it a fantastic place to photograph, it also felt like the perfect setting for a YouTube video to share how I approach working somewhere new on Dartmoor.
It has been a while since I last published a Dartmoor photography video, so Birch Tor felt like the right place to start again. One of the main reasons for the gap has been the weather, but this time I was determined to get out and film regardless of the forecast.
It was not the light that concerned me. The cloud cover looked promising. What I failed to pay proper attention to was the wind. Arriving at Birch Tor, I was quickly reminded that wind speed and direction matter just as much as the clouds overhead.
Rain, snow, and hail all swept through within fifteen minutes, which I could handle. The wind was another matter entirely. It was relentless, cutting straight through me and making filming far more difficult than expected. Still, I was determined to continue.
Filming in those conditions comes with its own challenges. Even with protection on the microphone, I suspected the audio would struggle. I told myself it would be something I could fix later.
It was not.
I am no audio expert, but no amount of editing, filtering, or enhancement could rescue it. In the end, the footage had to be set aside.
Even so, I came away with what mattered most, the photograph itself. It is not too different from the composition I shared in my previous post, but that is no bad thing. Returning to a similar idea can often lead to something more refined.
Birch Tor, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 20mm, f/13, 1/15th at ISO 64.
As for the video, the idea still feels right. When the conditions and timing come together, I will be back to try again.
Bite-Size Blog Post #60 - Kilchurn Castle, Scotland
A return to the west Highlands offers a familiar landscape, shifting light, and a reminder that the experience often matters more than the photograph.
1st Attempt of Many
It’s great to be back in the west Highlands of Scotland. My homeland. The place where I grew up.
I love it here as it holds so many memories. The places are familiar, and the unpredictable weather is strangely comforting. It’s also a wonderful opportunity to catch up with family. In fact, I’m writing this blog post on the train home from Glasgow after a lovely lunch with my sister, aunt and uncle.
Earlier in the day, though, I was up early, sneaking in a bit of photography at a place I’m very familiar with, Kilchurn Castle. It’s a castle I grew up with, as it’s only a few miles from the village where I was raised. I will actually pass it on the train home, but unfortunately it will be dark, so I won’t see it.
Not to worry though, as I spent a lovely hour there this morning, crossing fingers, saying prayers and doing strange Celtic dances in the hope I could will the morning light to break through the cloud.
I didn’t want the cloud to go completely. It was adding a great deal of atmosphere to the scene, but I needed just a little light to illuminate the hills or the castle so the photo had a bit more depth.
Alas, it wasn’t to be, but the experience of being there was amazing. Glassy reflections on the loch, cloud rolling over the nearby Munros, and the somewhat deafening sound of the geese with their morning song. It was one of those mornings where you leave feeling fulfilled, even though the photographs didn’t quite work out.
Not to worry though. I’m here for an extended period of time, and the castle is close by, so I’ll be sure to return again and again. And of course I have Glencoe just up the road. And what a place of photographic opportunity that is.
Kilchurn Castle, Loch Awe, Scotland - Nikon Z8, Nikkor Z 24-120mm f/4 S at 28mm, f/8, ¼ sec at ISO 64.
Breathtaking Views from Yes Tor - Dartmoor National Park
A risky winter sunrise trip onto Dartmoor led me through thick cloud to the summit of Yes Tor, where brief, breathtaking glimpses above the cloud made the view unforgettable.
Top of the World
The weather here in the UK this winter has been miserable and has made my life as a landscape photographer a bit of a challenge! The longer the bad weather continued, the more risks I was willing to take on a weather forecast that would normally have me hitting the snooze button.
After what had seemed like weeks since I’d been out and captured a good photograph, I decided that the following morning’s weather forecast was worth a punt. Yes, there was lots of low-level cloud forecast, but the base of that cloud was very low (foggy) and there was no medium-level cloud forecast. Should I take a risk and see if I could get above it?
Getting above cloud on Dartmoor is tricky. Even its highest points are only around 600m above sea level, so the cloud level has to be very low and not too thick. Looking at my map, I decided to get up early and head to West Mill Tor. At 541m above sea level, it was a good balance between walking effort and the opportunity to get above the cloud.
Leaving Exeter, it was remarkably clear, but as I approached Okehampton, things got a little foggier. By the time I got to the parking area for West Mill Tor, I really didn’t hold out much hope.
As I stood on West Mill Tor questioning my life choices, I thought about whether it would be worth making the decision to continue my walk up to Yes Tor. At 619m it’s Dartmoor’s highest tor (if you don’t count High Willhays at 621m), so if there was any daylight to be found it would be there.
