The Best Day for Landscape Photography on Dartmoor?
With a late sunrise, an early sunset, and a sun that stays low in the sky, the winter solstice is one of the best days for landscape photography on Dartmoor. However, as I find out, trying to do too much on the shortest day can lead to problems.
A Dartmoor Photography Adventure on the Winter Solstice
I learnt a few years ago that on or around the winter solstice is one of the best times to photograph Dartmoor. Sunrise isn’t too early, sunset isn’t too late, and the sun remains relatively low along the horizon during the day. This means that for the roughly 8 hours of daylight that you get, it is possible to shoot all day and still have a relatively short day out.
Another advantage of such a short day is that it is possible to reach some of Dartmoor’s more remote locations for sunrise and not have to set an alarm for 3am! This winter solstice I decided to take advantage of this by walking to Wild Tor for sunrise. It takes me an hour to drive to the car park, and then it’s another 1hr 15 min walk to Wild Tor. I was certainly glad that sunrise wasn’t until 08:10.
My plan was to photograph Wild Tor for sunrise, then walk back to the car and take in some other locations, hopefully benefiting from sun remaining low on the horizon. Then after my mornings work, I would get a late breakfast or lunch, and find somewhere else to photograph sunset.
A great plan for sure. However, I decided to try and squeeze in something else between my morning locations and afternoon locations. This led to a few problems. You can find out what and watch me capture the photographs you see below in this video.
I hope you enjoyed the video. Despite the challenges I had with finishing the video on location, there were still many more positives than negatives to take away from my day out with the camera.
Links Mentioned in the Video
Here are some of the links I mentioned in the video.
💳 Fotospeed Platinum Gloss Art Fibre 300 - https://fotospeed.com/platinum-gloss-art-fibre-300.html
💳 Fotospeed Platinum Etching 285 - https://fotospeed.com/platinum-etching-285.html
💳 Print mounts from https://pictureframesexpress.co.uk
💳 Ikea Mosslanda Picture Ledge - https://www.ikea.com/gb/en/p/mosslanda-picture-ledge-white-40291766/
🎥 My video on the Canon imagePROGRAF Pro-300 - https://youtu.be/QF3_JXuu_Ag
🎥 All my videos on printing - https://www.youtube.com/playlist?list=PLJU6FMi6Tvo_kuUIioDAagRJ6zsvo1X3P
Landscape Photographs from Dartmoor
Wild Tor
Wild Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 18mm, f/13, 0.4 sec at ISO 64.
Wild Tor #2, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 14mm, f/11, 1/5 sec at ISO 64.
Wild Tor #3, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 19mm, f/13, 1/6 sec at ISO 64.
Wild Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 20mm, f/13, 1/6 sec at ISO 64.
Oke Tor
Oke Tor, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 16mm, f/13, 1/30 sec at ISO 64.
Yes Tor
Yes Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 21mm, f/11, 1/3 sec at ISO 64.
Yes Tor #2, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 14mm, f/13, 1/3 sec at ISO 64.
Landscape Photography Audiobook - Ross Hoddinott & Daniel Lezano - On My Bookshelf S03E12
Have you just got a CAMERA? Are you new to LANDSCAPE PHOTOGRAPHY? Are you looking to gain a better understanding of landscape photography TECHNIQUE? If so, then "Landscape Photography: For Mirrorless and Digital SLR Users" by Ross Hoddinott and Daniel Lezano could be for you. In this special audiobook edition of On My Bookshelf, I tell you all about this unique title.
Learning Landscape Photography While on the Move
I spend a lot of time in the car travelling to locations for my landscape photography. Even though I’ve spent most of 2022 photographing my local area (i.e., Dartmoor), I still spend anywhere between 30 and 60 minutes just getting to a location. That’s not to mention how long it takes to walk to the spot I want to photograph after I’ve parked!
I’m not complaining. I’m just highlighting how much time I spend on the move. To make those car journeys pass a little quicker I love to listen to audiobooks. If you’ve ever been put off by the size of the Lord of the Rings or Game of Thrones books, then the audiobook could be the perfect option.
However, I’d never considered listening to an audiobook to learn landscape photography. Sure, I listen to a lot of photography podcasts, but can you teach landscape photography from an audiobook. After all, photography is such a visual medium how can you teach landscape photography without seeing anything?
Ross Hoddinott and Daniel Lezano believe they can and they sent me a copy of their audiobook “Landscape Photography: For Mirrorless and Digital SLR Users” to try out. I must admit that I was rather curious, so I put it to the test, and I share my thoughts on this audiobook title in this episode of On My Bookshelf.