Was it worth the extra effort to get to Yes Tor? Well, yes and no. No in the sense that I never truly got out of the clouds and the photographs you see below are as clear as it got (but it was just enough to get a little light on the tor). But it wasn’t the photograph that made it worth the effort — it was the view. But Julian! You said it wasn’t clear? True, but there are times when even if you can’t make a great photograph, what you see can still take your breath away.
A Foggy Sunrise on Yes Tor #1, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 14mm, f/13, 1/50 sec at ISO 800.
The wind was blowing hard on the summit of Yes Tor, so the cloud was moving quickly. Every now and again you would get a tantalising glimpse of the surrounding view. Not only would I see the beautiful orange glow of the rising sun, but I would also see the top of the cloud bank that was covering the landscape. I couldn’t see any land, just cloud, and it looked spectacular. If only I had been a few metres higher, I probably would have had a constant view of the area.
It was like standing on top of a mountain looking down on a temperature inversion. It took my breath away. But the glimpses were brief and infrequent, so rather than desperately trying to make a photograph, I just stood there, freezing in the wind, waiting for a light break in the cloud. It was magical! I’d never seen anything like it on Dartmoor before and, given the set of circumstances where the base of the cloud is low enough but the height of the cloud is lower than Dartmoor’s highest point, I might never again.
It’s hard to convey what I was seeing and pictures don’t do it justice, but hopefully the small video clip will give you an impression of what it was like.
I’m glad I took the risk to go out, and then take a further risk to get myself up to Yes Tor, because sometimes the best things come to those who take a risk. Let me know in the comments below if you’ve had a similar experience.
A Foggy Sunrise on Yes Tor #2, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 14mm, f/13, 1/160 sec at ISO 800.
Bite-Size Blog Post #59 - Greator Rocks and Hound Tor - Dartmoor National Park
Revisiting Greator Rocks reminded me that some locations take time to reveal their potential, before finishing the walk at Hound Tor, a striking Dartmoor landmark perfect for studying light, shape and contrast.
Greator Rocks
For me, Greator Rocks is an odd location. Visually it’s striking and it stands out from the landscape, but I find it difficult to photograph. However, sometimes I need to remind myself to be patient and not write locations off after just one or two visits. So when I was in the area last weekend, I decided to give it another try.
The more I photograph it, the more I believe it has potential, and that the judgement I made on the first few visits was a bit premature. The composition below is one that I want to work on when spring comes around. It’s not just the clear blue sky in this shot that doesn’t appeal to me, but also the ground, which is messy with winter bracken. In spring, and with some morning light, I believe this is a composition that has some potential. Roll on spring!! It can’t come soon enough… I’m more than ready for winter to be over now!
Greator Rocks, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 20mm, f/13, 1/30 sec at ISO 800.
Hound Tor
One of the easiest routes to Greator Rocks is to walk via Hound Tor, one of Dartmoor’s most popular tors. So, while walking back from Greator Rocks, it was hard not to stop and get the camera out. The sun was well and truly up by the time I got there, so I was already thinking in black and white before I took the first photograph.
I find it a challenging location, despite its size and grandeur, but it provides lots of scope for training your compositional eye to look for shape, light, shadow and contrast.
Have you photographed Greator Rocks or Hound Tor before? Let me know what you think of these locations in the comments below.
A Foggy Sunrise on Yes Tor #1, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 32mm, f/13, 1/125 sec at ISO 800.
Bite-Size Blog Post #58 - Great Mis Tor - Dartmoor National Park
A spontaneous visit to Great Mis Tor gave me the chance to explore this location once again. Sometimes the best preparation comes when there is no pressure to capture the perfect shot.
Skilling Up on Dartmoor
I have spent a great deal of time walking across Dartmoor searching for its best locations and, more importantly, learning the right time to photograph them. This knowledge is vital for my one to one clients and workshop groups, who expect me to guide them to the right place at the right time.
They also expect me to do this safely. While many of the locations I use are not far from the road, some clients, particularly those on one to one sessions, want to venture further into the wilderness of Dartmoor. For that, I need to know exactly where I am and how to move confidently through the landscape. I am comfortable using a map, but that does not mean I should stop improving my navigation skills.
To build on my experience, I recently completed the National Navigation Award Scheme Silver Award course on Dartmoor. I loved every minute of it. Although I will rarely need some of the more advanced skills when working with clients, I firmly believe it is better to be over skilled than under prepared.
Putting New Skills Into Practice
At the end of the second and final day of training, I found myself on the western edge of Dartmoor with about ninety minutes to spare before sunset. As always, I had packed my camera gear in the car just in case an opportunity presented itself. The only question was where to go.
One location I had not photographed for a long time was Great Mis Tor. Despite walking nearly ten kilometres during the day’s navigation training, I picked up my bag and made the steady climb.
Great Mis Tor, Dartmoor National Park - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 20mm, f/13, 1/8 sec at ISO 64.
Returning to Great Mis Tor
With blue skies overhead and hazy cloud sitting low on the horizon, conditions were far from dramatic. It was never going to produce a portfolio image, and that was perfectly fine. Without the pressure of chasing exceptional light, I was free to explore, study the formations, and consider stronger compositions for the future.
There will definitely be a next time. I am not sure why it has taken me so long to return to Great Mis Tor. It is a remarkable location with enormous photographic potential. I am already looking forward to going back, and I certainly will not wait for another navigation course as an excuse.
Great Mis Tor, Dartmoor National Park - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 24mm, f/13, 1/4 sec at ISO 64.
Bite-Size Blog Post #57 - Pew Tor Sunset - Dartmoor National Park
Revisiting Pew Tor after several years, I found tricky conditions but valuable practice, proving that even when the magic is elusive, it’s still important to practice your craft.
Discovering Dartmoor
My first experience of Pew Tor was way back in 2015, but it was another seven years before I returned to film for Discovering Dartmoor. Near Pork Hill car park, it is a relatively easy walk, especially compared to the climb up to its more majestic neighbour, Great Staple Tor, which I wrote about recently. I was reminded of this little gem when I saw a beautifully crafted photograph of Pew Tor by a local photographer in Outdoor Photography magazine.
Inspired by that photograph, and with fond memories of filming there, I set off rather quickly last Saturday. I say quickly because I had miscounted the time and ended up leaving a bit later than I had originally planned. Experience of photographing Dartmoor has taught me that the best light is often thirty to sixty minutes before the expected sunset, so I needed to get there early.
Arriving at Pork Hill car park, it was unsurprisingly busy for a Sunday afternoon, but after only a short walk I soon found myself a little more alone. It did not last long though, as Pew Tor was proving to be a popular location that day. With easy access from several parking areas, great views, and rock formations perfect for climbing, it is a magnet for families heading out for a walk.
While the children seemed to find scrambling over the rocks easy, the photography was a little more challenging. It was one of those afternoons where you feel some magic is about to happen, but it ends up missing something. Either there was not enough cloud, or there was too much, or it was blocking the sun. These are the conditions that really challenge you as a photographer, so I had to work with the light that was there and look for less obvious compositions.
So while these photographs might not represent the most interesting views of Pew Tor, they are still pleasing images and reflect my experience of the place that day. It is good to work hard for your photography sometimes. It is good practice, both in terms of composition and technical craft. Keeping your skills sharp is important because you never know when the next big moment might arrive, and I want to be ready.
Pew Tor, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 22mm, f/13, 1/60 at ISO 400.
Pew Tor, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 20mm, f/13, 1/60 at ISO 400.
Bite-Size Blog Post #56 - Black Tor Sunrise - Dartmoor National Park
In this bite sized blog I make the long walk up to Black Tor to see if it’s not too late in the year to photograph it at sunrise.
It’s a Short Window
The walk from Meldon Reservoir car park to Black Tor is one I have taken on many occasions. There are magnificent views along the way and if you include High Willhays on your route you can also claim to be standing on the roof of Devon. For me, the photographic highlight though is Yes Tor, which is not far from High Willhays.
But Black Tor is not to be ignored if you are out with your camera. If you are looking to photograph it during the golden hours, things get a little more tricky though. There is only a small window during the summer when the sun sets in a direction that will illuminate the tor with the best light.
It’s even more challenging to photograph it at sunrise as the surrounding hills can block the light from the rising sun until well past the golden hour. So, for those few weeks either side of the winter solstice I try to make the challenging walk up from the reservoir car park to Black Tor and watch the sunrise.
Black Tor, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 15mm, f/13, 1/8 sec at ISO64.
My Only Attempt?
I missed out on photographing sunrise at Black Tor at the end of 2025 because I was delayed in my return from Scotland, and then there was Christmas. I don’t think I took any photos over Christmas!
Roll on 2026 and a late opportunity presented itself and I managed to capture the photographs you see in this blog. I do however think I was a little late in the window of opportunity as it took nearly 20 minutes for the sun to break over the hills, so the light was harsher than I hoped for.
Black Tor, Dartmoor National Park, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 21mm, f/13, 1/8 sec at ISO64.
One More Try?
I’ve reckon I’ll have one more go at it this weekend. I suspect I’m a bit late now for Black Tor sunrises, and a lot depends on the weather. Even if I do make the early morning walk and I don’t get the shot, it’s a fine way to start the day and I’ll make my walk a little more adventurous by walking up to the roof of Devon.