If you like to pick up a copy of “Landscape Photography: For Mirrorless and Digital SLR Users” by Ross Hoddinott and Daniel Lezano, you can do so here - https://amzn.to/3YVL1tR
We May As Well Dance by Valda Bailey and Published by Kozu Books - On My Bookshelf S05E11
In this episode of On My Bookshelf I look at We May as Well Dance by Valda Bailey. Is book of abstract and expressionist images, by one of the leading photographers in this genre, a book for your bookshelf?
The Art of Photography
Photography is a wonderful medium, and whether you believe it to be art or not, the sheer variety of genres and styles is enough to give any lover of photographs a lifetime of images to enjoy.
While my own bookshelf is dominated by books on landscape photography, there are also books on people, locations, wildlife and even a TV show. I enjoy them all, but they all have one thing in common. Everyone will identify the images in those books as photographs.
The images in We May As Well Dance are very different. They are still photographs (captured using a camera), but the use of ICM and multiple exposures that Valda has expertly adopted produce images that take on an abstract, expressionist style. At first glance, they could be mistaken for paintings or some other form of art.
With We May As Well Dance being such a big departure from the types of photograph I enjoy, would I still be able to enjoy it? Let’s find out in the latest episode of On My Bookshelf.
You can purchase a copy of We May As Well Dance by Valda Bailey directly from Kozu Books - https://www.kozubooks.com/books-new/we-may-as-well-dance-by-valda-bailey
The BEST View of Glencoe
Anyone who has driven through Glencoe will know what the view of Buachaille Etive Mor looks like. It's probably Glencoe's most iconic mountain. But what is the view like from the summit? In my latest video, I head to the summit to find out and take some landscape photographs.
Photography from the Summit of Buachaille Etive Mor
I’ve photographed Buachaille Etive More (Stob Dearg) many times before. So have a lot of other photographers. It’s probably one of Glencoe’s most iconic and striking mountains. You can’t help but admire it as you drive along the A82.
I did walk up to the summit way back in 2006 but that was just for fun and ever since then I’ve always wanted to go back to the summit with my camera. Finally, after gap of just over 16 years I’m given another opportunity to make it to the roof of Glencoe.
The day I was in Glencoe the conditions were looking great for an ascent, and despite having already walked up Beinn a'Chrulaiste for sunrise that morning, I knew I had enough energy (mental and physical) to get up there. So carrying a bag with (probably) too much camera gear and wearing my new walking boots I set off and made a video of my adventure.
WIN a Pair of Mammut Boots
This competition is now closed. Sorry!
Photographs from the Summit of Buachaille Etive Mor
Panoramic View from Stob Dearg (Buachaille Etive Mòr), Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 71mm, f/8, 1/50 sec at ISO 64.
Altnafeadh and Beyond, Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 48mm, f/11, 1/160 sec at ISO 320.
Stob a Ghlais Choire from Stob Dearg, Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 76mm, f/8, 1/250 sec at ISO 500.
The Mountains of Glencoe #1, Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 30mm, f/8, 1/60 sec at ISO 64.
The Mountains of Glencoe #2, Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 45mm, f/8, 1/50 sec at ISO 64.
Coire na Tulaich, Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 24mm, f/13, 1/15 sec at ISO 64.
View Down Coire na Tulaich, Glencoe, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 24mm, f/13, 1/50 sec at ISO 320.
Sea Signatures by Marianthi Lainas and Published by Kozu Books - On My Bookshelf S05E10
In this episode of On My Bookshelf, I discover not all photographs are created using cameras. Sea Signatures is a collection of cyanotype photographs created by Marianthi Lainas as she explored the littoral zone of her local coastline. Reading this book has opened my eyes to a whole new type of photography and art, but is it a book for your bookshelf?
Cameraless Photography
Photography comes in many forms, styles, and genres. Even though my own photography journey is leading me towards the development of a particular style of landscape photography, I like to expose myself to a wide range of photographers and styles. I’ve always found that by digesting the images contained in books by photographers that have a vastly different style to me, I can normally learn something about my own photography.
However, Sea Signatures by Marianthi Lainas is something quite different. The images contained in this book aren’t even taken with a camera. Marianthi has used the cyanotype process coupled with her use of mixed media to create a body of work that is unique. They are images created by the sea, but they aren’t seascape images as I would imagine them.
Have I bitten off more than I can chew with this book? Are the images in this book to artistic and abstract? Join me in the latest episode of On My Bookshelf to find out.
You can purchase a copy of Sea Signatures by Marianthi Lainas directly from Kozu Books - https://www.kozubooks.com/books-new/seasignatures
On Location Review of the Kingjoy C83 Carbon Fibre Tripod
All tripods are the same right? Not exactly. While they all have three legs, some are better than others. When it comes to landscape photography you need something that is lightweight, stable and easy to use. In this video I review the Kingjoy SolidRock C83 Carbon Fibre Tripod out to Dartmoor to see if it can fit my needs as an outdoor photographer!