Bite-Size Blog Post #55 - Hound Tor - Dartmoor National Park
In this bite sized blog I head to Hound Tor for some daytime photograph!
Creativity After Sunrise
I love the light you get from a rising or setting sun. It’s warm and soft, and it can make the landscape glow. It can also test your commitment during the summer months when sunrise can be 5am and sunset as late as 9pm (at least on Dartmoor anyway). But if you thought these were the only times of day to take photographs you’d be mistaken.
While there’s no doubt that I prefer to shoot during the golden hours, by not taking photographs during the day, you’re missing out on hours and hours of creativity and fun. Admittedly, it can be a little more challenging as shadows are harsher and there more people about, but for those looking for a challenge the results can be rewarding.
A few weeks ago I had a few hours to kill so I took a wander up to Hound Tor. There was little cloud in the sky, the landscape was very contrasty, and I had to pick my out my compositions carefully. Aside from negotiating a busy location (Hound Tor is very popular with visitors), I had to look for compositions where strong areas of light and shadow would work.
When I found my composition, I knew it was going to be black and white, so I set my Nikon Z8 to Deep Tone Monochrome and got to work. This is the resulting image.
Houndtor, Dartmoor, Devon - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 18mm, f/13, 1/100 sec at ISO 640.
I didn’t find much else to photograph that morning, but it did remind me of what an interesting location Hound Tor is to photograph. It’s a location that works well when I teach photographers about photographing Dartmoor.
I’m looking forward to going back. Not just at the golden hours, but during the day. As I looked about, I could see how the angle of the light would change during the day, opening up a new compositions. I can’t wait to see what I find.
Bite-Size Blog Post #54 - First Dawn of the Year at Dawlish Warren
In this bite sized blog I share with you the story behind my first photograph of 2026.
Starting the Year with an Old Friend
Setting an alarm call for 06:30 on the 1st of January isn’t something I would normally do. It’s not as if I normally stay up the night before celebrating the start of a new year, it’s just that it’s nice to stay in bed sometimes and the 1st of January always seem like the perfect day to do so.
On this occasion though, I’d already had few long mornings in bed over the festive period, and I was itching to get out with the camera and get 2026 off to a flying start! However, I wanted to share the morning sunrise with someone so heading off on a 90 minute walk to a remote tor for sunrise wasn’t an option.
A much more socially acceptable choice would be a lovely walk along a beach somewhere. But where to go? For me there was only one place. Dawlish Warren! It’s only a short drive from home, it’s good for watching sunrise, and it’s a pleasant beach to walk along. And given the number of times I have photographed the beach, I know it can yield good results.
Arriving at Dawlish Warren I could see that lots of other people also thought that a walk along the beach would be a good idea. It wasn’t overly busy, but even for sunrise it was busier than usual. There were even swimmers in the water.
What I tend to do in these situations is head up past groyne number 10 as dogs aren’t allowed past that point. It’s not only quieter, but at low tide you can still get interesting photographs like this one.
It’s not my favourite photograph of Dawlish Warren but it reminds me of what a lovely morning I had watching the sunrise on the 1st of January and if that’s not a good reason for taking a photograph, I don’t know what is.
Happy new year everyone!
Bite-Size Blog Post #53 - First Snow of the Year on Dartmoor
A forecast of snow on Dartmoor was all I needed to read to get me to drop everything else and head out with my camera!
Let There Be Snow on Dartmoor!
For the last couple of months, I’ve had a bit of backlog of work. Not that I’m complaining, but it means I’ve been sacrificing the thing I love about photography, and that’s going out taking photographs! Sometimes when the weather forecast just doesn’t look good enough, I’ve opted to stay in the office editing, rather than taking a chance and heading out to take pictures.
However, when snow is forecast, I will drop everything and get myself out there! So, with light snow forecast on the western edge of Dartmoor I packed my bag, ready for an early morning start. Well, not that early. Sunrise is around 07:45, which as far as I’m concerned, that’s the middle of day (compared to spring!).
As I drove towards Okehampton, I did have a terrible thought. I hadn’t been to Dartmoor for such a long time that I’d got out of the habit of checking live firing times. I pulled over, and sure enough, the Okehampton range was live firing that day. Very annoying! Not to worry, I’d go to the one location that is accessible and might have snow on it, Belstone.
Arriving at the summit of Belstone it did indeed have snow on it, but only a light dusting. Enough to make it feel wintry. Not that I needed snow to feel that way. The freezing wind did a great job of that! The cold aside, it felt so good to be back up on Dartmoor, experiencing the wilderness and taking photographs.
I only captured one photograph which you can see below. The cloud cover was extensive as it was bringing in the snow, but the scene still makes for a good black and white photograph if you exclude most of the sky.
As I said, it was a great morning to be out on Dartmoor, and now that I’ve cleared most of my backlog of work, I’m really excited about spending a lot more time back out with the camera doing what I love.
Bite-Size Blog Post #52 - Loch Etive
The view down Loch Etive from the village where I grew up is something I will never bore of, especially when the light is great.
A View of My Homeland
Regular readers of this blog will know that I like to make regular trips back to my homeland in the highlands of Scotland. When I finished high school, I couldn't wait to leave and get to Glasgow, but now that I'm older (a fair bit older) and living in Exeter, I can't wait to get back!
It's not just that I have family who still live up there but it's also the draw of seeing that beautiful landscape again. Becoming a photographer has really opened my eyes to the beauty of the landscape and I appreciate it more than ever. Returning to Scotland is a joyful experience and seeing how it changes from season to season, and even from minute to minute is something I greatly value.
I recently took time off work and part of that holiday was taken in Scotland. I visited Edinburgh and of course Glen Coe, but I also made some time to visit my family in the village where I grew up. One our favourite things to do as a family is to go for a walk to the viewpoint that looks over Loch Etive and Ben Starav. Even when the weather is poor it's a stunning view. A view I will never bore off. Fortunately for me, on this visit the conditions were lovely and I was able to grab a quick shot. No time for tripods, filters and waiting about, so it was a quick handheld shot, but what a view!
Loch Etive, Scotland - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 120mm, f/11, 1/200 sec at ISO 1250.
Bite-Size Blog Post #51 - The Devil's Beef Tub
A scenic tourist drive between Moffat and Edinburgh reveals a location that forces me to pull over and admire the view.
Let's Save That One for Later
A few weeks ago, I took time off from work for a little holiday. Nothing extravagant, just a little vacation staying within the UK. I needed to take time to relax. My problem is that I can't seem to go on holiday without wanting to take all my camera gear with me. My idea of relaxing is to go on adventurous walks and take photographs!
This holiday, however, was not going to be that type of holiday. I would be going on adventurous walks, but the focus of those would be just to enjoy the experience of walking. And that's exactly what I did.
But clearly, I wouldn't be writing a blog post if I hadn't taken my camera gear with me! Of course I did, but I significantly cut down the amount of gear that I took. In fact, I really only took the camera with me so I could get nice photographs of my holiday.
It was fortunate that I did as during my drive from the Lake District to Edinburgh I drove past a location called The Devil's Beef Tub. A wonderful location with rolling hills and a dramatic hollow with a patchwork of colours and surface vegetation. Even in the middle of the day the scene stood out while driving along the road. So, I pulled over, grabbed the camera and captured this recce image. Sure, it's not going to win any awards, but it's given me a great reference shot for when I have time to plan a proper shoot there. And it's also a good reminder never to leave home without your camera!
The Devil’s Beeftub, Scotland - Nikon Z8, Nikkor Z 24-120mm f/4 S at 24mm, f/11, 1/125 sec at ISO 400, handheld.
Bite-Size Blog Post #50 - Vixen Tor - Dartmoor
Despite Vixen Tor being very much out of bounds and on private land, there are still some wonderful viewpoints to photograph.
One is Not Welcome!
If you've watched my free watch video series Discovering Dartmoor, you'll know that in episode five I visited Vixen Tor. Well, I say visited, you can't actually visit Vixen Tor as it is on private land and access is prohibited. It's not even a tor you can go and sneakily access as it's surrounded by a stone wall and barbed wire!
However, that doesn't mean you can't photograph it. It just means you have to be a little further back and capture the tor as part of the wider landscape. That was exactly the approach I took when I filmed there for Discovering Dartmoor and as result of being forced to look beyond the tor, I discovered a wonderful panoramic view. Ever since that afternoon I've been eager to get back.
With me living east of Dartmoor and Vixen Tor being location the Western Edge, getting there always takes a little more effort but given that it's only a short walk from the road, I really should go there more often! However, for whatever reason I only recently returned to Vixen Tor to see if I could improve on the panoramic image that I captured during Discovering Dartmoor.
My hopes were high when I looked over to Vixen Tor one afternoon recently. It was near perfect conditions. The light was warm and soft, the trees were displaying their autumn colours, and the wind was light. Oh, and no sheep to spoil the composition! However, while there were great clouds in the sky, some of them looking very moody, there was an annoying gap between the horizon where the tor sat and dramatic clouds above. It was unfortunately a large gap somewhat making it difficult to create a balanced composition.
Vixen Tor Panorama, Dartmoor National Park - Nikon Z8, Nikkor Z 24-12-mm f/4 S at 54mm, f/8, 1/60 sect at ISO 200, 9 image stitched panoramic.