The New King of Tripods?
It’s very easy to assume that all tripods are the same. They all have three legs, and they support your camera. However, if you are a landscape photographer a tripod is an essential item and your tripod needs to be lightweight, stable, and easy to use.
I’ve had the same two tripods for years and it’s only recently that I’ve been looking about for something new. Why two tripods I hear you ask? One for stills photography, and the other for video. And yes, I need to do both at the same time otherwise I couldn’t make my YouTube videos. The reason I’m looking for something new is that as my cameras and lenses change, so do my requirements for tripods.
For my current setup of cameras and lenses I needed something robust, stable, and well built, but not at Gitzo level prices. I had heard some good reports about Kingjoy tripods but it’s not a brand I immediately think of when considering a new tripod. But when they reached out to me and asked if I wanted a loan of their C83 carbon fibre tripod I said yes. I’ve got nothing to lose and I might find myself pleasantly surprised.
With my loan C83 in hand, I head off to Dartmoor for some landscape photography to see if this is a tripod that I would buy.
If you’d like to buy a Kingjoy SolidRock C83 Carbon Fibre Tripod, you do so direct from Kingjoy UK here - https://kingjoyuk.com/products/kingjoy-solidrock-c83-carbon-fibre-tripod?sca_ref=2948686.NWDrPIWIBg
*** Use the code kjbaird5 and you'll get a 5% discount ***
Landscape Photographs of Beardown Tors
Beardown Tors Sunset #5, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 16mm, f/13, 1/25 sec at ISO 64, Kase Filters CPL.
Beardown Tors Sunset #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 21mm, f/13, 1/8 sec at ISO 64, Kase Filters CPL.
Beardown Tors Sunset #2, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 17mm, f/13, 1/6 sec at ISO 64, Kase Filters CPL.
Beardown Tors Sunset #3, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 30mm, f/13, 0.6 sec at ISO 64, Kase Filters CPL, 4:5 crop..
Beardown Tors Sunset #4, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 15mm, f/13, 1.6 sec at ISO 64, Kase Filters CPL.
Kingdom by Norman McCloskey - On My Bookshelf S05E09
What makes a great photography book? Is it the inspiring photographs? Is it the layout and sequencing? Is it the print quality and how it feels in the hand? Or is the feeling you get when you read it? Every now and again a book comes along that ticks all those boxes. Find out why Kingdom by Norman McCloskey is one such book in the latest episode of On My Bookshelf.
A Book That Truly Inspires
I have now made thirty five episodes of On My Bookshelf. That’s a lot of books and that doesn’t even take into account all the books I haven’t made episodes for. The point is, I love photography books. One of the things I try and do though is look at photograph books that don’t always align with the style of photographs I aspire to take. These books could still be on the genre of landscape photography or sometimes something completely different such as street or documentary photography.
Every now and again a book comes along that delivers exactly the style of photography that I aspire to take. One such book was Beara by Norman McCloskey. It rapidly became one of, if not my favourite landscape photography books. I loved it for both for its photographs and for the layout and sequencing of the photographs.
Nearly three years after the release of that book, Norman has just published his third book, Kingdom. Is Norman’s latest body of work still the book I reach for when I want to be inspired? Is it a book for your bookshelf? Let’s find out.
You can purchase a copy of Kingdom by Norman McCloskey directly from Norman at - https://www.normanmccloskey.com/books/kingdom/
The Story of Scotland's Mountains - A Documentary
Murray Wilkie (AKA Scotland's Mountains) has been documenting his adventures in the Scottish mountains for over a decade. In this special documentary, I join Murray on one of his world-famous walks as he takes on a new route to discover one of Glencoe's finest viewpoints. Along the way I ask Murray about his passion for hillwalking, his photography, his life on YouTube, and most importantly, what his favourite mountain snack is!
A Journey to Glencoe's Finest Viewpoint with Murray Wilkie
The primary goal of the video content I produce is to share my passion for landscape photography. By sharing my adventures, I hope that my films inspire more photographers to head outdoors with their cameras to capture beautiful landscapes.
As well as providing inspiration, I also gain inspiration from other photographers and YouTube content creators. One of my favourite channels is Scotland’s Mountains. On the channel you’ll find Murray Wilkie hill walking and climbing the hills and mountains of Scotland. Not only is his content inspiring, but more sentimentally than that, it reminds me of home.
One of the things I like to do on my channel is to share the stories of the people that inspire me by making documentaries about them. You may have already seen my documentaries about Chris Sale and Nick Livesey. Though I don’t make documentaries very often, I am passionate about them, so you can imagine my excitement when Murray agreed that I could make one about him.
What you are about to watch is the result of that collaboration. I join Murray on one his world-famous walks, on a route he’s never walked before to (hopefully) find one of Glencoe’s finest viewpoints. Along the way I ask Murray about his passion for hillwalking, his photography, his life on YouTube, and most importantly, what his favourite mountain snack is!
Sit back, relax, and enjoy “Scotland’s Mountains - The Murray Wilkie Story”.
Murray’s Video of that Day
If you’d like to see the video Murray made of that day then check it out below. It’s well worth a watch!
Check out Murray's excellent Instagram feed - instagram.com/scotlandsmountains
Buy Gerry's book "Day Walks in Loch Lomond & the Trossachs" - https://amzn.to/3thXXLG
Glencoe Photos
As with any of the documentaries I produce, filming my subject is my primary focus. However, I did manage to find the time to take a photograph of the mighty fine view Murray guided me to.
Glencoe Valley from Meall Mor, Scotland - Nikon Z7, Nikkor Z 24-120mm f/4 S at 24mm, f/8, 1/60 sec at ISO 64.
A Return to Coastal Photography in Cornwall
After a long break, I return to Cornwall for some seascape photography. It’s also an excellent opportunity to catch up with a mate.
A Day Out in Cornwall
Looking through my Lightroom catalogue I was surprised to see that I hadn’t been to Cornwall or done any seascape photography since June. As part of my long-term photography project, I have been focusing my efforts on capturing images of Dartmoor. While there’s no doubt that this focus has paid dividends for my project, it has left me missing the coast.
There is also the cost of driving to Cornwall to consider. With fuel being so expensive it can be hard to justify burning through £25 of fuel on the off chance you might capture something new, unique, or special. However, there is one reason I will always head to Cornwall no matter what the cost of fuel is and that is to spend the day with my mate (who is also a photographer).
We hadn’t seen each other since my last trip in June and despite trying to organise something we found it impossible to align our availability and a half-decent weather forecast. Finally, when things did align, we just decided that we would make it a proper day out. Dawn to dusk.
Padstow Lifeboat Station
The first stop on our day out was Padstow Lifeboat Station near Trevose Head. When we arrived, we could sense the conditions might be favourable for us. Our first viewpoint was what you might call the classic viewpoint, close, and looking down on the lifeboat station. It’s a photograph we’ve both taken before and given that access is even more restricted these days, we decided to head along the coast to see if we could find a different angle.
Padstow Lifeboat Station at Trevose #1, Cornwall, South West Coast Path - Nikon Z7, Nikkor Z 14-30mm f/4 S at 21mm, f/11, 30 sec at ISO 64.
As we approached our alternative viewpoint the warm light from the rising sun started to illuminate the scene. While the sky lacked some contrast in the clouds, the rest of the view was a joy to shoot. I spent a bit of time wandering from one rocky outcrop to another and adjusting my focal length trying to decide whether to include the beach or not.
Padstow Lifeboat Station at Trevose #3, Cornwall, South West Coast Path - Nikon Z7, Nikkor Z 14-30mm f/4 S at 18mm, f/13, 10 sec at ISO 64.
Padstow Lifeboat Station at Trevose #4, Cornwall, South West Coast Path - Nikon Z7, Nikkor Z 14-30mm f/4 S at 25mm, f/13, 3 sec at ISO 64.
Padstow Lifeboat Station at Trevose #5, Cornwall, South West Coast Path - Nikon Z7, Nikkor Z 14-30mm f/4 S at 24mm, f/13, 13 sec at ISO 64.
In the end, I think both the wider and slightly tighter shots work well. I think we were both happy with our efforts. However, not happy enough that we didn’t think we ought to shoot those viewpoints again!
Snacks, Chat and Walking
I’ve never been much for capturing landscape photographs during the day unless the conditions are particularly special. Unfortunately for us, the conditions were less than special. So, what do you do then to fill the time until sunset? Easy! Eat, chat, and walk.
Things started with a cooked breakfast and coffee. This was followed by a bit of a walk. As photographers though, our walk still had a purpose. We used this valuable time to scope out new locations and discuss ideas for compositions. It wasn’t all photography chat though. We also covered other life critical issues such as the various Star Wars TV series and the new GoT show. Much was said on those two items.
It was then time for a cake stop, another walk, lunch somewhere, an ice cream, and another walk looking for new locations and viewpoints. Despite not taking any photos since sunrise, it was a most enjoyable way to spend the day.
Holywell Bay
The weather forecast for sunrise is what I might have called, inconclusive. It was hard to tell what was going to happen when comparing what we could see in the sky, and what the forecast was telling us. We ultimately decided to go to Holywell Bay. While my mate has shot this location many times, this was my first visit.
Arriving at Holywell Bay we wandered up and down the beach for a while, looking for compositions. Because of the settled conditions, the outgoing tide hadn’t created as many ripples and textures in the sand as we might have liked, but we did eventually find a composition we thought might work.