Not to be put off by a lack of clouds I tried to make the most of the scene by placing the tor and the surrounding landscape much lower in the frame so I could include a little of the moody sky. Has it worked? I'm not 100% convinced, but the more time I spend the more I grow to like the photographs, and they represent the wonderful the view I experienced that afternoon, and it has inspired me to return again very soon!
Vixen Tor, Dartmoor National Park - Nikon Z8, Nikkor Z 24-12-mm f/4 S at 69mm, f/13, 1/13 sect at ISO 64..
Bite-Size Blog Post #49 - Sharpitor - Dartmoor
Despite it's near roadside location, the view from Sharpitor on the western edge of Dartmoor is something I'd not experienced before but when I found myself driving by one day, I just had to pull over and take a look.
Drive By Landscape Photography
Over my 10 plus years of photographing Dartmoor there still remain locations that I haven't photographed. That's hardly a surprise when Dartmoor is over 365 square miles in size! Some of these locations are remote or require additional effort to get to, but there are locations that are close to the road that I just haven’t visited yet.
Nestled on the western edge of Dartmoor, Sharpitor is one such location. It’s on the main road between Yelverton and Princetown, and there is a very convenient car park which only leaves you roughly a 15 minute walk up a gentle slope. So why have I never photographed this easily accessible tor before? Honestly, I don't know. It's not I wasn't aware of it, I guess just never got around to getting there.
That was until a few weeks ago! I was spending the day volunteering with the Dartmoor Preservation Association helping them to clear gorse from an area of land they own called High House Waste. It's not the type of work I'm used but I found it to be highly satisfying!
It was on my way home from my volunteering day that I found myself passing Sharpitor, so I pulled over, grabbed my camera and headed up the hill. Here's what I captured.
Sharpitor #5, Dartmoor National Park - Nikon Z8 with Nikkor Z 14-30mm f4 S at 19mm, f/13, 1/20 sec at ISO 64.
I needed to get back home so I wasn't able to wait for the light to soften at sunset but even so, the light on Dartmoor was lovely. Sharpitor itself isn't that interesting but it does offer some compelling foregrounds that help frame the more distant Leather Tor and surrounding hills. Now that I've been, it's definitely a location I'll be returning to!
Bite-Size Blog Post #48 - Chamonix
A little excursion to the French alps provides the chance to capture the Mont Blanc Massif.
A Retrospective Blog Post from France
I know that all blog posts are technically retrospective reviews of my photography adventures but given my adventure to Chamonix in France occurred back in July and it’s now October, I feel the use of the word retrospective is justified.
I wasn’t planning on publishing the pics from this trip because the primary purpose of going to Chamonix wasn’t to take photographs but to spend time wandering in the alps with friends. Nothing involving snow and ice though which way above my skill set but very pleasant walks below the snow line where the land is green and lush.
One of the highlights was the day I spent walking Aiguillette des Houches via Le Brévent. Such a wonderful day walking in the sun and being in awe of the mountains that surrounded me. I also had time to walk up to Lac Blanc, though that was a LOT busier with people. And I even squeezed in a run to Mer de Glace. Aside from a photography-based holiday, it was what I would consider a perfect vacation.
However, even though it wasn’t a photography based holiday, I still took my camera with me. Most of my outdoor time wouldn’t be during the golden hours, but you never know when you’ll be inspired, and you’ll want to capture a photograph.
Mont Blanc Massif from Aiguille du Midi, Chamonix, France - Nikon Z8 with Nikkor Z 24-120 f/4 S at 33mm, f/11, 1/100 sec at ISO 64.
Bite-Size Blog Post #47 - The Lakes - Day 3
I had to wait, but my third day photographing the Lake District delivered the views I was hoping for.
Dawn at Hallin Fell
After the slight disappointment of missing an ascent of Blencathra in my previous blog post, I was eager to finish my Lake District weekend on a high. With the worst of Storm Amy having passed through, the weather forecast for Sunday morning was looking positive. Sure, the winds were still strong, but a sky with broken cloud could provide light on the landscape. But where to go?
Hallin Fell Towards Martindale #1, The Lake District - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 30mm, f/13, 1/50 sec at ISO 800.
Fortunately for me I knew the best person to ask, my good friend and fellow professional photographer, Chris Sale. I’d already met with Chris for a Friday morning shoot on Latrigg Fell and when I suggested he join me for a Sunday morning shoot he knew just the place and jumped at the chance.
Hallin Fell Towards Martindale #2, The Lake District - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 27mm, f/13, 1/100 sec at ISO 500.