It had some of the elements we were looking for. Rippled sand, a pool of water, and a view directly out to Gull Rocks. There was even a chance that the sun might set between the two islands that make up Gull Rocks.
The only problem with shooting Cornwall’s beaches in peak season is that they are busy. Naturally, a calm, somewhat sunny evening means that the beaches can be full of people, even near sunset. There’s not a lot you can do about that, and people wandering in front of your beautifully crafted composition is just part of sharing the beach. I don’t get upset about it I just get the clone tool out!
Holywell Bay #1, Cornwall - Nikon Z7, Nikkor Z 24-120mm f/4 S at 27mm, f/13, 1/6 sec at ISO 64, Kase Filters CPL.
Holywell Bay #2, Cornwall - Nikon Z7, Nikkor Z 24-120mm f/4 S at 27mm, f/13, 3 sec at ISO 64, Kase Filters CPL.
With our day coming to an end, we looked back and concluded it was a successful day out. Though we’d captured some photographs, our primary goal, the highlight of day was catching up with a mate. Well, almost the highlight. We did get some chips on the way home from our favourite chippy. After all, we’d barely eaten anything all day!
Even The Birds Were Afraid To Fly by Al Brydon and Published by Kozu Books - On My Bookshelf S05E08
In this episode I take a look at Even The Birds Were Afraid To Fly by Al Brydon and published by Kozu Books. Is this collection of "lo-fi" photographs a book for your bookshelf?
Challenging But Rewarding
The On My Bookshelf playlist now has thirty-five videos in it but my passion for photography books shows no signs of slowing down. However, I’m not only looking at books that align with and inspire the style of photographs I like to take, but I’m also trying to expand my photographic horizons by embracing photography from a wide range of styles and genres.
Even the Birds Were Afraid to Fly is a book that falls into the latter category. Sitting down to look through this book I initially struggled to connect with the photographs. I would go as far as to say that I found it challenging and I wasn’t sure what I would say about the photographs.
My experience of looking at so many books has taught me that some photographs need more viewing time before you start to appreciate them. This is very much the case for this book. Well, for me personally at least. It’s time I’m glad I spent though.
Find out why I’ve found this book so rewarding in the latest episode of On My Bookshelf.
You can purchase a copy of Even the Birds Were Afraid to Fly directly from Kozu Books - https://www.kozubooks.com/books-new/eventhebirdswereafraidtofly
East Mill Tor - Dartmoor - A 5 Minute Photo Adventure
Is there any point in returning to a location if you've already captured a great landscape photograph there? In this video I return to the spot where I took one of my favourite landscape photographs of Dartmoor to try again. But was this new photograph better, worse, or just different?
Better or Different - Just Keep Coming Back
The north has become my favourite area of Dartmoor to photograph. This is especially true now that we are getting closer to winter. The long Dartmoor grasses start to lose their green colour leaving them a pale yellow colour which beautifully reflects the light from the rising or setting sun.
A new favourite location in that area is East Mill Tor and I decided it was time to return to the location from which I captured one of my favourite Dartmoor photographs. That photograph, which I captured back in March 2022, hangs proudly on my office wall.
So why have I returned? Did I capture an image that was better than my previous image? Does it matter? Let’s find out in my latest 5 Minute Photo Adventure.
East Mill Tor - Dartmoor - Landscape Photographs
Autumn Sunrise at East Mill Tor #1, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 14mm, f/11, 1/13 sec at ISO 400.
Autumn Sunrise at East Mill Tor #2, Dartmoor, Devon - Nikon Z7, Nikkor Z 14-30mm f/4 S at 19mm, f/11, 1/20 sec at ISO 400.
Hidden Worlds by Robbie Shone and Published by Kozu Books - On My Bookshelf S05E07
Would you be willing journey 2000m below the surface of the earth to capture a photograph? Fortunately for us there are photographers like Robbie Stone who have made the exploration of caves their life. In his book, Hidden Worlds, Robbie shares some the images he has captured over the last 20 years. Is this a book for your bookshelf?
A Journey to the Centre of the Earth
When you think about photographing the landscape you will likely think of mountains, rivers, forests, clouds sunlight. But I would imagine few of us consider photographing the landscape that is below the surface of the earth! And why would we. It’s cold, claustrophobic, dangerous and most importantly there’s no light!
For photographers like Robbie Shone though, what lies beneath our feet is a world of adventure and discovery, and a world that must be photographed. In his book, Hidden Worlds, Robbie shares some of the photographs he has captured over the last 20 years exploring the deepest, longest, and largest caves in the world.
This book offers a view into a fantastical world that most people will never see, but is it a book for your bookshelf?
You purchase a copy of Hidden Worlds by Robbie Shone directly from Kozu Books - https://www.kozubooks.com/books-new/hidden-worlds-by-robbie-shone
Photographing One of Scotland's Hidden Waterfalls
Scotland has many famous and majestic waterfalls, but for the landscape photographer willing to do a bit of exploring, there are also a few hidden gems. Join me in this 5 Minute Photo Adventure where I photograph one of those hidden gems near the coastal town of Oban in West Scotland.
A Very Wet and Challenging Photography Adventure
There’s not much Scotland doesn’t offer the adventurous landscape photographer. It has mountains, lochs, coastline, woodlands, and waterfalls. Some of those waterfalls have a lot of grandeur and are well known. There are also a few hidden gems. Not that hard to get to, but you need to know where they are.
There is one such waterfall near the town of Oban in West Scotland where I grew up. It’s been on my list of places to photograph for many years but it’s only on my most recent visit to Scotland that I’ve finally taken the chance to photograph it.
When I arrived at the waterfall though, it was in full flow, and it was raining. I shouldn’t have been surprised though. It is Scotland! With so much water in the air, it turned out to be one of the most challenging photographs I’ve ever captured. But I must admit, it was still a lot of fun!
Watch me get wet and take some photographs of this hidden gem of a waterfall in my latest 5 Minute Photo Adventure.
Landscape Photographs of Oban’s Hidden Waterfall
Waterfalls #1, Oban, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 21mm, f/13, 0.4 sec at ISO 50, Kase Filters CPL.
Waterfalls #2, Oban, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 16mm, f/13, 0.4 sec at ISO 50, Kase Filters CPL.
Komorebi by Martin Rak and Published by Kozu Books - On My Bookshelf S05E06
Komorebi is a book that takes you on a journey into the world of trees, forests and woodland landscapes. But is Martin Rak's book of his favourite woodland images from the last 10 years a book for your bookshelf?
Sunlight Filtering Through the Trees
The team at Kozu Books have a great track record of publishing high quality photography books from a diverse range of photographers. I’ve reviewed some of these books in previous episodes of On My Bookshelf and you can watch those in this handy playlist.
Expanding on their lengthy list of titles, they now bring us Komorebi by Martin Rak. Martin is an award-winning photographer from the Czech Republic. The book features his favourite woodland photographs from the last ten years. The book title, Komorebi, is a Japanese word which roughly translates to “sunlight filtering through trees”. While this is a great summary of the photographs in this book, there is so much more to discover as I find out in the latest episode of On My Bookshelf.
You purchase a copy of Komorebi by Martin Rak directly from Kozu Books at - https://www.kozubooks.com/books-new/komorebi-by-martinrak
Photographing Glencoe and Vallerret Base Layers
There are few better places to visit as a landscape photographer than Glencoe in Scotland. However, at this time of year, the temperatures can be low enough to make any unprepared photographer give up and go home. In this video, I will share the joy of landscape photography at one of Glencoe's most famous viewpoints and I also try out Vallerret's new range of merino wool base layers.
Scotland at Its Very Best
Photographers are attracted to Glencoe for all sorts of reasons. One of the biggest reasons is that there are so many amazing viewpoints that are easy to access. There are some great photographs to be captured from either your car or with just a short walk. However, for those photographers willing to be a little more adventurous there are almost limitless opportunities, especially if you chuck the variable weather into the mix.
One such viewpoint is an elevated view of Stob Dear (Buachaille Etive Mòr). It’s always been a favourite of mine and I find it hard not to photograph it if I’m visiting Glencoe. On my most recent visit, the forecast was predicting lots of fog, and I had high hopes of a temperature inversion, and even though this didn’t occur, it was still an amazing morning of photography.
Keeping Warm with Vallerret Base Layers
While it might have been a sunny day on Glencoe, it was far from warm. The lower temperatures did therefore give me the chance to share my thoughts on Vallerret’s new range of merino wool base layers. You will be familiar with Vallerret’s range of photography gloves, and I have previously featured them in my videos. I suffer from cold hands and for me, my photography gloves are as important as my camera. I’ve had a few trips out with the camera ruined because I’ve been cold and miserable.
With winter just around the corner, the release of these new base layers from Vallerret was good news to me and I was happy to put them through their paces during my adventures in Scotland. You can learn more about them and hear my thoughts on them in the video below.
If you’d like to purchase any of these base layers you can do so directly from Vallerret right here.
Landscape Photographs from Glencoe
Buachaille Etive Mor (Stob Dearg) at Sunrise, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 21mm, f/11, 1/5 sec at ISO 64.
Glencoe Valley at Sunrise #1, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 21mm, f/11, 1/5 sec at ISO 64.