It was a very pleasant walk up to Hallin Fell, until we reached the summit where we hit with the full force of the wind! Getting stable shots was going to be a challenge but the views were amazing and the thought of getting light on the hills kept us positive. I had to wrap up warm to keep my positivity, but the cold didn’t seem to be bothering Chris!
Hallin Fell Towards Martindale #3, The Lake District - Nikon Z8 with Nikkor Z 14-30mm f/4 S at 20mm, f/13, 1/60 sec at ISO 500.
It was a test of our patience though as it was a good 45 minutes before the sun finally broke through the cloud and bathed the hills in glorious morning light.
Hallin Fell Towards Martindale #4, The Lake District - Nikon Z8 with Nikkor Z 24-120mm f/4 S at 70mm, f/10, 1/320 sec at ISO 500.
It was one of those mornings where you remember why you love landscape photography so much. You battle wild weather, your patience is tested, you question your life choices, and then you get break in the weather and you run around with a smile on your face taking pictures. What a way to finish my weekend in the Lake District.
This is what happy photographers look like!
Bite-Size Blog Post #45 - The Lakes - Day 1
After three years I return to the Lake District. Here’s what happened on my first morning out with the camera.
A Weekend in The Lake District
As I start to write this blog post I thought I’d look back to see when I last visited the Lake District to take photographs and I was shocked to see it was way back in April 2022! I can’t believe it’s been over three years, but looking back at the video I made that weekend I was reminded of what a great time I had, not only photographically, but also with my good friend Chris Sale. You can watch that video here.
This most recent trip was to serve two purposes, catch up with Chris and to attend the Outdoor Writers and Photographers Guild (OWPG) Big Weekend. I’ll talk more about my time with the OWPG in the next blog post. This bite-size blog post is all about the shoot Chris and I went on for my first morning in the Lake District.
Latrigg Fell
As it had been over three years since I had last photographed the Lake District, I was keen to photograph a classic Lake Districte view. Ideally somewhere that if the predicated cloud cover were to break, we’d get light on the surrounding hills. While Latrigg Fell near Keswick fits the bill, it’s unlikely to yield the most original compositions. But you never know. You have to take a chance and hope you’ll get some special conditions.
Keswick and Cat Bells from Latrigg Fell #1, The Lake District - Nikon Z8, Nikkor Z 24-120mm f/4 S at 27mm, f/11, 2 seconds at ISO 64.
Keswick and Cat Bells from Latrigg Fell #2, The Lake District - Nikon Z8, Nikkor Z 24-120mm f/4 S at 34mm, f/11, 0.8 seconds at ISO 64, 6 image panoramic stitch.
Unfortunately for us it was a case of unbroken cloud and flat light. This did not dampen our enthusiasm and joy of being out with our cameras. I spend a lot of time by myself when I’m out with the camera, but spending the morning with Chris reminded me that while the photography doesn’t always work out the way you want, spending time with a mate is never a waste of time.
In the next bit-size blog post I’ll talk about my 2nd day in the Lake District.
Bite-Size Blog Post #44 - West Mill Tor - Dartmoor National Park
In the blog this week I head to West Mill Tor on #Dartmoor after I was told it was "it's much more interesting" than East Mill Tor. Find out if it is and see what I else I captured that morning.
East vs West
No, I'm not about start writing about the current political situation but rather East Mill Tor vs West Mill Tor. I recently shared a blog post featuring East Mill Tor and I received a comment on social media that said, "Might as well go to West Mill, it's a much more interesting tor". I'm not one to ignore some feedback, so I did just that and went to West Mill Tor.
It's not that I agree with the comment. East Mill Tor is in fact one of my favourite tors, but it did remind me that I haven't photography West Mill Tor in two years, and it was time to return. East Mill Tor and West Mill Tor, despite their closeness, are very different looking locations, but I wouldn't say that one is more interesting than the other.
All that east vs west stuff aside, West Mill Tor is worth photographing. As you can see from the photographs in this post, it was definitely worth shooting that morning.
When I arrived though, it wasn't obvious that it was going to be a good morning. There was a lot of cloud about, and because it was also cold, and windy enough that I felt I needed to hold onto my tripod, I wasn't exactly what you might call "feeling it". But there is one lesson I've learnt from the decade that I've been photographing Dartmoor and that's not to give up too soon. I have left a location too soon before and been very, very disappointed with my apparent lack of dedication to my art!
Waiting for the conditions to change doesn't mean one should just stand around scrolling Instagram. No, it's the perfect opportunity to explore a location. Even if I've found a composition that I'm reasonably happy with, I will use the time to move about my spot to see what else I can see. More often than not, even a small movement to the left or right can produce a very different composition. This should be demonstrated in the set of photographs below. All were taken within one or two paces of each other. It's one of the reasons why I like photographing Dartmoor. The foregrounds can be complicated/busy, but they provide you with a lot of compositional variety.