Glencoe Valley at Sunrise #2, Glencoe, Scotland - Nikon Z7, Nikkor 14-30mm f/4 S at 14mm, f/11, 1/13 sec at ISO 64.
Vallerret Base Layers on Location
Those Vallerret base layers were warm enough and comfortable enough to allow me to take these on location photographs. I don’t think modelling is my strong point though. Perhaps I’ll stick to photography!
Vallerret Merino Wool Zip Jersey.
Vallerret Merino Wool Long Sleeve Tee
Dolomiti Dreamscapes by Sam Gregory - On My Bookshelf S05E05
On My Bookshelf is back and, in this episode, I'm looking at Sam Gregory's 2nd book, Dolomiti Dreamscapes. The book is a personal collection of images inspired by Sam's travels around the Dolomites. But is this book of unique photographs of the Dolomites a book for your bookshelf?
On My Bookshelf is Back!
After a short break, I’m pleased to announce that On My Bookshelf is back! Over the last month, I’ve been stocking my bookshelf with lots of exciting titles from Kozu Books and fotoVUE. However, before I share with you my thoughts on that lot, let’s talk about a very exciting book from Sam Gregory.
A Dream Within a Dream
If you’ve been watching On My Bookshelf for a while, you may remember that back in 2020, I looked at Mesozoic by Sam Gregory. It was a book I thoroughly enjoyed, so when Sam announced he was publishing a new book called Dolomiti Dreamscapes, I need no encouragement to get the credit card out and order one.
Now that I have the book, what is it like? Is it a good addition to my bookshelf? Let’s find out in the latest episode of On My Bookshelf.
I hope you enjoyed this episode of On My Bookshelf, and if you want to pick up a copy of this book, you can order one direct from Sam’s website - samgregory-photography.com/dreamscapes-book
But don’t wait too long. Production is limited to 200 copies!
Other Books to Inspire You
Check out some of the other books I have on my bookshelf.
Landscape Photography from Dartmoor - A 5 Minute Photo Adventure
I'm back!!! After taking some time to work on a photography project, I'm back producing videos for YouTube. To kick things off I head to one of my closest tors where I get some unexpected, but very welcome conditions.
An Exciting Return to YouTube
It’s been three months since I’ve shared any videos or posted anything on my blog, so it is with a natural sense of excitement that I’m sharing a new 5 Minute Photo Adventure with you! In the video, I will tell you a little bit about what I’ve been up to and what’s coming up over the next few months on my blog and channel.
Most importantly though, I share with you the experience of being on location and capturing landscape photographs of Dartmoor. This is something I’m passionate about! So, grab yourself a cup of coffee and join me on my latest 5 Minute Photo Adventure.
Landscape Photographs from Rippon Tor
Rippon Tor Sunrise Panoramic, Dartmoor, Devon - Nikon Z7, Nikkor 24-120mm f/4 S at 54mm, f/8, 1/30 sec at ISO 64, 6 image panoramic stitch.
Rippon Tor Sunrise #1, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 S at 18mm, f/13, 1/4 sec at ISO 64.
Rippon Tor Sunrise #2, Dartmoor, Devon - Nikon Z7, Nikkor 14-30mm f/4 S at 23mm, f/13, 0.4 sec at ISO 64.
Photography and Wild Camping on Dartmoor with the Lowepro PhotoSport Backpack PRO AW III
Is there a backpack designed for photographers & videographers that can also be used on multi-day hikes, adventures, and wild camping? Lowepro thinks they have one with the PhotoSport Backpack PRO AW III. In this video review, I put it to the real-world test by taking it on a landscape photography and wild camping adventure on Dartmoor.
A Bag for My Wild Camping Photography Adventures
As you may have read recently on my blog, I have taken the bold step into the world of wild camping. Not only does this change the way I can approach my photography, but it also means I need to carry a lot more gear. My dedicated camera bag doesn’t have the capacity to carry sleeping bags, tents, and overnight provisions.
In a stroke of luck, as I was having a look around the internet for possible bag options, Lowepro got in touch and asked if I wanted to test out one of their PhotoSport Backpack Pro AW III bags! If I hadn’t taken up wild camping I would have said no, but as I had a real need for a bag like this, I knew I could put it to good use and produce a video review based on real-world experience.
In the video below, you can join me as I take landscape photographs of Dartmoor, share with you the joy of wild camping and hear all my thoughts on the Lowepro bag.
If you want to purchase this bag you can do so here:
Watch this before you buy so you can see how the bag fits - https://youtu.be/fm228Mn78CY
Landscape Photographs from Dartmoor
Belstone Tor, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 20mm, f/11, 1/60 sec at ISO 64.
Oke Tor, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 17mm, f/11, 1/60 sec at ISO 64.
Steeperton Tor #1, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 30mm, f/11, 1/50 sec at ISO 64.