West Mill Tor #3, Dartmoor National Park - Nikon Z8, Nikkor Z 14-30mm f/4 S at 18mm, f/13, 1/3 sec at ISO 64.
It can be a bit of a lottery with how the weather conditions will change on Dartmoor at dawn. Frequently they stay poor or get worse. But every now and again they clear up just enough to give you a little bit of light on the landscape. And sometimes all you need is a little bit of light. Some light to catch the tops of the grasses and to add contrast and depth to the tor.
It was a great morning up on West Mill Tor and I captured a series of photographs that I'm very happy with. I still wouldn't say that West Mill Tor is more interesting than East Mill Tor (or vice versa) but I am glad someone reminded me to go photograph it again.
Bite-Size Blog Post #43 - Belstone Common - Dartmoor National Park
In this blog post I share with you some of the photographs I captured from the recent snowfall on Dartmoor, and I discuss some of the compositional challenges when there is "too much snow".
A Reminder of the Dangers of Driving in the Snow
I recently wrote in blog about how I photographed Dartmoor in the snow over a period of three days. We are lucky to get one day of snow on Dartmoor before it clears, so I felt fortunate to get out with my camera three times over three days. Aside from a tricky exit from one car park, driving around Dartmoor in the snowy conditions wasn't too bad and it gave me a bit of confidence to try it again should there be another snowfall.
As if luck was on my side, it was early on in January when Dartmoor experienced another dumping of snow. Eager to get out there and add to my library of snowy Dartmoor pictures I ventured out in the car to photograph the area around Row Tor in the Okehampton military zone. The driving conditions on the main roads weren't too bad, but as always, a little extra caution was called for.
All was going well until I started heading up Station Road in Okehampton where there is less traffic and steeper roads. There was clearly ice and snow on the road, but I was feeling bold, and I was eager to capture some photos, so I kept going. Station Road soon turned into Tors Road, and this is where things got tricky. Tors Road is particularly steep in places, and with very little traffic on that road (and certainly no gritting trucks), I found my car sliding on the ice.
I thought I might be able to make it to the boundary of the military camp, but even if I did, coming back down would be horrible. With the likelihood of the car sliding even under gentle braking, I really didn't fancy descending Tors Road and then sliding into something and damaging my car or someone else's property. So, I made a very careful three point turn and slowly descended back into Okehampton. It was a sensible decision.
However, I didn't want to just give up on my desire to capture photographs that morning. With sunrise getting ever closer there was only one place that I thought I could get a car close enough to and that was Belstone.
I had to drive carefully up the country lane to Belstone, but it was passable. I did the sensible thing and parked in the main car park and started the walk up to Belstone Common. It was a beautiful morning and Belstone village looked like a winter picture post card. Up on the moor the walking was hard going as the snow was deep. I was glad I was wearing my Muck Boot Artic Sport wellies!
Too Much Snow for Belstone?
A Snowy Belstone Tor #1, Dartmoor National Park, Devon - Nikon Z8, Nikkor Z 14-30mm f/4 S at 19mm, f/13, 1/15 sec at ISO64
I was surprised to see a few folk up on Belstone at that time of morning, especially with so much snow. My first concern was that they might have already walked through the snow and left foot prints but fortunately for me this wasn’t the case.
Belstone is a place I have photographed numerous times of the years, and I have compositions I know work well. However, as pretty as the snow was, there was more there that I'd ever experienced on Dartmoor and its presence considerably change the look of the location. Compositions featuring my favourite rock formations lost a lot of their definition under a blanket of snow. Don't get me wrong, the snow looked beautiful and some of the patterns that the wind had shaped the snow into looked amazing. But it was hard work finding compositions.
A Snowy Belstone Tor #2, Dartmoor National Park, Devon - Nikon Z8, Nikkor Z 14-30mm f/4 S at 18mm, f/13, 1/30 sec at ISO64
Another challenge was the mostly clear blue sky. With a very white foreground and a blue sky, I felt the scene lacked interest or drama. It was certainly wonderful to look at, but that doesn't always make for a compelling photograph.
While I am often critical of my photographs because I either should have composed them better or the conditions weren't right, the one thing I always do is enjoy my time while I'm out with the camera and I most certainly enjoyed my morning on Belstone Common. Watching the sunrise over the rolling hills of a snowy Dartmoor was a joyous experience and one that I would happily do again.
A SNowy Irishman’s Wall, Dartmoor National Park, Devon - Nikon Z8, Nikkor Z 14-30mm f/4 S at 26mm, f/13, 1/20 sec at ISO64