Steeperton Tor #2, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 24mm, f/11, 1/15 sec at ISO 64.
A Slightly Random Collection of Photos from Devon
It’s a shame to have captured a photograph and not to publish it, so I’ve gathered up a few orphan photographs to share with you on this blog post.
Here and There
I try to get out with my camera as much as possible. More often than not I go out with purpose. What I mean by that is that I’m hoping to capture a specific image or create a video. Sometimes though I just go out because I want to. I just go for a wander, with my camera, to see what I can see.
Normally these wonderings do end up forming the basis of a blog post as there is a story to tell about that photography adventure. Now and again, I come away with nothing much more than a photograph. Without a story to share on a blog post or video to produce, these photographs are processed but are then left in Lightroom.
This to me seems a real shame. If I’ve gone to the effort of capturing a photograph, and then processed it, why not share it with the world. In this blog post, I’m going to share with you a few of those orphaned images that I’ve found in my Lightroom catalogue recently.
Higher Tor
I captured this image of Higher Tor after originally photographing the location for a project that I’m working on. Despite Higher Tor just being a short distance away from Belstone Tor (a location I photograph a lot), I’d never made the effort to photograph until recently.
Higher Tor, Dartmoor - Nikon Z7, Nikkor 14-30mm f/4 at 17mm, f/11, 0.6 sec at ISO 64.
Bowerman’s Nose
Bowerman’s Nose needs no introduction being one of Dartmoor’s most unique tors. When I captured this photograph, I was out for a dog walk. I had my Nikon Z fc and kit lens, but the light was too good not to try and capture an image.
Bowerman’s Nose, Dartmoor - Nikon Z fc, Nikkor 16-50mm f/3.5-6.3 VR at 16mm, f/8, 1/80 sec at ISO 100.
Dawlish Warren
I have photographed Dawlish Warren more times than I can remember, but it can still throw something unique at you. On this occasion it was fog. Something in all my years visiting Dawlish Warren beach I’d never seen before. I completely changed the feeling of the place, and I was able to capture some unique images of the beach.
Dawlish Warren, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 18mm, f/8, 3 sec at ISO 64.
Dawlish Warren, Devon - Nikon Z7, Nikkor 14-30mm f/4 at 19mm, f/8, 1/100 sec at ISO 250.
I hope you enjoyed this slightly random collection of photographs. I must have another look through my Lightroom catalogue to see if there are any other hidden gems in there.
A Landscape Photography Project to Capture the Changing Seasons
Each season offers the landscape photographer something unique and wonderful. One of the best ways to discover those changes is to photograph the same location every season. Sounds like a great idea for a photography project, doesn't it? I thought it was, so I decided to photograph Holne Bridge on Dartmoor during summer, autumn, winter and spring. However, things didn't turn out how I expected them to.
The Value of Photography Projects
Undertaking a photography project can be a big commitment. In 2019 I began a yearlong photography project to capture a photograph every month from the same location and despite the tight brief, I still found it challenging. But a photography project should be challenging, shouldn’t it? I am also in the middle of my biggest ever photography project and despite 12 months passing by, I don’t feel like I’m making any significant progress.
Despite what I’ve said, a photography project is a wonderful thing, and every photographer should undertake one. They can be incredibly rewarding and stretch your skills as a photographer. The important thing is to make sure the project is achievable. There is no point in undertaking a 365 project when you know from the outset you won’t be able to capture an image every day.
A Failed Photography Project?
On the topic of completing photography projects, I have just completed a project that I’ve been working on for the last year. Well, I say completed, but that’s that not strictly true. Yes, it’s finished, but is it complete? I’ll explain everything in the video below.
What do you think? Is that a photography project failure? Let me know in the comments below.
Lastly, if you’re interested here is a list of gear and services, I used to create the print.
Photograph printed with the Canon imagePROGRAF Pro-300 - my video review
Paper from Fotospeed
Picture frames from Picture Frames Express
Project Photographs - Holne Bridge on Dartmoor
Here are the final 4 photographs.
Holne Bridge, Dartmoor - Summer - Nikon Z7, Nikkor 14-30mm f/4 at 20mm, f/11, 0.6 sec at ISO 200, Kase CPL.
Holne Bridge, Dartmoor - Autumn - Nikon Z7, Nikkor 14-30mm f/4 at 19mm, f/11, 1 sec at ISO 800, Kase CPL.
Holne Bridge, Dartmoor - Winter - Nikon Z7, Nikkor 14-30mm f/4 at 22mm, f/11, 0.5 sec at ISO 200, Kase CPL.
Holne Bridge, Dartmoor - Spring - Nikon Z7, Nikkor 14-30mm f/4 at 18mm, f/16, 1/5 sec at ISO 64, Kase CPL.